Ariadna S.

Festival Internacional de Cinema de Crítica Social Protesta 2018

Protesta is an international film festival focused on social criticism that gives you the opportunity to be another piece in the movement to transform society through film. We believe that the screen is a way to shine light on the hidden realities of our world and give a voice to those who are silenced. It is also a way to appeal to the emotions directly. Films make you feel, and we are convinced that what society needs most is to feel more. We believe that another world is possible, and here at Protesta, a festival for activism, transformation, and feminism, we want to help accelerate that change to society through cinema.

• Senior Producer / Project Manager
• Production Coordinator / Crewing
• Creative Director

Festival Internacional de Cinema de Crítica Social Protesta 2019

Protesta is an international film festival focused on social criticism that gives you the opportunity to be another piece in the movement to transform society through film. We believe that the screen is a way to shine light on the hidden realities of our world and give a voice to those who are silenced. It is also a way to appeal to the emotions directly. Films make you feel, and we are convinced that what society needs most is to feel more. We believe that another world is possible, and here at Protesta, a festival for activism, transformation, and feminism, we want to help accelerate that change to society through cinema.

• Production Coordinator / Crewing
• Creative Director

Who do you inspire?

• Production Company
• Production Coordinator / Crewing

International Women’s Day 2019

• Production Company
• Production Coordinator / Crewing

CARE + H&M Foundation: Gender 360

• Production Company
• Production Coordinator / Crewing

This is not a love story.

Shot during the dismantlement of the refugee camp at Calais. We filmed with the unlikeliest couple of all –a Spanish ‘anstysistemic’ activist who has chosen to live at the camp and a Sudanese man who would rather be dead than remain in Europe, which he feels has been treating him like a criminal since he first set foot on the continent. Will he, a devout Muslim, marry her, a feminist atheist, in order to get his papers and be able to remain in Europe? It’s not so easy, we learn.

• Production Company