Lagos, Nigeria
$500 - $800 / Day
Request QuoteI'm a filmmaker. Sometimes I do other stuff too, like photography and graphic design. I graduated with a degree in Visual Arts and Communication Design from Eastern Mediterranean University, Cyprus and begrudgingly joined the workforce of millions of other artists in Lagos, Nigeria. My work ranges from documentaries with NGO’s focusing on displaced survivors of Boko Haram terrorist attacks, to short films tackling the intriguing questions in life, like “what is love?”. In my free time I enjoy sleeping, watching movies/series, baking, and of course, eating what I bake. Feel free to get in touch with me for work enquiries or just to say hi.
Akudo Iheakanwa is a Lagos-based entrepreneur and founder of Shekudo, which produces shoes and accessories that celebrate Nigerian craftsmanship and design. The brand aims to empower local artisans, working with locally sourced materials.
Olubunmi Atere is a contemporary ceramicist in Lagos, who hand builds and carves enchanting pieces with clay. She carves intricate motifs into her pieces, including the Adinkra symbols of the Akan people in Ghana, as well as those of her own creation.
In this film, Emma Prempeh provides insight into her practice. She carries us along on her journey of questions and discovery, in which she interrogates the concepts of time, spirituality, and connectedness with the body through the lens of her familial relationships.
Birthed from his desire to see a world where Africans conquer, Godwin Champs Namuyimba boldly merges Afrocentrism and Eurocentrism in his paintings to create a world where his dreams come to life. In this film he leads us right to the heart of his practice, baring his thought processes and his yearning for a different reality concerning the black race.
This is a documentary about the Ghana-based collective called the "Skate Gal Club"; an all female collective created to connect and empower girls and women in Ghana through skateboarding. Sandy Alibo, the founder of the Skate Gal Club takes us through the journey of the creation of this collective as well as enlightening us as to why starting this sort of project for women is so important now in West Africa more than ever.
In this introspective, Oliver Enwonwu leads us on a captivating journey, through the process of conception of his work to actualisation. A talented artist and art advocate with a deeply historical perspective, Oliver’s powerful portraits and depictions of tradition and culture adapt Old Masters’ modes of representation and techniques of painting, with the aim of addressing the absence of Black personages and revealing strong African influences on European art and history, especially in the Victoria era.
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