Discover Top Video Editors - Commercial in Bakersfield, California, USA

I served the U.S. Department of Defense for 5 years engineering, manufacturing and piloting unmanned aircraft. In 2012 I saw the "rise of the drones" and co-founded Drone Tech Aerial. I hold a Private Pilots License, Remote Pilot Part 107 License, SCUBA License, Motorcycle License, Fishing License and well, the license list goes on... Establishing shots, jib shots, crane shots, inside buildings, having pigeons fly our aircraft...We have done from mild to wild that's for sure. Drones are an awesome tool that instantly add production value but customers demanded we have a ground game. We answered with gimbals, motorized sliders, mirrorless cameras, sound, lighting and all the basics for a lightweight production. We have done work for some big names and a few features including Netflix, ABC, NBC, American Music Awards, Golden Globe Awards, Travel Channel, lululemon, Sony Pictures and other smaller but equally as important customers.

• Drone Operator
• Corporate Videographer
• Video Editor - Commercial
• Commercial DP
• Documentary DP
• Video Editor - Documentary
• Production Company

Bret Hamilton, born and raised in Kansas City, Missouri, has always been passionate about creating captivating entertainment for those around him. Pursuing this passion, he left his hometown to study cinematography at Columbia College Chicago. In September 2016, Bret moved to Ho Chi Minh City, Vietnam (formerly Saigon). There, he served as the Digital Content Director for local media start-up Vietcetera, producing and directing numerous short documentaries. He later became the Director of Photography for the Webby-winning Best Ever Food Review Show, where he scaled the visual and editorial direction of the channel from 300k subscribers to 3.5 million, earning almost half a billion views from a diverse, global audience. In the fall of 2019, Bret relocated to Los Angeles, bringing his unique skills and experience to a new market of brands, digital outlets, and content creators. When the pandemic hit, Bret adapted seamlessly, transitioning to virtual production as a Technical Director for commercial and documentary shoots operated entirely over Zoom. More recently, he worked with clients such as Rolling Stone Magazine, Salesforce, New York Times, and Meta.

• News Shooter / Video Journalist
• Commercial DP
• Documentary DP
• Video Editor - News
• Reporter / Journalist
• Mobile Journalist / Livestreamer
• On-Air Reporter / Host
• Video Editor - Documentary
• Video Editor - Commercial
• Creative Director
• Field Producer
• Production Company
• Editorial Photographer / Photojournalist
• Gaffer
• Grip
• Sound Mixer

I'm an award-winning documentary filmmaker and journalist specializing in environmental and science stories. I’ve shepherded two feature documentaries from concept through post-production, I have worked as a cinematographer and producer on high-profile documentary films, and I regularly produce marketing videos docu-style content for nonprofits and startups. I am incredibly skilled at connecting with characters and creating intimacy within a scene, which is most evident in my documentary work. As a journalist, I have reported for the Associated Press in Johannesburg and for Al Jazeera America and KQED in California, covering topics like climate change, endangered species recovery, rhino poaching, the illegal wildlife trade, toxic algal blooms and more. Before being a documentary filmmaker and journalist, I was a wildlife biologist. PORTFOLIO: www.courtneyquirin.com; FILMS: www.guardianthedoc.com, www.trackerfilm.com; IMDB: https://www.imdb.com/name/nm7324254/

• News Shooter / Video Journalist
• Documentary DP
• Video Editor - News
• Reporter / Journalist
• Editorial Photographer / Photojournalist
• Video Editor - Documentary
• Video Editor - Commercial
• Field Producer

I've spent the last 8 years scripting, shooting, and editing content for social media (both organic and paid). In that time, my work has received more than 100 million impressions across social media platforms and supported multiple 7 figures of ad spend for a number of well-recognized brands, including Mr. Beast, The NFL, Salvation Army, The NBA, The Hoop Bus, Aubrey Marcus, Breathwrk, Nicole Arbor, and TopCourt. Luckily, this wide range of clientele has given me a clear sense of how to envision and produce thumb-stopping content for use on TikTok and Instagram - videos that capture attention and don't lose that attention quickly. A blend of sound choice, text overlays, and the right shot selection is the key to my secret sauce. (My tool of choice is the Adobe Creative Suite - Premiere Pro, Audition, After Effects, Lightroom, Photoshop.)I'm pretty plug & play - depending on the structure & distribution of your current team. I can hit the ground running and start producing content pretty quickly. I would love to chat more!

• Creative Director
• Production Company
• Fixer
• On-Air Reporter / Host
• Drone Operator
• Field Producer
• News Shooter / Video Journalist
• Documentary DP
• Audio Storyteller
• Production Assistant
• Video Editor - News
• Video Editor - Commercial
• Commercial DP
• Digital Content Creator

Noah DeBonis was born in the Philippines, raised in Japan, and eventually settled in Miami, Florida where he received his BSC in Communications and an MFA in Film Production both from the University of Miami. Noah has directed, edited, and shot several award winning documentaries and short films. His documentary film “Do Tell,” won the Best Documentary Award at the University of Miami Film Festival and screened at Paramount Studios. “Do Tell” also screened at the Miami Short Film Festival, The Miami International Film Festival, where it won “Best Documentary” in the CinemaSlam Category. His Latest Film, Posthumous, has played at over 20 film festivals, winning best short film at 5. Posthumous has been nominated for a College Television Award, the student branch of the Emmy awards. Noah runs his own video production company and has worked continuously with such clients as the Miami Art Museum, Herzog and De Meuron, The Mardis Gras Casino, University of Miami, and many more

• Documentary DP
• Video Editor - News
• Fixer
• News Shooter / Video Journalist
• Commercial DP
• Editorial Photographer / Photojournalist
• Sound Mixer
• Video Editor - Documentary
• Video Editor - Commercial

In addition to being the CEO of JYC Llc, an immersive journalism production company, Jean Yves has worked as a VR / 360 Producer for The New York Times and serves as the Executive Producer and Director of VR at the Global Editors Network. His freelance work has been featured internationally in publications such as the Washington Post, Discovery's VR brand Seeker and AJ+. Chainon is a French and American digital entrepreneur, photographer, writer, journalist and filmmaker. He's worked as a photojournalist and now specializes in virtual reality and 360 video immersive journalism. He has directed and produced a number of 360 news documentaries (including co-productions with Immersiv.ly) in North America, Europe and Latin America. Since 2015, he has been leading training workshops with news organizations on the subject of Virtual Reality, 360 Video and Immersive Journalism. He is also the founder of OOAworld, a website dedicated to creative, original and qualitative multimedia storytelling: http://www.ooaworld. His full bio is available here: http://jychainon.com

• News Shooter / Video Journalist
• Documentary DP
• Video Editor - News
• Sound Mixer
• Reporter / Journalist
• Editorial Photographer / Photojournalist
• Immersive/Spatial Video Capture
• Video Editor - Documentary
• Video Editor - Commercial
• Commercial DP
• Creative Director
• Drone Operator
• Production Company
• Motion Graphics Designer
• VR / AR

Lina Plioplyte is an Emmy winning, Silver Lion and Clio awarded Lithuanian born filmmaker and camera woman, living and working between California and Mexico. Her movie making journey began as a journalism student in Lithuania and later at CU Boulder. NYC was the best film school when she moved there in 2007, producing video content for NYLON magazine TV. She is in development for her third feature doc, while creating short films, travel content and documentaries about bright personalities, celebrating women, highlighting untold stories. Her work has been showcased on Netflix, Hulu, MTV, PBS and soon her documentary PERIODICAL to premiere on MSNBC, her work played in HotDocs, IDFA, Venice Biennale, etc. Lina's camera work, awarded with an Emmy, champions natural light. Understanding both camera and story makes Lina a skillful collaborator. She is interested in people who are living unconventionally, the solutions for the planet, urban spaces, activism, social issues and mindful entertainment.

• Documentary DP
• Commercial DP
• Video Editor - Documentary
• Video Editor - Commercial
• Non-Fiction Film Director
• Field Producer
• News Shooter / Video Journalist
• Corporate Videographer

Emmy award-winning Producer, Director and Editor Dan Przygoda whose bold, singular vision for content has translated into millions of views for outlets such as ABC, Bloomberg, NBC and CNN. His content has consistently been nominated for and awarded several prestigious awards, including multiple Emmy wins. His digital franchise “Your 3 Words” for ABC was featured as part of the 2010 Academy Awards. Working as a journalist for the past 14 years, Dan has traveled the world from Brazil to the Middle East creating compelling and emotional human interest stories that have captivated global audiences. Dan’s work is guided by his core belief that the key to any successful piece of content is heart and emotion. This guiding principle informs all of his work, from documentaries to music videos to commercials. Dan recently partnered with APCO Worldwide to deliver a four-part global ad campaign for Upfield, the makers of “Country Crock” and “I Can’t Believe It’s Not Butter.” You will rarely find a picture of Dan online where he’s not wearing sunglasses.

• News Shooter / Video Journalist
• Corporate Videographer
• Drone Operator
• Production Company
• Non-Fiction Film Director
• Field Producer
• TV News Producer
• Video Editor - News
• Video Editor - Commercial
• Video Editor - Documentary
• Reporter / Journalist
• Creative Director

Since 2010, David has been working full time as a video editor. With skills in Avid and the Adobe Creative Suite, David is very well rounded when it comes to the tools and tricks of storytelling. Originally from Chicago, David always believes that the integrity of the story is paramount to the success of any project. Priding himself on speed and professionalism, David has worked directly with company VIPs and CEOs to ensure that their brand and vision are portrayed in the best way possible for their clients. From Golf Channel to Golden Globes, David understands that no client is too large or too small. From high intensity to slow dramatics, proper pacing is the key to successful story telling. ​ Past project highlights include serving as lead editor on an Emmy Award Winning children TV series, editor of 10 Red Carpet Awards Shows, more than 15 short form documentaries, over 25 nationally broadcast commercials, 100+ sizzles & promos, and 4 years of documentary and reality show work with NBC.

• Video Editor - News
• Video Editor - Documentary
• Video Editor - Commercial
• Motion Graphics Designer
• Fixer

My name is Justin Nijm and I am an Arab-American filmmaker. I specialize in directing as well as producing features and videos. I recently completed a short horror film for 20th Century Digital called "The Hug" and am currently in development on the feature. "Grasshoppers" is an indie feature I produced starring Saleh Bakri and premiered at the Bend Film Festival in Oregon. It plays next at the Bahamas International Film Festival and Cinequest. I worked as a staff director, writer, and editor for Funny Or Die for three years. I co-directed 2 seasons of the IFC show Stan Against Evil, now streaming on Hulu. My work has been featured on Comedy Central, Hulu, Funny Or Die, YouTube Red, The History Channel, Adult Swim, Jimmy Kimmel, The Super Serious Show, and more. I love projects that let me use genre to tell stories in visually compelling ways, and I try to incorporate activism and social commentary into everything I do. I am advanced in Premiere Pro, Final Cut Pro, Photoshop, InDesign, After Effects, and more. I own my own editing bay which I built myself and camera package that includes a Canon C500 MK II and (2) Sony a7s III's. I believe strongly that no project is worth hurting your crew. I believe in the power of a strong personal vision unified with thoughtful collaboration. I strive to create an environment on every set that is inclusive, safe, and fun.

• Production Company
• Video Editor - Commercial
• Line Producer / On-Location
• Production Coordinator / Crewing
• Non-Fiction Film Director
• Creative Director
• Video Editor - News
• Video Editor - Documentary
• Editorial Photographer / Photojournalist
• Event Photographer
• Portrait Photographer
• Sound Mixer
• Commercial DP
• Motion Graphics Designer
• Colorist

I have told the stories of evicted illegal immigrants, the trials of recovering drug addicts, and the efforts of an entire community to end gang violence. I have documented the struggles and triumphs of homeless teens in Chicago. I have even reported across language barriers to tell the story of religious intolerance amongst Buddhist monks in Myanmar. I'm an editor, photographer, and producer. I mostly cut in Premiere, and I have a solid working knowledge of motion graphics through After Effects. I thrive under tight deadlines, and as a jack-of-all-trades, I am comfortable with all things media and editorial. I am a graduate of the Medill School of Journalism at Northwestern University, where I spent four years developing my talents in documentary style media production and multimedia storytelling. Nowadays I'm a freelance editor at VICE, having worked on Emmy-nominated series Gaycation, Emmy-nominated VICE on HBO, and Weediquette, amongst other shows.

• Documentary DP
• Video Editor - News
• Editorial Photographer / Photojournalist
• Reporter / Journalist
• News Shooter / Video Journalist
• Sound Mixer
• Video Editor - Documentary
• Video Editor - Commercial
• Production Company

Music is one of my biggest passions. I have written songs with Linkin Park and FKi 1st (one of hip hop's biggest producers), opened shows for Green Day and Twenty One Pilots, and have had one of my songs go RIAA certified gold. Cinematography started as a flirtation (a way to kick start my band) but over the years it has become a passion equally as large as music. I have worked with some of the biggest names in the business such as Nike, HyperloopTT, Palm Springs, Charlie Rocket, Vero, Bosch, Troye Sivan, Brat, Fashion Nova, and Ableton. My biggest accomplishment was contributing work on Nike's Emmy Award-Winning 30th Anniversary "Just Do It" commercial "Dream Crazy" featuring Colin Kaepernick, arguably their biggest commercial they've had to date. No matter what career path I take, my work ethic and my drive to be the best version of myself always results in success at the highest of levels.

• News Shooter / Video Journalist
• Corporate Videographer
• Creative Director
• Post-Production Manager
• Gaffer
• Grip
• Video Editor - Commercial
• Video Editor - News
• Video Editor - Documentary
• Music Composer
• Sound Designer
• Colorist
• Event Photographer
• Portrait Photographer
• Product Photographer
• Fashion Photographer
• Podcast Producer
• Content Strategist
• Social Media Producer
• Commercial DP
• Sound Mixer

Genéa Gaudet is an award-winning documentary and music video director, editor, and camera woman. Working in both Los Angeles and Joshua Tree, CA, Genéa (pronounced Jenaya) explores gender, memory, relationships, and sexuality in her work. Recently she’s been working on 16mm and 8mm film and experimenting with analog video formats. She is a featured director on Free the Bid and Boyish. Currently Genéa is in post-production on a film called 5 Days – an intimate portrait of a man who faces a five-day trial and 30 years in prison for child molestation. Her latest TV series will see a 2021 release on FX network: A doc series called PRIDE about the rise of the LGBTQ++ movement. Her first short documentary, Elder, recalls the experience of a Mormon man who became a missionary in Italy during the 70s and fell in love with a Communist man. It premiered at the 2015 Tribeca Film Festival and was a selection for the Emmy award-winning New York Times Op-Docs series. It won a jury prize for Best Short Documentary at the Napa Valley Film Festival. Her second film, Second to None, is a branded-content short about Isabella and Margaux Isaksen – two sisters vying for an Olympic slot on the U.S. Pentathlon Team. It was featured on ESPN in 2016. Genéa’s music video Game to Lose for indie-folk supergroup I’m With Her is featured on Rolling Stone, and aggregating on Variety, The Guardian, JamBase and Daily Motion. Additionally, she has filmed music videos, short documentaries and promotionals for Steve Martin, Andrew Bird, Béla Fleck & Abigail Washburn, the Violent Femmes, The Record Company, and Lindsey Sterling. Genéa is a union editor on the roster for the IATSE 700 Editors Guild. Genéa grew up in Canada and works through her production company, Girlfight Pictures. She spends most of her time living the art life in a quiet expanse of the Mojave Desert. She is a former roller derby player who somehow raised the most amazing daughter in the world.

• News Shooter / Video Journalist
• Documentary DP
• Video Editor - Documentary
• Creative Director
• Production Company
• Field Producer
• TV News Producer
• Reporter / Journalist
• Commercial DP
• Video Editor - Commercial

Mitchell Arens is a cinematographer based in Los Angeles working across multiple genres and moving image mediums. He holds an MFA from New York University’s Tisch School of the Arts. Throughout his career, Mitchell has been fortunate enough to work behind the camera on commercials, documentaries and narrative films all over the world, shooting everywhere from Borneo to Siberia. He recently returned from the Middle East where he was serving as the cinematographer on a documentary about Hyperloop development in the UAE. His credits include Dandelions (directed by Basil Mironer), an unreleased docu-series about a Russian refugee tracking down his long lost father; Kate Nash: Underestimate The Girl (directed by Amy Goldstein), about the rise and fall of the controversial pop star; and Oh Lucy! (directed by Atsuko Hirayanagi), which received the International Short Jury Award at the 2015 Sundance Film Festival and 2nd prize in the 2014 Cinefondation category at Cannes. In addition, Mitchell has shot commercials for clients such as Chevy, Hyundai, and Mobil1 as well as music videos for an array of artists including Dorothy and Natasha Beddingfield.

• News Shooter / Video Journalist
• Commercial DP
• Documentary DP
• Editorial Photographer / Photojournalist
• Non-Fiction Film Director
• Corporate Videographer

I'm a documentarian, video journalist and photographer currently based in LA. When I'm not in LA I spend a good chunk of my time on assignment in either Chicago or New York City. Some of my past experience includes- head of video production for Sofar Sounds Chicago, camera operator for Audiotree Live Sessions, and photographer for festivals like the Chicago International Movies and Music Festival (CIMM Fest) and Lollapalooza. I am also currently an in-house photographer for Cinefamily in Los Angeles. My latest short form doc was featured on the first episode of the new PBS show 'Live @ 9:30'. I attended Columbia College Chicago as a cinematography/documentary major. My work in LA consists of camera operating, DP'ing, camera assisting (both in the film and editorial photo world) and DIT work on everything from short films to major television shows, music videos, commercials, and feature films. I am definitely an asset to have in your corner. I am personable, passionate, and devoted to my craft.

• Documentary DP
• News Shooter / Video Journalist
• Commercial DP
• Field Producer
• Production Company
• Drone Operator
• Editorial Photographer / Photojournalist
• Video Editor - News
• Video Editor - Documentary
• Video Editor - Commercial
• Production Assistant
• Creative Director
• Mobile Journalist / Livestreamer
• HD Live Operator
• Full-Service Live Production

I currently specialise in automotive and tech content, offering directing, editing and cinematography services. But I have also gained a huge variety of experience in video and television productions in other areas. I have a proven track record in using all the major manufacturer's camera systems, as well as gimbal and drone technologies. I am also a highly skilled editor and have expert knowledge of Final Cut Pro X, Premiere Pro, After Effects and DaVinci Resolve. I pride myself on being a resourceful creator, tackling ambitious content usually considered beyond the scope of single-shooters. I also have led teams and crews on larger projects, and can inspire the best from other contributors. My mantra is to always exceed the expectations of the client. Clients include; Ferrari, BBC Studios, CNBC and Xsolla. I am a US permanent resident and do not require any visa or sponsorships to work.

• Video Editor - Documentary
• Documentary DP
• Non-Fiction Film Director
• News Shooter / Video Journalist
• Commercial DP
• Immersive/Spatial Video Capture
• Motion Graphics Designer
• Creative Director
• Colorist
• Senior Editor
• Video Editor - Commercial
• Video Editor - News
• Landscape Photographer
• Corporate Videographer
• Drone Operator

After film school, I started my career in New York City as a Production Assistant and editor. It was exciting to balance my time between production and being on set and post production and editing a project for months at a time. My first producing job was a music video for James Taylor. I moved to Los Angeles and produced music videos and commercials. Soon after, I found myself going to Nashville to produce country music videos for Brooks and Dunn, Toby Keith, Brad Paisley, Dolly Parton, Martina McBride. I have been nominated for 14 Academy Of Country Music Awards for Producer / Best Music Video and have won the award 5 times. In-between the music videos I would produce commercials for clients such as FORD, Tropicana Juice, Kraft Foods, Varilux, Kia, Jack Daniels and Blue Cross to name a few. ​ Always keeping busy, I moved into Television producing specials and long form DVD's for NBC, ABC and FOX. Some of these include: THE PASSION (FOX - Produced all of the pre tape segments), Olivia Newton John-Live from the Sydney Opera house (a Live 10 camera performance based DVD), WIND IN THE WIRE - Producer for a TV movie for ABC, Rascal Flats, Nothing Like This - (ABC) a behind the scenes look of the band creating a new album. Along with numerous promos for NBC/Universal, Fox and ABC. ​ I've even kept up my editing skills by cutting documentaries for Wings Over Wendy's, Pioneers of the Automobile and several commercials and web series. ​ My philosophy has always been to create a “team” atmosphere with my production crew. Growing up, i worked in the family run dry cleaners, where my dad taught me every aspect of the dry cleaning industry. I learned to deal with the public and manage employees. I have put this same type of experience into producing. Over the years I have learned details of all equipment and I try to stay current with the latest trends in everything from cameras to lighting styles. I have made it a point to learn as much as I can from every department on a movie set or in post production. This comes in handy when budgeting and dealing with problems that arise during production. Because of my experience, I am able to aid in decisions and even think outside the box to come up with solutions to a problem. My background producing commercials, promos, documentaries, music videos and multi-camera shows has taught me that there are many creative solutions to the problems that arise in production.

• Production Company
• Line Producer / On-Location
• Corporate Videographer
• Video Editor - Commercial
• Video Editor - Documentary
• Event Photographer
• Landscape Photographer
• Executive Producer
• Non-Fiction Film Director
• Field Producer
• Senior Producer / Project Manager
• Post-Production Manager
• Production Coordinator / Crewing
• Documentary DP
• Fixer
• Creative Director
• Graphic Designer
• Art Director
• Product Photographer
• Commercial DP

Art Director / Motion Designer / Cinematographer with record of delivering award-winning campaigns. Specializing in Directing / Shooting and VFX Supervision. A self-starter and passionate with a strong creative eye to maintain consistency and quality across all deliverables. Live and breathe the latest digital technologies, design, typography, photography, cinematography, storytelling and music. Go-to Passionate team leader with seven years managing a highly experienced best in class creative post team, consisting of motion designers, art directors, and Flame Artist. Success guiding efforts covering post-production, creative strategy, visual direction, and creating meaningful content that connects with core audiences. Solid interpersonal skills, down to earth and strong belief in creative diversity. Advanced proficiency in After Effects, Cinema 4D and a fluency in the Adobe Creative Suite.

• News Shooter / Video Journalist
• Documentary DP
• Commercial DP
• Corporate Videographer
• Line Producer / On-Location
• Non-Fiction Film Director
• Creative Director
• Post-Production Manager
• Video Editor - Commercial
• Motion Graphics Designer
• Animator / Visual Effects Artist
• Colorist
• Portrait Photographer
• Fashion Photographer
• HD Live Operator

Nat Prinzi is a multi-faceted creative entrepreneur who has founded multiple entertainment and multimedia companies, each a vehicle to express his unique creative vision and ideal. Prinzi has directed, created, and produced over 300 projects, including original series, award-winning short films, documentaries, music videos, and ad campaigns for fortune 500 companies. He has worked with a variety of brands including Pepsi, Verizon, Instagram, Swatch Group, Converse, Uninterrupted, New Balance, De Beers, Linkedin, Dell, ASUS, Morgan Stanley, Roc Nation, Macy's, Dell, Charles Schwab, COMPLEX and more. Nat is also the Founder and Executive Producer of Betterdays Media, and serves as the lead creative, and directorial force behind Betterdays’ array of projects in the commercial, digital, scripted and unscripted spaces. ________ Betterdays Media is an award winning full-service Production and Entertainment company with offices in New York and Los Angeles. We specializes in the creation of commercial, branded, and entertainment content for major brands, agencies, networks, and publishers worldwide. We are a diverse group of creatives, producers, and innovators with an insatiable hunger for storytelling and getting shit done. Our focus and sensibilities stem from a deep cultural attunement to the newest movements in music, culture, style, and filmmaking. We've created and produced original series, award-winning films, ad campaigns for fortune 500 companies, as well as music videos for grammy award-winning artists. Betterdays represents a collection of diverse and innovative award-winning Directors, Producers, Cinematographers, and Post-Production artists. Whether a social campaign, brand film, or a 30 second spot - our work is driven by our purpose to create entertaining, elevated, result driven content. Betterdays prides itself in being a minority owned company, and operated by women and BIPOC.

• Production Company
• Creative Director
• Series Producer / Show Runner
• Video Editor - Commercial
• Senior Producer / Project Manager
• Motion Graphics Designer
• Video Editor - Documentary
• Executive Producer
• Non-Fiction Film Director
• Line Producer / On-Location
• Content Strategist
• Product Photographer
• Fashion Photographer

Multimedia storyteller Sarah Fretwell looks deeper into the intersection of the environment, people, and business with one question: “What if the new bottom line was love? Her award-winning work explores the lives of everyday people with extraordinary stories and creates the human connection that engages people on a personal level. Her work offers individuals a voice for justice, insight for solutions, and the human connection needed for international engagement. She loves collaboration, working as a team, creating compelling stories, and living outside of the box. Clients & Publications The World Bank Group, United Nations, USAID, USAID Indonesia, Tara Expeditions Foundation, BioCarbon Fund, SXSW Interactive, TEDx, The Royal Academy of Engineering, The Africa Prize for Engineering Innovation, Enough Project, Human Rights Watch, Outside Magazine, Beads of Esiteti, Parker Clay, International Peace Initiatives, The Surfrider Foundation, CNBC, Bloomberg, Social Documentary (SDN), Blue Earth Alliance, and Photoville. Sarah completed the COVID-19 Safety Training for Visual Journalists.

• Creative Director
• Production Company
• Documentary DP
• Drone Operator
• Field Producer
• Video Editor - Documentary
• News Shooter / Video Journalist
• Reporter / Journalist
• Editorial Photographer / Photojournalist
• Video Editor - Commercial
• Commercial DP
• Fixer
• Production Assistant