Discover Top Freelancers in Federal District, Mexico

Alejandro Reyes, better known as Alex Luke, is an independent filmmaker from Mexico City currently based in Oaxaca de Juárez, Oaxaca. Graduated with a degree in Advertising, he has developed his career in audiovisual production, making commercials for different brands, corporate videos and digital content, he has worked in films and TV series, he has extensive experience in the government sector and political campaigns, he has filmed more than 17 documentaries in Mexico, Europe and Latin America. Culture, art, nature, archaeology, history and ethnography. Topics ranging from sharks to rock bands. His previous documentaries “Dance of the Feather” and “Whaleshark: The Legacy” have been recognized with numerous awards at more than 15 different international film festivals. His latest documentary “Oaxaca and its Ethnicities: Pride of Our Origin” is currently competing in international festivals and so far, has already received three awards. He is currently working on two documentaries.

• Creative Director
• Documentary DP
• Commercial DP
• Corporate Videographer
• Digital Content Creator

Hello Storyhunter! My name is Juan and I'm a video director, editor and producer based in Mexico City with over 6 years of experience. I have worked on several documentary projects through collaborations with non-profits and international organizations as well as media outlets and commercial brands. I have directed and produced documentaries, short films, corporate videos, branded and editorial content and educational and music videos, for brands like Domestika, Citibanamex, Chivas Regal, Under Armour, Blinkist, United Nations and Grammy-nominated La Vida Bohemè. I have given workshops on documentary storytelling and video production for digital content creators. I collaborated as creative producer at On the Road Media, a video production company that tells cinematic stories to drive social change. My films have been screened at various film festivals in Mexico and abroad (Seattle Latino Film Festival, International Documentary Film Festival Mexico City DocsMx, Monterrey International Film Festival, Miami Independent Film Festival, International Documentary Film Festival DocMontevideo).

• Documentary DP
• Creative Director
• Production Company
• Field Producer
• Video Editor - Documentary
• Fixer
• News Shooter / Video Journalist
• Production Assistant
• Translator
• Reporter / Journalist
• Editorial Photographer / Photojournalist
• Audio Storyteller
• Video Editor - Commercial
• Senior Producer / Project Manager
• Non-Fiction Film Director
• Post-Production Manager
• Corporate Videographer
• Copywriter

Awarded Cinematographer / Director / Producer in Documentaries and films in general. From Argentina but based in Mexico City since 23 years ago. Member of the Mexican Society of Cinematographers (AMC) The films in which I have collaborated, both in Cinematography and as Director, have been exhibited in renowned international film festivals, also in film theatres and cultural halls of America, Europe and Australia such as The Lincoln Center in New York, the Museum of Fine Arts of Houston, the Reina Sofía Museum of Madrid, the San Martín Cultural Center in Buenos Aires and The Museum of Modern Art in New York. I mainly do feature length documentary and fiction films. I have DP and directed TV and commercial content. The films in which I have worked on have been premiered at internationally renowned film festivals such as Toronto International Film Festival TIFF, Sundance Film Festival, International Film Festival of Marrakech, IDFA, International Festival of Cartagena de Indias FICCI, San Sebastián International Film Festival, SxSW, Down Town Los Angeles IFF, DOCSMX and Morelia International Film Festival FICM, among others. My work as cinematographer has been awarded for the films Palabras Mágicas/Magic Words (2012) by Mercedes Moncada (Mexican Society of Cinematographers Prize at DocsMX IFF), Guerrero (2017) by Ludovic Bonleux (Crystal Screen Award for Best Documentary Cinematography) and Bosque de Niebla/Cloud Forrest (2017) by Mónica Álvarez Franco (Best Cinematography Prize at Down Town Los Angeles International Film Festival). Nominated for the Silver Ariel Award of the Mexican Academy of Cinema Arts and Sciences for Best Documentary, in 2014, for El Alcalde, which I have co-directed with Emiliano Altuna; and Nominated for the Silver Ariel Award in 2019 for Best Cinematography for my work in La Camarista/The Cambermaid de Lila Avilés, 2018. I have accumulated experience filming in a wide variety of territories and circumstances in different areas of Argentina, the United States, Cuba, Nicaragua, Germany, Mexico, Guatemala. Every year, fortunately and since 2002, I am invited to share my film experience both in film schools and traditional universities and giving workshops, courses and inside alternative/non-traditional education programs. I have been invited to advise and follow up on film works in development within grant programs in various academic, promotional and development efforts from governmental and private initiatives. Owner of Bambu Audiovisual, a 16 years old independent production company dedicated to the development and production of both documentary and fiction films focused on social relevant interest and narrated from a personal and artistic standpoint.

• Documentary DP
• Editorial Photographer / Photojournalist
• Video Editor - Documentary
• News Shooter / Video Journalist
• Production Company
• Commercial DP
• Non-Fiction Film Director
• Senior Producer / Project Manager
• Post-Production Manager
• Colorist
• Portrait Photographer
• Landscape Photographer
• Product Photographer
• Line Producer / On-Location
• Fixer

Seasoned Producer, Director, Cameraman, Reporter, and Entrepreneur boasting over two decades of rich experience in the media landscape, primarily based in Mexico but actively engaged in diverse projects across several countries. As the proud owner of DRAX Produktion, a thriving company located in the heart of Mexico City, I specialize in the meticulous production of TV documentaries, impactful journalism, as well as compelling commercial and corporate videos. Our emphasis on quality storytelling and visual excellence has positioned DRAX Produktion as a leading force in the dynamic world of media production. My passion lies in narrating the captivating tales of individuals, diverse cultures, and pressing ecological issues. With a keen eye for detail and a commitment to authenticity, I strive to uncover the positive facets within each story. Beyond the lens, I am not just a content creator; I am a storyteller dedicated to fostering understanding, empathy, and appreciation for the multifaceted aspects of the human experience. In a media landscape marked by constant evolution, my adaptability and global perspective allow me to navigate and contribute meaningfully to projects that transcend borders. I am committed to pushing the boundaries of visual storytelling, bringing forth narratives that inspire, educate, and resonate with audiences worldwide.

• News Shooter / Video Journalist
• Documentary DP
• Fixer
• Video Editor - News
• Video Editor - Documentary
• Video Editor - Commercial
• Production Company
• Field Producer
• TV News Producer
• Creative Director
• Motion Graphics Designer
• Full-Service Live Production
• Reporter / Journalist
• Line Producer / On-Location
• Corporate Videographer
• Senior Producer / Project Manager
• Series Producer / Show Runner
• Event Photographer
• Music Composer
• Senior Editor

David Castañón Medina is a graduate of the National School of Cinematographic Arts (ENAC-UNAM) with a specialty in directing, as well as a degree in Design and Visual Communication with a focus on multimedia from the Faculty of Arts and Design (FAD-UNAM). His debut documentary No son Horas de Olvidar obtained the support of IMCINE through the Incentive Program for Film Creators for Project Development (2013) and the Fund for Quality Film Production (2017). The project was recognized with the EFD Award at the 12th Co-production Meeting of the Guadalajara International Film Festival, where the director was also part of the eighth edition of Talents Guadalajara. In 2020, No Son Horas de Olvidar premiered at the 18th edition of the Morelia International Film Festival. The following year, the film was recognized at the Viña del Mar International Film Festival with the FEISAL award; at the Black Canvas Contemporary Film Festival with the award for Best Film; at the Madrid Film Festival, Ojo cojo with the Premio Guiño for Best Documentary; and with the Zanate Grand Prize award at the Zanate Mexican Documentary Film Festival. Likewise, the film has been part of the official selection of FICTU (Tulum), DOQUMENTA (Querétaro) and Escales Documentaires (France). His short documentary Días Distintos won the award for Best Mexican Documentary Short Film at the 6th edition of the DOCSMX festival and received an honorable mention in the category of Best Student Documentary at the 15th edition of the José Rovirosa Award. Since 2015 he has been related to teaching Documentary Language, Cinematography and Filmmaking content. He works as a director, editor and director of photography in documentaries, fiction projects, advertising and video clips.

• Documentary DP
• Video Editor - Documentary
• Video Editor - Commercial
• Commercial DP
• Non-Fiction Film Director
• Creative Director

MEXICAN BRITISH SOCIAL ANTHROPOLOGIST TURNED VIDEO JOURNALIST / CORRESPONDENT, BASED IN MEXICO. My bi cultural upbringing between Mexico City and London inspired my curiosity for social and cultural issues from a young age. I read Social Anthropology at the London School of Economics, specializing in Visual Anthropology. In 1997 I returned to Mexico where I was quickly hired by the BBC bureau to cover Mexico, Central America and the Caribbean. Initially I was a tv and radio producer and then I received training to work as the bureau's camerawoman and editor for the region. News was a great school but I wanted to work on longer formats to get a more in depth look at the important issues. I used my field experience to springboard into documentary and spent 10 years working as a local field producer for international broadcasters: BBC, Discovery Channel, History Channel and ABC Australia. Twenty years into my career I became a correspondent. I have been working on medium format pieces focusing on social and environmental issues relevant to the Americas region. These have been commissioned by the Americas Now segment of CGTN America. My passion for social, cultural, environmental issues; my innate gift for connecting with locals from every walk of life; my ability to gain access; my in depth knowledge gained from decades of covering the region, have all come together to give me the tools to be able to tell the important stories the region has for an international audience.

• Reporter / Journalist
• Production Coordinator / Crewing
• Field Producer
• Audio Storyteller
• Fixer

Luis Arango 1983 La contemplación de lo visual llevo a Luis Arango a adoptar a la fotografía como su medio de lenguaje y profesión, misma que ha desarrollado por mas de 15 años, actualmente es fundador de PINHOLE® casa de contenidos audiovisuales radicada en la CDMX encargada de generar piezas publicitarias para distintas marcas, la versatilidad de su trabajo lo ha llevado a la realización de campañas publicitarias y diversos estilos, que van desde autos, documentales, producto, turismo, cobertura internacional en juegos centroamericanos y olímpicos y copas mundiales, ganador de bronce por parte del Comité Olímpico Internacional, por una campaña realizada para los juegos de invierno en Sochi 2014. Creador de “ 19/S el día que nos reencontramos”, proyecto que difundió a manera de homenaje, los sucesos derivados del sismo de la misma fecha en la CDMX, proyecto que se basa en tres ejes: 1.- Documental del mismo nombre, 2.- Exposición Fotográfica y 3.- Un Numero especial con la agencia fotográfica CUARTOSCURO. Hoy en día se encuentra desarrollando su segunda pieza documental la cual pretende cubrir un trayecto en 30 días que va desde Ushuaia hasta Alaska. Para Luis es importante compartir y crear un legado para los demás, trasmitir un poco de sus conocimientos es la forma de agradecer la vida.

• Editorial Photographer / Photojournalist
• Portrait Photographer
• Product Photographer
• Fashion Photographer
• Digital Content Creator
• Commercial DP
• Corporate Videographer
• Drone Operator
• Documentary DP
• Fixer
• Field Producer
• Executive Producer
• Creative Director

GABRIEL SERRA is an Award Director and Cinematographer. Originally from Nicaragua, Gabriel is now based in Mexico City but spreads his time working in the US, Mexico, and across Central America. He study journalism in Nicaragua and then cinematography in Mexico City in Centro de Capacitación Cinematográfica (CCC) from 2008-2015. He has worked as Cinematographer both in the premium documentary space and narrative features. Some of his recent work in this role includes EL TEMA (a docuseries about the climate crisis in Mexico), NIÑA FURIA (an HBO fiction series about Nicaraguans exiles in Costa Rica), and the award-winning documentary feature, RUSH HOUR. His features film as a director was EL MITO BLANCO. LILIANA, and two short documentary films for Tate Modern Museum. Most recently, he wrote and directed the Amazon Prime docuseries, GOOD RIVALS, nominated for the Emmys sport category and was the Dop for Tratado de invisible premierd and awarded at Guadalajara film festival

• Documentary DP
• Commercial DP
• Non-Fiction Film Director

En el 2011 fundé junto con un amigo cineasta y una amiga antropóloga una productora autónoma "Tlazocamati Producciones". El primer documental que rodamos fue sobre la vida de una mujer partera y desde entonces buscamos rodar documentales con el mismo espíritu que impulsó la creación de nuestra productora. Rodar documentales sustentados por intensas investigaciones haciendo uso de herramientas etnográficas y privilegiando una mirada comprensiva y crítica de la realidad. Queremos abordar todas aquella parcelas de la realidad que permanezcan en la oscuridad o que generen incomprensión con el propósito de brindarles una halo de luz. Nuestra línea esta muy centrada en el tema de la mujer, la vida cotidiana, la espiritualidad pero buscamos cada vez más ampliar nuestro abnico temático.En el 2011 estudié el master de antropología visual en la Universitat de Barcelona para afinar la metodología etnográfica y combinarla con las herramientas audiovisuales.

• Documentary DP
• Non-Fiction Film Director
• Video Editor - Documentary
• Drone Operator
• Translator
• Commercial DP
• Creative Director
• Video Editor - Commercial

Born and raised in a small town in the Italian Alps, Alessandro studied at the University of Bologna’s Drama, Art and Music Studies (DAMS) program—the first Italian degree to focus entirely on visual arts and performance. In Bologna, he directed his first short film Dog from Hell, which was produced by Universal Studios and broadcast nationally. A year later, he attended U.C. Santa Barbara as an exchange student, where he wrote his final thesis on the Santa Barbara International Film Festival. In 2004, he moved to Dublin, Ireland and became a Final Cut Pro certified trainer. There he managed an Apple Training Center, while teaching film editing at other institutions, such as NYU’s Tisch School of the Arts and Filmbase. He also co-founded the production company Cacti Films, serving as creative director. It was during this time that Alessandro developed a relationship with documentary filmmaking as a means of questioning, challenging and bringing awareness to subjects of social relevance. In 2008, he directed Children of Manila and The Cemetery People, short documentaries that depict the hardships of life on the streets, and how shelter and education can help. Both films won numerous national and international film festival awards, and were featured at various events around the globe. Since 2011, he has resided in Mexico City, where he works as a director and editor.

• Documentary DP
• Video Editor - News
• Fixer
• Editorial Photographer / Photojournalist
• Video Editor - Documentary
• Video Editor - Commercial
• Creative Director

Edgar Nito is a graduate student with honors from the Cinematographic Training Center, where he has directed, written and produced several short films since 2007. In 2010 his short film "Y volveré ..." was premiered at the Sitges International Festival of Spain. He has received an honorable mention at the Lebu Film Festival in Chile, has been awarded the best short film award at the International Film Festival of Guanajuato, the Best Cinefantasy Soundtrack Award in Brazil and the Best Narrative Short Film Award At the Garden State Film Festival in the United States. Participation in international film festivals. Edgar directed the segment "Jarral de Berrios" in the film about Mexican legends and traditions "Mexico Barbaro" that you can watch it on Netflix in several countries. He is currently postproducing his debut film "GUACHICOLERO" and is developing his second feature "Tatewarí". This project won the Bronze Award at the Fantastic Film Fest 2013 in Austin Texas with Elijah Wood and Robert Rodriguez as jurors. Edgar founder and Director of the video company PIROTECNIA FILMS where he has relaied video and commercials for brands like JEEP, TED, HALLS, EY, etc. www.pirotecniafilms.com http://www.imdb.com/name/nm4721120/

• Documentary DP
• Commercial DP
• Creative Director
• Production Company
• Fixer
• Field Producer
• Video Editor - Commercial
• Video Editor - Documentary

Soy un realizador audiovisual y tengo 29 años de edad. Estudié Artes Audiovisuales y desde que salí de la escuela en 2006 hasta el 2009 me dediqué a levantar proyectos personales. Apartir del 2009 comencé a trabajar en la TV comercial como Editor Senior. Esto me separó de mi pasión por el documental, sin embargo en 2011 entré a trabajar a Milenio TV, un canal de noticias en México, lo que me acercó al mundo del noticiero y un poco al documental Actualmente radico en la Ciudad de México y estoy produciendo un documental sobre una Subasta de Plantas que yo mismo recrearé para acelerar los procesos del mercado y de la economía actual. Quiero revisar e indagar en temas como el valor de las cosas y la comercialización de seres vivos. Me interesa observar el afecto y el posible apego que el ser humano ejerce sobre su entorno inmediato y como esto es el motor de sus actos. Estoy interesado en revisar la delgada línea que separa a la narrativa del documental y los formatos de la ficción.

• Documentary DP
• Commercial DP
• Video Editor - News
• Sound Mixer
• Video Editor - Documentary
• Video Editor - Commercial

Self-taught and curious by profession, he has developed a large part of his film career as a cinematographer and documentary filmmaker. His professional origins are in public television (Channel 11, Channel 22), participating in anthropological, ethnographic, musical and environmental productions. Subsequently, he served as a producer of reality television programs for Sony Entertainment and the Discovery Channel. In 2011 he co-founded Perro Rojo Films, with a team of writers and filmmakers with the desire to explore characters, tell stories and experiment with new narratives. As a result, he is consolidated as a documentary film producer with the film Mexicanos de Bronze, (2016, Julio Fernández), winner of the national journalism award in 2017, best film in DocMontevideo, official selection at the Morelia International Film Festival and today available on Netflix. He has produced content documenting environmental conservation projects for UNDP-UN in Mexico. He returns to documentary cinema as a cinematographer with the film Las Ninfas del Celuloide, (2018, Tabatta Salinas, Audrea Gautier), with the support of IMCINE and IBERMEDIA. He is currently developing his first documentary project as a director.

• News Shooter / Video Journalist
• Documentary DP
• Commercial DP
• Corporate Videographer
• Drone Operator
• Non-Fiction Film Director
• Line Producer / On-Location

(English) I'm an audiovisual artist based in Mexico city, interested in everything that has to do with the arts, technology and cinema. I specialize on Direction, photography, editing and script-writing. I studied on "CENTRO DE DISEÑO, CINE Y TELEVISIÓN" in Mexico City and have a degree on Cinema and Television. I have a vision of creating high quality content, in image, sound and concept on everything i do: cinema, advertisement, journalism, music videos, fashion films, etc. I'm tired of watching low quality content meant for making the consumer stupid, i truly believe that everything we do should be treated as a piece of art, not just a meaningless job for getting money, art can be sold too and im sure that the consumers would really appreciate having their entertainment to be more like a gourmet dish and less like a junk food content for their brains, to feel smart instead of stupid. I speak not only as a creator, but as a consumer as well. In the working area i've had both type of experiences, the meaningless (where you have no creative decision, just follow orders for making a junk product) and the meaningful (where everyone works as a team, respecting and understanding the visions of each other in order to create a high quality result, something with heart and soul) i guess it is obvious which one i prefer. (Español) Soy un artista audiovisual viviendo en la ciudad de México. Me interesa todo lo que tenga que ver con las artes, la tecnología y el cine. me especializo en dirección, fotografía, edición y guión. Soy licenciado en Cine y televisión graduado de la universidad "Centro de diseño cine y televisión" en Ciudad de México. mi visión es crear contenidos de alta calidad en todos los aspectos: imagen, sonido y concepto en cualquier área: cine, publicidad, periodismo, videoclip, fashion film, etc. Estoy cansado de ser bombardeado de contenido de baja calidad destinado a hacer al consumidor estúpido, creo que todo lo que se haga debería ser hecho como una pieza de arte, no como un trabajo sin sentido para ganar dinero, el arte también puede dejar dinero y estoy seguro que los consumidores estarán agradecidos de tener un entretenimiento gourmet en lugar de chatarra para el cerebro, de sentirse inteligentes en lugar de estúpidos. Es mi punto de vista, no solo como creador, si no como consumidor también. En la parte laboral he tenido ambas experiencias: la que carece de sentido (en donde no hay decisión creativa ni visión y solo se trata de seguir ordenes para producir un producto chatarra genérico) y también los proyectos llenos de sentido (donde todos trabajamos como un equipo, entendiendo y respetando las visiones de cada quién para producir un producto de calidad, hecho con corazón y alma) supongo que es obvio cual prefiero.

• News Shooter / Video Journalist
• Corporate Videographer
• Creative Director
• Video Editor - Commercial
• Sound Designer
• Editorial Photographer / Photojournalist
• Product Photographer
• Fashion Photographer
• Non-Fiction Film Director
• Fixer
• Mobile Journalist / Livestreamer
• Production Assistant

As a cinematographer, he has collaborated in several documentary short films and of fiction, with support of Cinema, HD and Virtual Reality. Also in commercials for various public and private institutions; video clips; TV shows, and two feature films. He is an active member of the Mexican Association of Cinematographers (AMC) since 2005. Since 1999 he has linked the anthropological documentary to the research of the lifestyles of diverse communities in North, Central and South America for the design of public policies. On three occasions he has been a jury to choose the best documentary cinematography at the DOCSDF festival (2012, 2011, 2009) As a student, he received an honorable mention at the Kodak Film School Competition 2004 for the cinematography of the documentary El paisaje del cuerpo (Dir. Juan Carlos Lazo) In 2016 he photographed "Ávido", the first interactive Virtual Reality short film, in the world produced by VR Awake. Cinematographer by the University of México, the oldest cinema school in Latin America (2003).

• Commercial DP
• Documentary DP
• Drone Operator
• Creative Director
• Production Company
• Fixer
• Immersive/Spatial Video Capture
• VR / AR

Photographer, Cinematographer, Director and Producer. From an early age I developed a particular interest in Art, Cultural diversity and Nature, taking me to travel in Mexico and almost the entire American continent, as well as Europe, Australia, W Papua, Bali and Vietnam. I began photography at the age of 18 traveling in South America, an experience that fired my passion when confronted with the enormous cultural and environmental richness that made up my journey. Since then, photography has been my passion and profession. 2022-2024 Documentary Melipona bees and the Nahuatl community Co-Director, cinematographer, producer/postproducer. 2017-2022 Documentary: Biak Knowledge, Biak Voice in West Papua: Co-Director, cinematographer, producer/postproducer. 2021 Video Art Design for musician Kutcha Edward´s Circling Time Victoria Tour, Australia. Photographic Exhibitions: 2022 China Jinan International Photography Biennale, Outstanding photographer award, Custodians, Zclub Art Gallery Mex

• Documentary DP
• Creative Director
• Video Editor - Documentary
• Production Company
• Drone Operator
• Fixer
• Production Assistant

Communications professional with 10 years of experience in Latin America, Asia and Europe, in online, print and broadcast journalism, social media and public information. Strong managerial track record within major news organizations, and proven success at implementing new projects and resolving operational challenges, while achieving business objectives within tight deadlines and budget constraints. Vera has a solid background in producing multimedia journalism content and managing social media in order to create innovative user experiences on tablets and mobile devices. She is experienced in training younger journalists in how to expand their knowledge of multimedia journalism and develop projects in the context of the new media economy. Vera is also an effective networker with a broad range of international experience on three continents. She has lived and worked in China, Spain, Portugal and is currently based in Mexico. She is trilingual; she is fluent and writes in English, S

• News Shooter / Video Journalist
• Fixer
• Mobile Journalist / Livestreamer
• On-Air Reporter / Host
• Editorial Photographer / Photojournalist
• Reporter / Journalist
• Documentary DP
• Sound Mixer
• Translator
• Video Editor - News
• Video Editor - Documentary
• Video Editor - Commercial

I am a Venezuelan filmmaker and editor based in Mexico City since 2018. I have a degree in Social Communication - Audiovisual Arts from Universidad Católica Andrés Bello. My last short film “Don’t worry”, is nominated for best documentary short at the 65 Ariel awards, and had its world premiere at IDFA 2021, was an official selection at La Habana, Guadalajara and Malaga Film Festival; winning “best mexican documentary short film” at the 25th Guanajuato Film Festival. My fiction short film "Bolas Criollas", filmed in Venezuela in 2017, was selected in many international film festivals, including the 22nd Brussels Short Film Festival and the 22nd Cine Las Americas Film Festival. Recently the film was added to the catalog of Retina latina. Between 2018 and 2019 I made the documentary series "Never again in Venezuela", which premiered in its theatrical version at the One World Film Festival 2020, and was awarded with a Suncoast Emmy in the Documentary category - Topical. Between 2018 and 2021 I worked in the news portal Infobae, where I contributed by creating the audiovisual team and I was in charge of the production of branded content. For the last few years I have collaborated as a producer and filmmaker for different agencies and production companies in Mexico city.

• Non-Fiction Film Director
• Creative Director
• Video Editor - Documentary
• Executive Producer
• Field Producer
• Line Producer / On-Location
• Video Editor - Commercial
• Video Editor - News
• Fixer
• Production Company
• Documentary DP
• Commercial DP
• Reporter / Journalist
• Digital Content Creator
• Senior Editor
• Production Assistant

I've directed over 400 TV commercials shooting for clients such as Fritolay, KFC, Nafinsa, Johnson & Johnson, Banorte; with presence in Mexico and Latin America, represented by Lúdica Films, Urbana Films: Pepsi, Listerine, Tylenol, Lubriderm, Bayer, National Lottery, Government GYE, among others. With an extensive customer base in Central America with clients such as Claro, Tigo, Industrial Bank, TELGUA, Turbonett, Danone, Emetra, Paiz, Claro TV, Idealsa, Post, Bank Agromercantil BAM, University Landivar, Banco G & T, Aseguradora General, Party Patriot of Guatemala, Coca-Cola, Digicel, Banco Lafise, Dinant, La Prensa Grafica, Sears, Sula, BAC, CITI, Natura's (Unilever), Delisoya, Pizza Hut, Pilsener, Golden Ice, among others. I seek for quality and control with every detail, pursue a deep commitment by the members of my team generating projects of high aesthetic and visual content. Thanks to an acquired wide range of customers I have formed a versatile and strong approach to projects with an extensive variety of genres and languages. I was born in 1978 in Mexico, City. Bachelor in Business Administration from the Tech of Monterrey ( Arizona State University) 2002. My films studies were done in Griffith University in Brisbane, Australia 2004, MA in Film Production, directing The Dying of the Light, "Shoes" and The Beggar or the Dead Dog.

• Commercial DP
• Documentary DP
• Creative Director
• Production Company
• Field Producer
• TV News Producer
• Video Editor - Commercial
• Video Editor - Documentary
• Immersive/Spatial Video Capture
• Fixer

Originario de la Cuidad de Serdán, Puebla. Estudió Diseño gráfico en CCPM. Fotografía Profesional en Casa Talavera (UACM). Realización de cine documental en el Centro de Artes Libres (Central del Pueblo). Edición de vídeo y post producción en el Centro Cultural España. Exposición en la casa de cultura BORDER “Curaduría pirata de Arte Urbano” Fotografía y edición: Francisco Lobato CDMX 2011 Documental “Adonde fue Adelita” Producción: Juan Francisco Lobato Mata México CDMX 2010 Documental “La tierra encarcelada” Sonido directo y diseño sonoro: Juan Francisco Lobato Mata México CDMX 2010 Documental “Buscando lugar” Sonido directo y diseño sonoro: Juan Francisco Lobato Mata México CDMX 2010 Documental “Esto no es una elegía” Sonido directo y diseño sonoro: Juan Francisco Lobato Mata CDMX 2010 Documental “Diablero” Dir. Juan Francisco Lobato Mata México Distrito Federal, 2012 Selección Oficial Festival Internacional de cine DOCSTOWN / 2012 Selección Oficial Festival Internacional de Cine 1000 Metros Bajo Tierra CDMX 2012 Making Off Largometraje de terror “El que vendrá” Sonido directo, Edición y Post: Juan Francisco Lobato Mata México CDMX 2012 “NIKE, THE CHANCE REPORTEROS CREATIVOS” Sonido directo Edición y Post: Juan Francisco Lobato Mata México, CDMX 2012 “Sueños en serio” Tijuana “Sueños sin fronteras” Guadalajara “Zurdito Ponce” Cortometraje “LISTOS PARA VOLAR MIENTRAS MI GENTE ESPERA” Documental realizado para el luchador “Crazy Boy” y la empresa “AAA” Sonido directo, Edición y Post: Juan Francisco Lobato Mata Pachuca, Hidalgo 2012 Teaser “INQUILINOS” Dir. Iria Gómez Concheiro Sonido Directo: Juan Francisco Lobato Mata México, CDMX 2013 Serie para televisión “El cine y sus oficios” (Canal 30 HD) Sonido directo y diseño sonoro: Juan Francisco Lobato Mata CDMX 2014 Cortometraje “UNA NUERTE LIMPIA” Dirección de Sonido. Juan Francisco Lobato Mata. Selección oficial. SHORTS SHORTS FILM FESTIVAL 2014 Morbido 2014 Documental “Brimstone & Glory” Asistent de producción: Juan Francisco Lobato Mata Productora Court 13 Arts EU – México 2014 - 2016 Documental “El Maíz, en tiempos de guerra” Dirección Alberto Cortés Sonido directo Juan Francisco Lobato Mata México 2017 Documental “Bosque de niebla” Dirección Mónica Álvarez Franco Sonido directo Juan Francisco Lobato Mata Veracruz, México 2017 Documental “GUERRERO” Dir. Ludovic Bonleux Dirección de sonido Juan Francisco Lobato Mata México – Francia 2017

• Sound Mixer
• Fixer