Edson T.
Washington, DC, USA
$500 - $1000
28 reviews- News Shooter / Video Journalist
- Corporate Videographer
- Sound Mixer
- Video Editor - News
- Video Editor - Documentary
- Event Photographer
- HD Live Operator
- Video Editor - Commercial
- On-Camera Talent
Washington, DC, USA
$500 - $1000
28 reviewsNew York, NY, USA
$300 - $400
1 reviewWashington, DC, USA
$850 - $3500
4 reviewsBaltimore, MD, USA
$600 - $1000
8 reviewsArlington, VA, USA
$150 - $1000
2 reviewsI am TV Director , Newscast Director. Directing live and recorded news shows , conferences.
New York, NY, USA
$600 - $1200
1 reviewDP, Cam Op, Gaffer
New York, NY, USA
$400 - $700
1 reviewHi there! My name is Bogdan. I was born in Ukraine. After moving to US I got settled in great city of New York. That's where I got my first camera and started shooting.
Washington, DC, USA
$500 - $1500
JC Diaz, with over 26 years of video production experience, has been pivotal to the success of 'Heydays Vintage TV.' His skills span live broadcasts, production management, camera operation, non-linear editing, radio, and art direction. Hailing from Chile, JC's childhood fascination with "Made in the USA" sparked his love for vintage Americana. Beyond work, he's a passionate vinyl record collector and vintage stereo equipment restorer. As the Creative Director at Art Box Collective Media Group, JC shapes artistic vision for projects. He's also a seasoned freelance videographer, editor, and studio operator, contributing to Univision News Network for 15 years. At Small House Productions since 2004, JC leads video pre-production, production, and post-production, delivering top-quality work. JC's remarkable achievements include 13 awards for 'Heydays Vintage TV,' a show that rekindles vintage appreciation across generations. His dedication to vintage Americana is evident in the show's success.
Allentown, PA, USA
$250 - $5500
First exposed to photography in the early 1980’s, I have always enjoyed capturing images of places I have been and places I want to remember and tell others about. It seems that the camera was always with me no matter where I went. On trips around the state or around the country, photographs documented my travels and memories. The pinnacle of my personal photography was between 2001 and 2005 where I had the unique opportunity to work and live in Antarctica. The amazing scenery and experiences there could only be told to others through photography. With the availability of email and internet I was able to share my adventure through digital images. In 2012 I was awarded a First Place award in News Photography from the New Jersey Press Association and a Second Place award in News Photography from the Pennsylvania Press Association. Journalism is a second career for me. I got my start in public safety and did that for 20 years before jumping over to journalism. I specialize in covering breaking and spot news especially in situations where there is heavy law enforcement presence and or interaction with firefighters or paramedics, which nowadays is just about every large event and or disaster. Speaking the “language” of public safety, understand what is happening I can read the environment and anticipate the pending actions. Having this edge helps me better cover the news and ultimately stay safe. My work has been published in local news papers like the Express-Times and national publications including the New York Times and the USA Today. Chris is a contract freelance photographer with Lehighvalleylive.com / The Express-Times, Associated Press, NBC News, ABC News, WFMZ-TV, WTXF Fox 29, WPVI 6ABC, New York Daily News, Reuters and the Allentown Morning Call.
New York, NY, USA
$850 - $2000
Specializing in delivering a premium look and feel for interviews, narrative, b-roll, events and livestreams by utilizing the latest camera, lighting, streaming, and drone technology. Leveraging storytelling with over twenty years of experience producing professional video content around the world for television, feature films, web and social media, including commercial and corporate video production - working with some of the largest companies in the world in addition to numerous small businesses, NGOs, and non-profits. Sam is a team player most often taking on the role of DP - overseeing the image, look, and composition of the shots. His strong technical knowledge of cameras and lighting in addition to the production process as a whole, means he can focus his energy on the creative process, as the technical processes are second nature for Sam and his crews. For certain projects, Sam takes on the role of Producer, from documentaries to corporate videos to live streams and more.
New York, NY, USA
$500 - $3000
I have recently shot the feature film documentary of The Twilight Zone 60th Anniversary for CBS & Fathom events Nationwide, including The Twilight Zone Blu Ray special features for CBS Home Video. On top of that producing and shooting an IP called "Bunny" created by famous celebrity photographer Patrick Ecclesine. Bio: In recent years, Andrew has had the opportunity to work with major professionals on a variety of film and media projects including Universal’s “Aliens Ate My Homework” & sequel “Aliens Stole My Body”, Greg Strasz’ “Megan”, and Ana Barredo’s “The Year I Did Nothing”. His film production experience includes stints at Lay-Carnagey Entertainment and with prolific Hollywood production designer Carol Wood coordinating and managing multiple departments including the conceptual art / storyboards team, scenic construction, effects miniatures, props, camera department and production management. His latest endeavor is Andrew Towe Creative, a new firm under his direction which focuses on TV/Film and photography services for TV, Full Feature Films, Documentaries, digital media, and print/promotional projects. Recent credits under his new firm include producing, cinematography and photography on a variety of projects including director Ana Barredo’s feature film “The Year I Did Nothing”, Producer Steve Ecclesine’s “So You Want to be a Producer” & “Have you heard about Greg?”, and multiple Star Trek feature-length documentaries for director Roger Lay, Jr. Andrew’s professional experience also extends to interactive multimedia and computer animation projects. Andrew holds a business degree from The Art Institute, as well as Editing Software Engineering Certification from University of New Mexico, and Photography/Cinematography certifications from Pasadena City College.
New York, NY, USA
$600 - $40000
Ivy is an award winning filmmaker, dedicated Head of Media Production and a hands-on executive producer specializing in high quality commercials, film content and stills, supplying media for all screens through her certified WMBE - Setlife Studios. With a strong work ethic and well-rounded experience, Ivy is a media services professional with 13 years of industry experience, bringing brand ideas to life through creative production, operations, and project management. Unafraid to touch social issues or rarely spoken subjects through film and commercial advertising such as; teen suicides, drug overdose, vaccines and the positive impact of ESG initiatives. Her expertise lies within bridging the gap between strategy, idea, and execution of integrated marketing campaigns with concept development. Producing content for brand stories that are relatable to the targeted audience, as well as inspire and amaze in the efforts of making a better world.
New York, NY, USA
$900 - $5000
[THE REASON YOU WANT TO HIRE ME] (note: if you don't need any convincing, cut to the chase below.) With over two decades of production experience across multiple markets, genres and platforms, Keith is a highly refined collaborator for agencies, networks, production companies, and artists, offering a portfolio that combines award-winning camera work with the kind of post-production credits you'd expect from a master at storytelling. Beyond just lighting in a bottle, Keith is a filmmaker with trench-warfare experience and a global worldview that can summon magic on a deadline. And with that said- -If you're the type of producer that I enjoy collaborating with, chances are that you learned long ago that everything in that first paragraph is only one half of the battle- the other half is spent problem-solving, troubleshooting, mitigating risk, exercising diplomacy, being graceful under pressure, making the unexpected look easy, placing people at ease, getting the most out of talent, being technical enough to understand machine systems (while being scrappy enough to fix anything with a leatherman), improvisational copy-writing, critical thinking, putting out fires (or knowing how to rub two sticks and start one), knowing how to make two nickels look like a quarter, or in other words, taking whatever budget we are given and knowing how to make it look like a million. And with that said, -If your enthusiasm is counter-balanced by the fact that it takes a very big ego to write that second paragraph, and you are wondering whether or not I really have what it takes to follow instructions, listen carefully, take notes, follow the branding guide, or otherwise exceed expectations, please know this: No matter what my position on set, I serve at the pleasure of my director, producer, or creative in charge, and the day is never complete until I know that I've made you look very, very good. [THE CHASE] If you are considering me for a shoot: My minimum rate includes a Sony FS7 mkII and Fujinon MK Cine zoom lenses or a Canon C300mkII with a set of CNE primes. Both packages come bundled with a Sachtler video 18, a shoulder rig, a pair of Sony MDR-V6 headphones, one Sennheiser AVX lavalier/ENG mic combo, a Sennheiser shotgun, and if needed, a field monitor calibrated for REC 709 or DCP 4K. My B-Cameras consist of a Sony A7S mkII, a Canon 1DX mkIII, and a Sachtler ACE. if you are considering me for an edit: My base systems are Mac and Windows manufacturer flagships from late 2019/early 2020 and are built with an Nvidia RTX 2080(or ATI respectively). This translates to fast edits in Avid Media Composer and Adobe Premiere, fast 3D rendering in After Effects, and if needed, fast color-correction in Davinci resolve. In both instances, I've recently discovered that Frame.IO makes for wonderfully fast screening and markup of raw footage, string-outs, or rough cuts, even in situations where you only have access to your smartphone in a rural area. If you have further questions, you can find me on Signal, ping me on WhatsApp, or text my cell phone at 1+x. Thank you for your time and consideration. Regards, -Keith DeCristo imdb.me/keithdecristo Trained in first aid and weapons handling
New York, NY, USA
$250 - $1500
Nicole Teeny is an award-winning documentary filmmaker. Nicole started NYU film school having never seen an R rated movie and only 1.5 PG-13 films (she grew up a community that censored media). While in undergrad, for her first feature documentary, Nicole turned the camera on her own community for BIBLE QUIZ, a coming-of-age doc about the evangelical sport of Bible memory. BIBLE QUIZ won the Slamdance Grand Jury Award (and 9 other Grand Jury festival awards), played on Netflix, theatrically in seven cities at Alamo Drafthouse movie theaters, on Kanopy, on the Sundance Channel Global in 20+ countries, and was selected for the US State Department’s “American Film Showcase”. Hollywood Reporter called it "instantly lovable" and the LA Times said it was “Smart, funny, and disarming”. Nicole followed that beat and is in post-production on her second feature documentary, BULLETPROOF STOCKINGS, about the first all-female Hasidic rock band. It won the Doc-a-chusetts Pitch, LEF Moving Image grant and Cambridge art grants, and was a finalist at Fork Films and Chicken & Egg. Nicole also makes documentary shorts and series. THE WRITER exhibited at 2015 Viennale and over 50 international galleries and museums as a part of Harun’s Farocki’s “Labour in A Single Shot”. Her branded docu-series COMMUNAL FUTURES about collectives with The Collective featured a queer mosque, a makerspace, and an ecovillage. Nicole has also worked with The HuffPost (formerly The Huffington Post) and Bloomberg News Video. Her narrative film script PUBLIC POOL was selected for the Berlin Film Festival Short Film Station and also won 5 film festival screenplay awards including Best of at the Pheonix Film Festival & Sacramento Film Festival. She's been an artist in residence at Virginia Creative Center for the Arts, Brush Creek Arts Foundation, Arts Kibbutz, and collaborated with the MIT Media Lab. She's a member of Film Fatales, and Diverse Filmmakers Alliance.
New York, NY, USA
$500 - $3000
Born in Italy, Luigi received a scholarship to study filmmaking in the U.S. in 2008. Since then he worked on countless of projects worldwide, from features to commercials, fashion film, music videos, corporate and animations. Luigi is an AIC and IMAGO member, a Local 600 Camera Operator, an Industry Experience Roster member, and an ASC Mentee. In 2015 he was the cinematographer of the Japanese film "Cloud Kumo", which won the 2016 Student Academy Award Silver Prize and the 2016 Golden Eagle Award. When he doesn't work on set, Luigi works as a writer. He completed and sold several screenplays and published novels. Luigi owns camera equipment (RED Komodo 6K) and drones. He's a certified EASA pilot. Luigi is a hard worker appreciated for his great attitude and his uncanny abilities with camera and lights.
New York, NY, USA
$100 - $200
*ESPN •Remote Operations Coordinator -Organized and coordinated operations and logistics relevant to ESPN-produced events. *NBC Sports Group •Freelance Digital Live Stream Production Assistant -While listening to commercial control room directors, I monitored live feeds and inserted advertising pods for NBC Sports Events (MLB/NHL/NBA). *Univision Communications Inc. •Technical Director and Camera Operator -As the Technical Director, I video controlled the Tricaster 860 while interfacing with theRoot.com’s Social Media Content Producer, Univision’s Studio Director and the production crew (floor manager, camera operators, audio operator, etc.). -As the Camera Operator, I operated Canon EOS C300’s. In any event, I have developed a fast pace and consistency work ethic while working at various media companies.
New York, NY, USA
$250 - $800
I am currently working at BronxNet as a Production Engineer and have in the past been the editor for Bellas Fashionistas as well as been the director of OPEN Monday, Today's verdict, Bronx Talk, CUNY Oral History project on BronxNet. I have graduated from Herbert H. Lehman College Majoring in Film and Television studies, and have also graduated from the Borough of Manhattan Community College with an Associate degree in Video Arts and Technology. My passions about television production, audio editing, and cinematography. I have spent two years learning scriptwriting, audio editing, video editing, and cinematography. I have also worked on many student films, class projects, and student projects for the BMCC video production club.
Hartford, CT, USA
$35 - $80
I am a cinematographer and video editor located in Connecticut. Multiple years in broadcast engineering and over a decade in general videography. This includes all aspects of producing, directing, cinematography, and video editing from pre-to-post production. I am fluent in Adobe Premiere Pro CC, and have various levels of skill in Adobe After Effects CC, Adobe Photoshop, Adobe Illustrator, Adobe Audition, DaVinci Resolve, and Avid Media Composer. I have worked with a multitude of production organizations including Universal, RED, Paramount, Warner Brothers, and have produced a variety of short films, music videos, and documentaries for online media.
Hoboken, NJ, USA
$350 - $700
Lived in Portland, Oregon essentially my whole life. But currently live and love living in New York City. Worked with great companies like Nike, FedEx, Tastemade, GrubHub, Whistle Sports, Popsugar, etc.. But I'd say a majority of my experience has come with making short films and documentaries with my friends, shooting any and everything for fun, plus going to film school at Portland State University didn't hurt. Additionally, I was the Senior Videographer at PSU.tv for 4 years and that was probably my intro to the professional-creative world. I've had 3 internships at various production houses in Portland/Eugene. I worked two seasons on the show Portlandia.
Washington, DC, USA
$700 - $2000
What's in my core camera kit: 1x Blackmagic Pocket 4K, 2x Rode Lavaliers. Warm hello to all assignment leads and editorial producers! I'm a professional live producer, camera operator, field producer, and full-kit videographer, having spent the last decade working with documentary teams, and as a video journalist for the Huffington Post, NowThis News, and various political campaigns. I have traveled to 18 countries, many for documentary style projects, serving as a field producer and audio tech or camerawoman.
Your brand’s next big story starts here.