Tetiana K.
London, UK
$250 - $350
32 reviews- News Shooter / Video Journalist
- Reporter / Journalist
- Video Editor - News
- On-Air Reporter / Host
- Field Producer
- Senior Producer / Project Manager
- Line Producer / On-Location
- TV News Producer
London, UK
$250 - $350
32 reviewsLondon, UK
$250 - $800
29 reviewsAward winning international news and current affairs journalist
London, UK
$600 - $1000
1 reviewSenior Producer - Digital
Manchester, UK
$150 - $200
6 reviewsLondon, UK
$500 - $2000
5 reviewsLondon, UK
$200 - $400
2 reviewsLondon, UK
$125 - $150
1 reviewLondon, UK
$450 - $1000
Catherine Rose is a freelance self-shooting producer/director with experience of working with production companies large and small, busy newsrooms and International NGOs. Having worked on commercial productions and adverts, documentaries, news packages, charity films and 360 film/Virtual Reality, Catherine has a range of experience to call upon. Catherine is adept at working solo, as well as setting up and running large crews and teams on productions. She loves to use film as a creative tool to engage, inspire and motivate audiences to act. Working as a self-shooting producer and director for WaterAid’s in-house production unit for 5 years, she ended up managing and running the team of producers, freelancers and assistants. Whilst at WaterAid, Catherine directed award-winning short documentary ‘Across the Tracks,’ which explores how good sanitation can help keep women safe from violence in India. She also directed the interactive film, ‘Parallel lives’, which contrasts experiences of midwives in Tanzania and the UK; and realised WaterAid’s first 360/VR project ‘Aftershock’ from initial concept and pitch, through to directing, producing and distributing. The film has been recognised as one of the first successful uses of the immersive medium by an NGO and Catherine has toured the film at a number of festivals and screenings, sharing the impact of the project and lessons learnt. Aftershock transports the viewer to Nepal where a community looks to rebuild their lives after the devastating 2015 earthquakes. Catherine also helped launch investigative NGO Global Witness’s multimedia function by setting up the infrastructure and processes required to create and manage complex film and photo projects as well as producing legally complex films. Prior to joining the NGO world Catherine worked at ITN Productions and BBC Newsnight as well as at other smaller production companies and newsrooms. As a freelancer Catherine works on a range of projects across branded content and charity/NGO producing and shooting/editing. She loves both editorial and creative briefs and can deliver under pressure.
London, UK
$300 - $600
Rizky Rahadianto is an independent filmmaker with over six years of experience working with international media around the world, such as VICE, HBO (“The Last Cruise”), Netflix (“Human Playground”), Fairtrade (“Farmers”), Discovery (“Mystery of the Abandoned”), and Vox, among others. His work seeks to reimagine Indonesia’s hetero-patriarchal narrative through intimate collaborations with marginalized communities, from a Javanese dance troupe reviving an ancient drag tradition, to Timorese women tattooing themselves to survive sexual slavery. As a queer filmmaker himself, Rizky's ultimate goal is to create more space for nuanced minority representations and push for a more visually-just society. Rizky joined VICE as a senior producer in 2016 when the youth media company expanded to Indonesia. He helped build the Indonesia office’s video department from scratch, producing over 50 documentaries, and growing the channel from zero to over 500,000 subscribers in two years through popular series like Indonesia Riot, Akarasa, and Indopop. Since Rizky left VICE in 2019, he has continued producing content for various international media as a freelancer and screening his work at film festivals around the world, such as South by Southwest Film Festival and Jogja-NETPAC Asian Film Festival.
London, UK
$300 - $3000
My name is Hossam Sarhan. I am a video producer with experience on a multiple-award winning investigative documentary. I currently work at the BBC World Service and BBC Arabic where I have produced and animated stories on topics ranging from male sex abuse in Iraq to the struggle of transgender people in Kuwait, which have gained more than a million of views on the BBC different platforms. I have a keen interest in investigations on human rights issues affecting communities from the Middle East. In 2017, I was the UK executive producer for the multiple-award-winning investigation the End User. It revealed how weapons were being used in the war in Yemen had been supplied by the UK and the US, among others, in an apparent abuse of international laws and trade agreements. The investigation found a huge success, with around three million views. The main producer and investigator Mohamed Aboelgheit had won the Fetisov Journalism Award first prize in the category "Outstanding Contribution to Peace" In the year of 2019, and had won the golden medal from the United Nations Correspondents Associations as well. In 2015, I was one of the first people who helped in establishing the Arabic version of the lead platform AJ. I recruited top talent to help produce videos which received the most views on the Arabic platforms. All stories have more than more than 1 million views/each. In November 2015 I moved to London for a different challenge, I worked as a promo producer for a leading Arabic-Tv, I was the main script writer for the promos, I’ve written nearly a 1000 scripts and my promos got around 20 millions views around different platforms. Back in 2012, while still in Egypt, I created a political campaign in my country that led to the victory of the first civilian president in the Egyptian history. My campaign called “Squeeze a lemon”, which is similar to the famous English idiom “with a pinch of salt” The campaign found huge success and was widely popular. A lot of people had captured themselves squeezing a lemon over their head after voting. Due to its popularity, the civil candidate had won over the opposing candidate and gained 13 million votes. In relation to the campaign, a new political term had been formed “The lemon squeezers”, and the press and media named the 7 million votes that the candidate got in the second round of elections with this name, the name I created.
London, UK
$300 - $350
I’m Annamaria, a multilingual (Italian, French) self-shooting Producer/Director living in London, working worldwide. Throughout my career, I have gained a deep understanding of the production process, from concept development to post-production. I have 10+ years of experience (between independent filmmaking and TV) in finding ways into tight-knit communities and building trusting relationships with contributors. I have worked on a diverse range of projects, including Emmy award-winning shows such as "Stanley Tucci: Searching for Italy". My recent credits are with major broadcasters such as Netflix, BBC, CNN, Channel 4, Sky Arts, ARTE, Nat Geo, PBS as well as international independent film projects. I have worked across different genres and topics such as history, medical, sport, travel, art, music, food, culture, faith and current affairs. I have a strong foundation in filming, setting up shoots, managing logistics and complex schedules, obtaining film permits, and negotiating fees. Additionally, I have experience working with compliance, edit producing, sourcing contributors, archive material and locations. Collaboration, proactivity, out-of-the-box thinking, and personal growth are at the core of my values.
London, UK
$250 - $380
As a filmmaker I am most excited about telling honest, compelling, human stories. I produce and direct portrait documentaries, comedy webisodes and brand commercials for all types of clients – such as CNN, Samsung, HelloFresh Dixons Carphone and more. Please find my CV attached and my portfolio here With over a decade of experience in video production I started as an in-house runner at APA commercial production companies, eventually becoming Video Director within a social agency. Now, I run my own boutique production offering, giving me strong all-round production knowledge. I am also represented as a Producer and Covid Supervisor by Production Switchboard. While working at agencies I often worked closely with creatives to story develop and project manage. I now work as a Creative Producer, writing, developing and managing full production, only Directing on specific projects. I have recently spent time consulting as a Creative Producer and Director with news publishing platforms, such as CNN’s International brand studio, Create, BBC Storyworks and Euro News. Here, I have been producing travel, editorial and brand films for global market, digital and TVC's.
Winchester, UK
$1000 - $30000
Well motivated and internationally experienced multi-skilled creative, UK based, with an extensive technical working background in Film & TV covering production and post-production. Twenty + years creating content and providing production services through my own video production business. Available for hire and commissioned work. My international experience includes working in disaster zones and challenging environments such as Haiti (Post earthquake 2010) and at altitude in northern regions of Pakistan (Himalayas). Ballistic Ltd specialises in producing high - quality films / video content for a range of clients not limited to corporate, brands and organisations. These videos / films are used for marketing, communication and informational use, predominantly online but production work also caters for broadcast and exhibition. Owner & Director of Ballistic Ltd since 2005 and an active member of both the GBCT (as an associate member) and the GTC guilds.
London, UK
$400 - $3000
I am an award-winning journalist with 15+ years of experience in the media industry, many of which as a video and audio journalist, documentary filmmaker and executive producer at the Wall Street Journal. My expertise in the publishing sector spans production and executive production of videos and podcasts, series and product development, strategy, text editing and SEO data analysis, people management, complex/sensitive editorial decision-making, broadcasting, operations management, digital newsroom workflows, social media and reporting. As a journalist, I have been based or worked in more than 20 countries, primarily producing and shepherding multi-format coverage: written, audio, video, data visualization, interactive and social media. In recent years, I have led the Wall Street Journal's effort to build out its international video and audio operations in Europe and Asia, creating and developing storytelling in a variety of formats for the WSJ website, as well as for partner-platforms including Twitter, Google and YouTube. Prior to moving to London in 2019, I was the Head of Video for APAC, based in Hong Kong. Back then, while managing a small team, I also reported and produced features and explainers on a wide range of topics in the region, with a focus on business, finance and geopolitics. Our accolades over the years at WSJ include include three Gerald Loeb Awards, SOPA Awards for excellence in explanatory reporting and investigative reporting, Human Rights Press Awards, and being selected as Pulitzer finalists for our multimedia coverage of the 1MDB scandal. Our documentary about the creation of a WSJCoin cryptocurrency was a Webby Honoree. Before starting with the Journal in 2014, I had spent several years working in Italy, the South Pacific and France, where I was a TV reporter and documentary filmmaker with Canal Plus Group for five years, delivering projects including prime-time hourlong documentaries and exclusive video features. Other publishing credits include Le Monde, France 2, Agence France Presse, France24 and Arté TV.
Exeter, UK
$400 - $2500
A creative producer/director/editor in love with the craft and always searching for character, story and impact. I’ve had films released in cinemas worldwide and broadcast documentaries on the very best creative doc platforms - Netflix, POV, BBC, Arte, ZDF, Film 4. Over the last decade I've built a network of indie filmmakers, line producers, crew and fixers in East Africa, South East Asia, MENA, South America as well as India, Iran, UK and U.S. I’ve made branded content TVCs and micro docs for global brands including HSBC, The North Face, Sky, Red Bull, Facebook. Two of the feature films I’ve made regularly get used as case studies for how documentaries can drive positive social change. Thank You For The Rain helped build a community owned reservoir in Kenya. Ping Pong is credited with kickstarting a table tennis craze in care homes across the UK. I regularly work across productions as producer, edit producer, director, shooter, sound, editor.
London, UK
$350 - $450
I’m a confident and experienced Series Producer, Self-Shooting PD and Edit Producer with credits on some of TVs most recognisable factual and factual entertainment series. In the last 5 years I have worked hard to move additionally into the realms of science programming, taking on shows about Space, Animals and the human face. I script, shoot, sound record, light and direct with confidence, but most importantly am adept at building trust with contributors and talent - helping me to get the most out of them on camera. I am also used to managing large teams and multiple challenging edits. I have experience working across a broad range of genres - encompassing interview, actuality and archive heavy shows. I love variety in the roles and themes of the TV programmes I work on and think this is a long term strength in the skills and knowledge I can apply. Recently I have shot and produced an environmental doc strand for Al Jazeera, a talent led C4 (UK) Science series about the human face, and Series Produced Discovery's high end science series; 'How The Universe Works'. Shooting wise, I have worked throughout Europe and across North America and have been granted an IVisa which runs to 2024.
London, UK
$100 - $500
Experienced digital communications expert, competent at managing multiple digital channels with over 2M+ followers in highly-sensitive and breaking news environments. Able to develop high-quality ethically gathered content for non-profit use - including social media, email, print, direct mailer, telemarketing and emergency appeals. Experience working with agencies with budgets of over $10 million to create campaign focussed creative content. Able to work collaboratively with participants and subjects to make content that involves users in the design and delivery and in producing high-quality user generated content. Significant experience working with subjects and colleagues in non-English speaking countries and commissioning content with translations. Long-term International work experience in the UK, India, Denmark, Palestine, Cambodia, and shorter work experience in Uganda, Egypt and Kenya. Experience working on creative communications products including video content, text case studies, high-quality photo, creative social media assets including Instagram filters and bespoke TikTok partnership content. Academic background in international development and well versed in current trends in ethical storytelling in the non-profit sector. Experience managing shoots in developing country contexts, planning and executing in-country missions and filming to tight timescales in developing country contexts. Award-winning creative writer with independently published by-lines, shortlisted creative writing projects and trained creative brainstorm facilitator. Extensive digital infrastructure and technological experience working on an innovative new technology product, app and website design and producing high-quality digital content for a mobile application.
London, UK
$180 - $400
I'm a highly organised, motivated and dedicated visual storyteller with experience for companies such as Vice, Rise Films and The Guardian. I most recently worked as a producer for Culture Trip's as part of their in-house production team and winners of Digiday's Video Team of the Year 2020. I can shoot (Sony FS5, Sony A7Sii and similar) and edit (Premiere Pro), both of which I learnt during a documentary masters at UCL. I'm also a First Class sociology and politics graduate from the University of Edinburgh. I have the communication skills, enthusiasm and initiative to be an invaluable asset to any team. I have experience directing, producing, assistant directing and researching. I directed "The Barbers of Bute", a 25-minute factual documentary about the resettlement of Syrian refugees on a Scottish island.
London, UK
$500 - $900
W4 Films is a creative studio based in East London and serves clients around the world. We partner with brands and platforms to make purpose-driven films for everything from social media to cinema. We produce all our content to a cinematic quality worthy of distribution in cinemas, regardless of the intended output. Our studio specialises in award-winning narrative content with its films having cinematic, broadcast and video on demand distribution worldwide. Our team has the experience, professionalism and quality of a large commercial studio, but with the agility, costs and care of an independent. We tell narrative and documentary stories for a range of clients both in the UK and around the world with a particular interest in supporting and servicing organisations with purpose and community interest.
London, UK
$600 - $1500
With a degree in film production and over a decade of experience as a self-shooting director, videographer and editor, I am eager to bring my expertise to your team. I have worked with many of the worlds leading brands and agencies including, Microsoft, DHL, Casio, Redbull, M&C Saatchi & more. I am a highly versatile filmmaker, with a proven track record across film, branded content, corporate, commercials and more. My versatility as a creative all-rounder allows me to streamline productions and oversee video projects from concept through to delivery. I have a large kit list (camera, lighting, gimbals, drones and more), am based in London and have my own car. I look forward to working with you and bringing your project to life. Best wishes, Conor
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