Discover Top News Shooters / Video Journalists in Moreno Valley, California, USA

I run a traveling production company called The Color Four and I'm a Sundance Institute Ignite Fellow. We're obsessed with telling stories that make an impact – ranchers in Nebraska standing in the path of a pipeline, resilient communities in Liberia binding together in the wake of Ebola, California farm workers fighting for basic working conditions – and we are traveling the world to find them. We especially love working with non-profits, social enterprises, start-ups, artists, grandmas, babies and goats. Whether it be a promo video, documentary piece, written ad, social media campaign or brand photography, we'll tackle your project from concept to completion. We handle all productions entirely in house – developing concepts, scriptwriting, filming and editing. We're a swift & flexible two person team so working with us is a personal experience and your voice wont get lost in the final product. Our gear is top of the line, but we travel light so we can throw ourselves into the story. We're comfortable working everywhere from the West African bush to the Alberta Tar Sands and interviewing everyone from Oscar-winning actresses to your three-year-old niece.

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To help bring awareness to issues, we believe it begins with trust. This begins with our relationship with our subjects. As a team, we are creative storytellers, but we also strive to understand the essence of the story. Everyone on the team needs to be knowledgeable to the subject and able to adapt to situations that occur during documentary work. If we want to create something that can have an impact, our subjects need to have trust in us. They also need to be informed on exactly what and why we are asking them to share their stories. Our expertise is being able to capture the essence of a person. To get these storytellers to share themselves. To share their highs and lows in the utmost detail. To then be able to share that to communities where emotion is at the forefront. Imagery doesn’t need words to tell a story, images should be able to speak for themselves. An image should strike people at their hearts, and then their brains. A story of any magnitude should incite meaningful conversations and have people question their own lives and values. This is what we always aim to do with our projects.

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Gary Alvarez is an independent filmmaker based in Los Angeles. He graduated from Chapman University's Dodge College of Film with an M.F.A. in Film Production (Directing) in 2012. Since then he has been working professionally as a writer/producer/director. Born the youngest of three sons to working-class Mexican immigrants in Monterey Park, Gary was raised in the barrios of Bell. At 19 he enrolled in UC Berkeley’s Chicano Studies Program and studied abroad at UNAM before graduating in 2002, after which he returned to Los Angeles and taught for the subsequent 10 years. In 2004 Gary embarked on a journey that changed his career path and ultimately his life: he traveled across Mexico from Tijuana to Cozumel, penning a manuscript that was later adapted into a screenplay. Numerous screenwriting workshops and indie film sets later, he decided to transition into a career as writer/director. Gary’s passion is writing and directing narrative films as well as producing documentaries. With the series boom on Netflix and Amazon Prime, he added writing for television as a personal goal. Currently he is developing a new series, writing his next full-length screenplay and producing a feature documentary based on the Bell political corruption scandal of 2010. From 2015 to 2018, Gary taught screenwriting and film production to young filmmakers from underrepresented communities in Los Angeles and Orange Counties through the Latino Film Institute’s Youth Cinema Project. Since February 2016, Gary has been hosting an internet radio music show called Persistence of Sound every Wednesday evening from Espacio 1839 in Boyle Heights. His aim is to document the stories of local creatives through interviews via the show’s guest DJ segment Patched In.

• Non-Fiction Film Director
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• Corporate Videographer
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• Series Producer / Show Runner
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• Event Photographer
• Landscape Photographer
• Portrait Photographer
• Audio Storyteller

Andres Solorzano graduated from the Universidad Iberoamericana in Mexico City, with a bachelor's degree in Communications with a specialisation in Film Production. During this period, he worked for Red Bull's communications department, where he developed social media strategy and audiovisual content that was successfully replicated throughout Latin America. Upon graduation, he directed the first stereoscopic 3D television content in Mexico, the iconic off-road race Baja 1000 for Red Bull. He was also, a cinematographer for Vans, Henkel and Nat Geo, among many others. He has poured his passion to stories that try to positively shape and impact a different society ,working with native indigenous communities, immigrants, and social movements in North and South America. He has shot feature films, short films, documentaries, commercials, fashion films and music videos. His first full-length film as a cinematographer HUICHOLES: THE LAST PEYOTE GUARDIANS, won eleven different awards at international film festivals. Andres graduated from the American Film Institute (AFI), with a MFA in cinematography, class of 2016. He is actually based in LA.

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• Video Editor - News
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I'm a videographer and photographer based in Southern California. I'm passionate about producing creative content and telling visual stories. My curiosity in diverse cultures led me to travel the world and ultimately pursue a bachelor’s degree in Visual Journalism from Brooks Institute. There, I was able to develop my storytelling techniques and to produce several stories on my own. My latest collaboration was with The Coalition Group working with film producers Johnny Wunder and Luisa Iskin. There I produced content for artists such as R&B singer JR Castro as well as singer and fashion/beauty blogger Jessi Malay. ​ My past experiences include working with Viralata Produções, one of the most creative production companies in Rio de Janeiro where I had the opportunity to contribute to content production for major Brazilian organizations. In the US, I worked with Interloper Films, the production company led by award-winning documentary filmmaker Ondi Timoner with whom I also worked as editor on the web series “A Total Disruption.” I was also involved as researcher for the TV series "Strangers in Danger" and "Next Stop For Charlie,” which were produced by the Hollywood production studio Mandt Brothers Productions. However, my true calling is being on the streets, unveiling the everyday stories people don't read in the newspapers or don't watch on the TV. Stories forgotten by the mainstream media. One of the most memorable moments in my career was a journalistic trip I made to Vietnam, where I had the opportunity to capture the horrific effects that Agent Orange still have in the Vietnamese population. The stories I like to hunt for range from severe human right issues, such as the one I told about Vietnam, to stories revealing slices of life and everyday victories within the community. I hunt for the unusual and for the injustices as well as for the beautiful and the creative within each culture.

• Documentary DP
• Sound Mixer
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• Production Assistant
• Translator
• Editorial Photographer / Photojournalist

Currently, I’m traveling the globe as a Segment Producer for National Geographic’s Uncharted with Gordon Ramsay, producing episodes in Norway, Mexico, Jamaica and Texas. Prior to this, I was a field AP for Discovery Channel’s Border Live, where I embedded with the Border Patrol and other local agencies along the US/Mexico Border. I was also the AP for National Geographic Studios’ Frontline: The United States Secret Service, the AP and researcher for Zero Point Zero's newest Netflix’s Original series, The Business of Drugs, and the Segment Producer for Returning the Favor with Mike Rowe, a Facebook Watch Original Series. I’m also a producer, editor and director of over 20 micro-documentaries that have generated hundreds of millions of views on Facebook and Youtube. I was nominated for a Webby Award in 2017, and have been showcased by the Video Consortium in DC. Previous micro-documentary clients include: Great Big Story, National Geographic, Copa90 and Elite Daily.

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is a director and cinematographer who hails from Brooklyn, NY and currently splits his time between Los Angeles, New York, and Paris. He graduated from NYU’s Tisch film program and is haunted by a long overdue college library fee he continually forgets to pay. His excuse for this is his ongoing engagement making commercial, narrative, and documentary films which has brought him across the globe to far-flung places such as Iraq and the Congo. Much of his work is steeped in mood and emotional resonance but he is known in some circles to have a deft hand at writing comedy. He is also 1st generation Chinese-American and rather opinionated in matters of art and food. Outside of commercial and documentary work he is developing several narrative feature scripts. His short, Black Ghost Son, was nominated for Best Narrative Short at the Tribeca Film Festival in 2020. It is currently making its rounds on the festival circuit and being developed into a feature. Clients include: American Express, National Geographic, Tastemade, Columbia Sportswear, Chevrolet, NY Times, Bacardi, Budweiser, Playboy, Grey Goose Vodka, Snapchat, Timberland, Pepsi Co, Kraft, General Electric, and The US State Dept amongst others.

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• Video Editor - News
• Video Editor - Documentary
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I'm an international filmmaker and gerontologist based in Southern California (OC/LA) with a passion for creating inspiring, beautiful, adventurous, and meaningful projects which can bring benefit to society. I have had the honor of producing, directing, shooting, and writing a nationally-televised sportsmanship campaign on Fox Sports Network, corporate training films for Merrill Lynch-Bank of America, and a promo film for an international USC research study, the Intergenerational Mobile Technology Opportunities Program. I have since engaged in various production and consulting projects, enabling me to collaborate with a variety of multidisciplinary professionals on an international scale. I have most recently been involved in the South African industry while also producing a short documentary series with U.S. NGOs in Uganda. I graduated from the University of Southern California in 2014 with a B.A. in Film & TV Production and an M.S. in Gerontology (Health, Sciences, Aging).

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Award winning Filmmaker Kecia J.Benson is known for her creative and eclectic cinematic style. From Mount Vernon, NY, she landed her first freelancing gig on actress/director Azariah Gunn’s feature debut Spare Change. Soon after was introduced to guerrilla-style filmmaking and worked with profound directors like Spike Lee, Tim Story, Charles Stone III and productions like Sesame Street, Apollo Live, Gossip Girl, Red Hook Summer, Love and Hip Hop Hollywood, Broad City, and many more. In 2010, Benson debuted her first short film “Unidentified,” a suspenseful thriller about a mysterious man redefining himself. “Unidentified” was featured in 2011 at the Reel Sisters of Diaspora Film Festival. Beale Street Blues a short controversial documentary about struggling African-American blues artists in Memphis, TN was Kecia’s 2nd film that screened at BAM’s New Voices in Black Cinema. Kecia’s Latest and most talked about work Kenya’s Eyes is a dramatic and gritty film centered around a you

• Documentary DP
• Video Editor - News
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I am an award-winning, multi-faceted filmmaker based in Los Angeles. Over the past 20 years I have traveled from the remotest beaches of Indonesia and the Solomon Islands to the bustling red carpets of Hollywood, serving as Director, Producer, Cameraman, Editor, and Writer on a diverse series of documentaries and films. I am currently in production on a blue-chip film (as Writer/Director), The Hudson River: Journey Into The Wild, written and developed for Skyland Productions / RanFilms, (Austria), and co-funded by Smithsonian Channel and ARTE. My most recent films cover science and nature themes for National Marine Sanctuary Foundation, Monterey Bay National Marine Sanctuary, NOAA, U.S. National Marine Fisheries Service, the Smithsonian Institute, as well as for NGO’s such as WWF, Wildcoast International, Ocean Ecology Network, ProNatura, and The Nature Conservancy. In Los Angeles, my work includes filming for Oprah Winfrey, Jon Peters, and John Goldstone; filming behind-the-scenes on feature films; editing actors’ promotional reels; creating social media content, and filming/producing/editing music videos. I also have extensive experience in creating corporate films.

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• Video Editor - Documentary
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Hisonni Johnson is a Writer, Director, Actor, Cinematographer and Creator. He earned a full academic scholarship to the prestigious University School of Milwaukee, a nationally renowned college preparatory high school. He further distinguished himself by receiving the Presidential Gold Seal for academics and athletics. Johnson studied acting at the University of Wisconsin in the Bachelor of Fine Arts program, but his talent and ambitions did not remain solely in front of the lens. Hisonni studied with acclaimed Chicago photographer David VanderVeen. An impressive portfolio of commercials resulted, along with an affinity for still photography, video and film. He has worked professionally in nearly every crew position there is in both television and film. As a result, his skills as a writer, director and cinematographer have quickly earned him numerous awards and accolades. In the past year, alone, Hisonni has received nearly 100 accolades for his two original television pilots,

• Fixer
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• Sound Mixer
• Video Editor - News
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• Video Editor - Documentary
• Video Editor - Commercial

I have an insatiable appetite for storytelling. I co-founded in 2012, Beat the Streets Los Angeles, a nonprofit youth development organization. As Creative Director for this sports based org, I use film, photography and design to support our communication strategy. As often with nonprofits, we operate on a lean set of resources so I have become accustom to producing, shooting and editing our short documentaries, commercials and video articles solo while upholding an editorial standard. Outside of my role with Beat the Streets LA, I am a freelance filmmaker and photographer working with clientele from various industries including academic, real estate development and manufacturing. My expansive keenness for storytelling is founded in my architectural education where the investigative process is as much the reward as the end product, the building. Today though, I enjoy the shift to freelance work and a focus on storytelling where the narrative uncovers a place where people are central.

• Documentary DP
• Video Editor - News
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• Video Editor - Documentary
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Since 2008 I have been working on independent films, mostly documentaries, and freelancing on digital media projects. I have a MFA in dramatic writing from New York University and a BA in English from Yale University. In February 2015 my documentary "The Rivalry: Red V. Blue" about the college basketball rivalry between the University of Louisville and the University of Kentucky premiered on ESPN Classic and Kentucky Educational Television. Currently, I am finishing post on two docs: "Last of the Showmen" about Broadway entertainer Ben Vereen and "Boston Loud" about the Boston hardcore band TREE. My first documentary "Toxic Soup" was an environmental expose, which screened in the Atlanta Film Festival, the New Jersey Film Festival and the Twin Cities Film Festival, among others. "Toxic Soup" was broadcast on Free Speech TV, Explora TV, Ushuaia TV and Press TV. These documentaries are reflective of the kinds of stories that I hunt for: environmental, sports and music / arts.

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• Video Editor - News
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• Video Editor - Commercial

Samantha André is an independent director, cinematographer, and editor with a special focus on women’s rights and social issues around the world. She has directed, produced, or edited projects for VICE, TWITTER, APPLE TV, PBS, RAPHA and THE FRONT. Her work has led her to cover character driven stories such as the LGBT refugees in Europe, police brutalities for the ACLU, climate change in an indigenous Alaskan village, child marriage in Kenya, disability activism in the US, and women's health in professional sports. She is currently working on finishing her first feature documentary, Mary’s Way. Filmed over the course of five years, it is the portrait of one girl’s journey to help bring an end to female genital mutilation and child marriage in her Kenyan community. A short version of her film was screened in New York to raise awareness for FGM in partnership with the United Nations. When Samantha is not working on a documentary, she can be found hiking mountains, biking, or playing soccer. She prides herself in capturing human emotion and intimate moments in her films by creating a real connection with the amazing people in front of her lens.

• Documentary DP
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• Video Editor - Documentary
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• Video Editor - News
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I don't remember a time in my life when I didn't have a camera. I've been doing creative storytelling through the medium of video and photo all my life. From shooting, editing and burning DVD's for my sister's dance recital at age 12 to filming events put on by billionaires, and crafting my own web-series and films in between. I have acquired a diverse set of skills. I've worked on professional film sets and student productions for UCLA and USC film school graduate programs. I've attended private labs for storytellers and edited content that created +7figures of profit for the client. Being true to myself as a behind the scenes person is how I prefer to be, as invisible as possible. However, I enjoy the spotlight too; catch my fun youtube channel to see what I find entertaining. I'd truly love an opportunity to be a part of your project. Anything or everything I do, I do it amazing.

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Jonathan Hiller is an award-winning Director, DP, and Producer who specializes in high-impact production for forward thinking brands. He designed the visual aesthetic for Hillary Clinton's digital video team, which amassed over 1 billion views online. He traveled extensively with Secretary Clinton, President Bill Clinton, and Bernie Sanders, and was the cinematographer for many of the campaign's national advertisements. He has built production teams for seven-figure national broadcast advertisements, and micro-budget short docs for stories that must be told. He thrives on curating the personnel and energy necessary to execute remarkable creative. His work as a Director, DP, Producer, and Editor has been featured on CNN, New York Times, National Geographic, TIME, Discovery Channel, Huffington Post, Bloomberg Politics, CBS News, The Washington Post, Glamour, Fortune, Think Progress, and Mic. His films have screened in over 40 national film festivals and have won grand jury prizes as well as audience awards.

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Jose Marcelino Ortiz Is The Founder Of Chipotle Films, Award Winning Filmmaker & Digital Influencer Sharing News Commentary And Lifestyle Content Internationally. When He Is Not Creating Amazing Content, Or Cutting Documentaries, He Is Catching Waves Somewhere In California. A Creative Force As A Content Producer, Filmmaker And Tv Personality For Over A Decade, Jmo Started Out As An Accomplished On Air Producer/Editor And Post Supervisor, Jose Marcelino Ortiz Grew Into Editing Feature Documentaries That Have Earned International Recognition And Awards. Concurrently, Jose Marcelino Has Hosted, Produced And Directed Hundreds Of Hours Of Award-Winning Tv Shows. From Being The Anchor And Producer Of Univision Costa Central Daily News, To A Multi Season Movie Show, L'flik On Latv, Where He Was Constantly Sponsored By Major Brands. Recently, Jose Marcelino Ortiz Produced Hundreds Of News Updates For The Lip Tv, One Of The Fastest Growing Internet News Outlets. He Also Employs His Creative Talents On Commercial Content And Has Been The Leader Of Large Branded Projects. He Has Directed Several Music Videos, Webisodes And Corporate Content Marketing Campaigns . Jose Marcelino Ortiz’s Keen Storytelling Sense Permeates The Way He Works With Actors, Directs The Camera And Makes The Right Cut. He Continues To Build A Powerful Set Of Skills As A Well Rounded Filmmaker, Director And Content Producer As He Shares His Knowledge As A Production Mentor To Top Youtube Creators.

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• Video Editor - Documentary
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• Influencer

I am an Indigenous multimedia documentarian born and raised on the Navajo Reservation in Arizona. To date, I have spoken at USC Annenberg School for Communication and Journalism, UCLA, California State Polytechnic University, Pitzer College, Cal Arts, UC-San Diego, UC-Riverside, UC-Irvine, Occidental College, Northwestern University and University of Oregon. My work presents personal stories of contemporary urban Indians in photography and film to commemorate the legacy of the Indian Relocation program, a U.S. federal program enacted to assimilate American Indians in the 1950s. My overall mission is to combat the idea of the static, stereotypical Indian portrayed so pervasively in all media. I want people to know that Indians are many nations with many stories. My photography portraits stand against prevalent stereotypes of American Indians in popular culture. Having grown up on a tribal reservation in Arizona my experience of Indian life was not reflected in popular culture. My work is to produce authentic portraits and stories of the persistence of Indian life in contemporary contexts. As a storyteller, I develops photographic narratives that illustrate the real stories of American Indians within their communities. My multimedia work reflects the perseverance of American Indian cultural identities today. I wish to produce living portraits of American Indians reflected through an indigenous aesthetic lens. I work as a talent consultant for various television networks. I have professionally produced five award winning films for the Southern California Indian Center’s InterTribal Entertainment multimedia program, co-created film workshops for Native youth, produced PSA’s for Fox Studio’s American Indian Summer Institute program, and co-hosted “Bringing the Circle Together,” a monthly showcase of Indigenous documentaries at the Japanese American National Museum National Center for Preservation of Democracy Tateuchi Forum in Los Angeles. Received a BA in American Indian Studies and Film Television from UCLA.

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Luisa Conlon is a documentary director and cinematographer based in New York and Los Angeles. Her work has been featured in The New York Times, The Atlantic, NBC, VICE, PBS NewsHour, Vogue, NPR & StoryCorps. She most recently directed the New York Times Op-Docs We Became Fragments about a young Syrian refugee coming of age in Canada. The film was released with an accompanying Op-Ed from former UN Ambassador Samantha Power and was selected as a Vimeo Staff Pick. Luisa’s work has been supported by the Pulitzer Center on Crisis Reporting, the National Academy of Television Arts and Sciences, and The Filmmaker Fund. She is a recipient of the Jerry Jensen Overall Graduate Scholarship Award from the Emmy Foundation, the 2016 Robert Whittington Award for Exceptional Reporting from UC Berkeley's Graduate School of Journalism, and a Mark of Excellence Award from the Society of Professional Journalists. Her film Leaving Iraq for a Life in America (co-directed with Hanna Miller and Lacy Jane Roberts) was featured in THE ATLANTIC SELECTS, a series of short films curated by The Atlantic Magazine. Luisa received her BFA in Film & TV from NYU's Tisch School of the Arts and her Masters in Journalism from UC Berkeley's Graduate School of Journalism. She has been a member of the Brooklyn Filmmakers Collective since 2012.

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Jon originally hails from Baton Rouge, Lousiana after which he hung his hat in Texas, Michigan, New York, and Maryland. Seeing almost all of the U.S. and some places overseas provided an extensive background with people but was not until he relocated back to the South that he found his niche. Siding in with a local theater arts departments like The Flying Monkey Arts and several other local theaters, he found his love for acting, writing, directing, set construction, etc. Helping to promote interesting, new, local, and outside music artists; and producing a new full length play every month for the next three or so years from aid of his comedy troupe Crash, Boom, Bang Theater which is now known as Can't Afford Cable, so long as it is creative and innovative, you can find Jon there. Jon graduated from Full Sail University in Winter Park, FL with a BA in Film and Entertainment Business and received many awards.

• Video Editor - News
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• Sound Mixer
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• Mobile Journalist / Livestreamer
• Video Editor - Documentary
• Video Editor - Commercial