Discover Top Commercial DPs in Reno, Nevada, USA

I am an Emmy nominated producer and director with experience developing, producing, directing and editing more than 400 hours of content. My portfolio includes docu-series, documentaries, original branded digital programming, digital series, VR, feature films and commercials. From 2007-2010, I served as the Producer of New Media at 51 Minds Entertainment. My leadership and responsibilities included overseeing on-air special programming and all stages of creative series development, strategy, production and post for digital and social media platforms. Under my leadership, 51 Minds Digital/Vh1.com produced 3,000+ episodes totaling over 350 hours of digital content. During this time, 51 Minds’ digital platform initiatives set landmark standards for their distribution partners. After 51 Minds Entertainment, I went on to produce a number of on-air projects, for production partners such as Facebook Watch, Amazon Prime, MTV, VH1, Discovery, Bravo, A&E, We TV, Lionsgate and others. Recently, I served as the Co-Executive Producer for the Discovery Channel documentary ‘The Swim’, chronicling a long distance swimmer’s attempt at crossing the North Pacific from Japan to San Francisco. I currently serve as Co-EP at Sharp Entertainment, overseeing the production and post production on a variety of shows. With a keen cinematic eye and sense of visual storytelling, coupled with vast experiences in digital content, non-scripted, traditional TV space, feature length film and documentary production, I have a uniquely extensive skill set encompassing the development, content creation, production and post-production of a wide variety of formats to execute the highest digital standard across all platforms.

• Creative Director
• Production Company
• Fixer
• Field Producer
• Translator
• Video Editor - News
• Video Editor - Commercial
• Video Editor - Documentary

Isara is an award-winning documentary filmmaker and freelance director of photography and editor based in Oakland, CA. Her verité cinematography is noted for demonstrating the trust she earns with her subjects and her ability to considerately perceive and represent complex truths at the heart of each story. As a Video Producer for KQED Arts (PBS/NPR affiliate in the SF Bay Area) Isara produced, edited and shot a dozen mini-docs for the web reaching a nationwide audience. She produced and edited the Portland episode of the pilot season of KQED Art’s Webby Award-winning web series If Cities Could Dance, which highlights dancers around the country and the social issues they address with their art. She shot for KQED’s Regional Emmy-winning video A Border Wall of Piñatas Brings a Community Together. Her work has also appeared in The San Francisco Chronicle, CrossCut Seattle, EdSource and The Grotto Network. She has been involved in feature documentaries on Netflix, CNN, and MSNBC. Isara has directed, shot and edited short documentaries in the San Francisco Bay Area for the East Bay AIDS Center; Women Organized Against Life-Threatening Disease (WORLD), a grass-roots Oakland org helping unhoused women understand and wean off opioid abuse; and for the Ruth Asawa San Francisco School of the Arts, the only public high school in the US with a World Art curriculum. She holds a masters degree in Journalism from the University of California, Berkeley, where she was selected as a Documentary Fellow. She grew up in a neighborhood of Boston, MA.

• Documentary DP
• Commercial DP
• Creative Director
• Production Company
• Field Producer
• Video Editor - News
• Video Editor - Commercial
• Video Editor - Documentary
• Reporter / Journalist
• News Shooter / Video Journalist

Producer/Director/Cinematographer from Brooklyn, NYC. Now residing in the Bay area. Freelancer for KQED Arts & Sciences. Currently commissioned by the Oakland Museum for 3 films about West Oakland set to screen in july 2016 til 2017. Back in NYC I was Producer for two seasons of a TV show called "Behind the Unsigned" for FuseTV. The show was a reality-docu series that profiled unsigned talent receiving notoriety independent of a record label deal. Soon after I created my own indy series called "Say Something Worth Something", SSWS for short. It was a play on the MTA transit slogan "If You See Something Say Something". It profiles artist and creators in the NYC Metro area that I felt deserved a platform. The series was picked up by Complex mag. and AfroPunk Festival. This series is what garnered the attention of KQED. I really enjoy working on docs long & short. I have a feature length doc on gender identity I completed this year in the role of Lead DP called "We Exist".

• News Shooter / Video Journalist
• Commercial DP
• Documentary DP
• Fixer
• Video Editor - News
• Video Editor - Documentary
• Video Editor - Commercial

As a kid I was sure of one thing: when I was older I was going to be a Ghostbuster. I was going to haul my Proton Pack and Ghost Trap around in the Ecto-1, live in an old firehouse, and save my hometown from the tyranny of paranormal beings, three of my best buds in tow. When I came to learn that Ghostbusters weren’t real, but were instead fictional characters created for a movie, I did the rational thing and made my first and only career move into film making. The logic being, maybe I couldn’t be a Ghostbuster, but I could help make them… and hopefully meet one. Before attending film school I toured the country playing rowdy punk music with my non-Ghostbuster best buds. I gained a lot of experience on the road and through it accustomed myself to being exhausted, uncomfortable, and sometimes starving all the while chasing after creativity as fast as our beat-up van would go. I eventually made my way to San Francisco where I attended the Academy of Art University and studied cinematography. I again found myself in a state of lacking human comforts, but overflowing creatively. As a result of that experience and the connections I made within my program I was able to get myself onto set working as a First AC on numerous films, commercials, and music videos, leading me into my current role as a Director of Photography. As such, I practice technically adept filmmaking with a focus on igniting the imagination and pulling on the heart strings of my audience, the kind of film making that would make anyone want to be a Ghostbuster.

• Commercial DP
• Documentary DP
• Corporate Videographer
• News Shooter / Video Journalist

Sarah has spent the last 15+ years working at major media companies such as MTV News, the U.S. Information Agency, C-SPAN, CBSNews.com, A&E Television Networks Interactive, and the 3-D virtual word, Second Life. She worked on the Dreamworks film, Just Like Heaven, starring Mark Ruffalo and Reese Witherspoon in San Francisco and Line Produced the low-budget indie sci-fi film, In World War. She directed/produced/shot/edited the award-winning feature documentary cult hit, Meditate and Destroy. She has embraced the medium of film to bring much needed awareness of ‘sacred cinema’ to audiences. Her love of film began at age 12 when she received the Fisher Price PXL2000 toy camera as a gift. Sarah received an undergraduate degree in Broadcast Journalism from Virginia Commonwealth University and spent one year in England studying media arts at the University of Plymouth. Sarah is dedicated to her mission of serving holistic health & wellness businesses. She loves meditation, cats, gardens, oceans, and drinking hordes of chai.

• Commercial DP
• Production Company
• Fixer

After a decade in the film & video industry, Dan realized that in a web-centric world, the captive audience that broadcast commercials took for granted no longer exists. He believes that authentic, entertaining, and meaningful content is what drives people to share a story--not a powerpoint slide filled with value propositions. He started Slow Clap in 2014 with the hopes of having an outlet to tell stories authentically; something he rarely got to do once he left film school. Dan was trained at NYU, where he received a B.F.A. in Film Production from the Tisch School of the Arts. He originally grew up on the Main Line of Philadelphia, but has lived in San Francisco’s Mission District since 2008. He’s collaborated with hundreds of brands like Sony PlayStation, Capital One, TNT, Apple, Google, Norton, Campari, Blue Shield of CA, and Environmental Defense Fund. His short films have appeared in festivals like SF DocFest, Oxford International, Cannes, and others. When you ask his team, they will tell you that Dan is the first to acknowledge when he’s wrong. It’s that sense of integrity and transparency that has helped him grow Slow Clap and keep clients happy. And these core values carry through into the work. What Dan loves most about running his own business is the collaborative relationships he has with his clients. Always open to brainstorm a new project, or contribute to an existing campaign, he loves developing and producing stories in a truly collaborative way. Dan won’t mention his interests outside of work, because Slow Clap is his passion and it keeps him busy around the clock. But if you spend any time at the office, you will definitely meet his better half, Rahel, who’s the secret sauce of Slow Clap’s success.

• Production Company
• Documentary DP
• Fixer
• Commercial DP
• Production Assistant

Meera Angelica Joshi is an international filmmaker who was born in New Zealand, raised in Australia and currently lives in New York, USA. Meera started making films in high school which gained recognition from teachers and peers. She followed her dream to New York University to pursue writing and directing. While at NYU she gained skills in producing, art direction and editing which helped inform her decisions as a director. She interned on films such as They Came Together and Chinese Puzzle as well as the Dr. Oz Show. Combining her interest in Himalayan art and film, she interned in the film programming department at the Rubin Museum of Art where she helped curate their documentary series, Lunch Matters. Since graduating, Meera has completed two films and worked at Bloomberg as a video editor. At Bloomberg, she learnt a lot about producing unscripted pieces and developed a love for documentary. She currently works as a freelance producer and editor and is producing a web series called "How We Met" documenting the hilarious, unexpected and profound ways people come together.

• Documentary DP
• News Shooter / Video Journalist
• Commercial DP
• Video Editor - News
• Production Company
• On-Air Reporter / Host
• Field Producer
• Fixer
• TV News Producer
• Motion Graphics Designer
• Sound Mixer
• Editorial Photographer / Photojournalist
• Video Editor - Documentary
• Video Editor - Commercial
• Production Assistant

Dedicated and meticulous Producer / Videographer / Editor with an eye for detail and an excellent record of employer satisfaction. Comprehensive experience with all aspects of video production and post-production. I'm a San Francisco based producer, director, cinematographer and editor. In the late nineties I began to build design, multi-media and video production boutiques where, writing and producing original television and integrated marketing campaigns for local and global brands (Symantec, Seagate, EVault, Citrix, PBS, Oakland Museum of California, Mollusk Surf Shop) allowed me to hone my visual storytelling skills. Now as co-creator and director of photography for SeaLevelTV my camera work can be found capturing short documentaries about people whose lives are driven by and connected to the ocean. Telling stories is my passion. Whether they be cultural documentaries like his SeaLevelTV work or my camera work on docs such as Forever Chinatown and Not Without Us.

• Commercial DP
• Documentary DP
• Video Editor - News
• Video Editor - Documentary
• Video Editor - Commercial
• Creative Director

Sub64Films specializes in documentary content for film, television, and brands. Founder Kevin Gordon is a Student Academy Award® winning documentary filmmaker whose films have screened at festivals across the world. He is drawn to inspirational, cinematic, character based storytelling. His film Dreams Awake won a 2010 Student Academy Award and was selected for the “Filmmakers of Tomorrow” program at the Telluride Film Festival. He worked as an associate producer and field producer on "I Almost Got Away With It" a 13-part documentary series for Discovery and has also worked on productions for PBS and Facebook and directed for the New York Times' OpDoc Series. His first feature-length documentary TRUE SON about a 21-year-old trying to save a city in crisis premiered at the 2014 Tribeca Film Festival and has been picked up by Fusion TV, a new collaboration between Univision and Disney. Kevin received his MFA in Documentary Film and Video at Stanford University.

• News Shooter / Video Journalist
• Commercial DP
• Video Editor - News
• Documentary DP
• Video Editor - Documentary
• Video Editor - Commercial

I'm a San Francisco-based storyteller working for a more equal and integrated society. I'm dedicated to challenging taboos and illuminating truths by giving voice to marginalized populations through film. I am in the post-production phase of my SF Film Society-sponsored short documentary, There Is a Place, about a musician who visits various Alzheimer's care facilities in the SF Bay Area. The film explores how contributing to a collective musical sound within a circle of peers brings out presentness, playfulness and a sense of connection in the face of memory loss, loneliness, and the end of life. Aside from my personal film projects, I've worked with corporate, nonprofit and solopreneur clients to deliver compelling videos that serve their messages. These projects include both documentary-style and narrative shorts, and I drive these projects from creative story development to production, direction and post-production.

• News Shooter / Video Journalist
• Commercial DP
• Documentary DP
• Video Editor - News
• Sound Mixer
• Reporter / Journalist
• Video Editor - Documentary
• Video Editor - Commercial

Margaret Cheatham Williams is an Emmy-nominated independent film producer and editor, currently seeking opportunities and collaborations in the film, audio, and outdoor space. Previously Margaret Cheatham was a documentarian at The New York Times, where she pitched, produced, shot and edited narrative and documentary video and photography. She regularly collaborated with the graphics department to create interactive content. She is particularly driven to stories that examine the intersection of health, family and personal identity. Through deep character exploration, she aims to tackle intimate issues including gender, fertility, and sexuality. In 2018 she piloted Conception, a highly visual and lyrical exploration of the myriad ways that women become mothers, and the journey that ensues. In the series, we introduce you to six women — each with a transformation uniquely theirs — in first-person accounts of love, regret, doubt and strength. Season II addresses the complexities of raising children in our modern era – We asked parents: What does it mean to raise children in the context of #MeToo, the immigration discussion, the opioid crisis and the gun debate? Her other work at the Times took her to Pyeongchang, South Korea where she covered the Winter Olympics, to Brazil, and all over the US, where she has reported on postpartum depression, politics and produced 360 video. Margaret Cheatham’s work has been recognized by the Livingston Awards, the Hearst Foundation, Pictures of the Year International, the National Press Photographers Association, Society for News Design, and the South by Southwest interactive awards. Her films have premiered at AFI Fest and the Margaret Mead Film Festival. In 2016 she was selected as an alternate for the Fulbright-National Geographic Digital Storytelling Fellowship, which provides opportunities for U.S. citizens to participate in an academic year of overseas travel and storytelling on a globally significant theme. She has been a multimedia coach at the North Carolina Photojournalism workshop and has served as judge for the National Press Photographers Association Best of Photojournalism contest and the White House Press Association. Previously she a video intern for The Los Angeles Times, The Washington Post and MediaStorm, an award winning multimedia production house. She completed a bachelor's degree in 2011 from the School of Media and Journalism at the University of North Carolina at Chapel Hill, where she studied photojournalism and French. Margaret Cheatham loves pineapple, lives in San Francisco with her husband, and the other love of her life – their West Virginian mutt, Duma. Her company, Moxie’s Daughter, is named for her mother, the best photo assistant she’ll ever have.

• Series Producer / Show Runner
• Non-Fiction Film Director
• Video Editor - Documentary
• Field Producer
• Senior Producer / Project Manager
• Audio Storyteller
• Documentary DP
• Reporter / Journalist
• Fixer
• Commercial DP
• Production Assistant

I’m a French-American journalist who films, produces, and edits documentaries. I'm a film fellow and producer at Still I Rise Films. I shoot and edit films for A Moment in Time Productions. Most recently, I directed and edited a short documentary that spans 10 years of San Francisco's "Flower Man." The film won the Grand Jury Award for Best Short Documentary at the United Nations Association Film Festival and the grand prize at the 2021 San Francisco Independent Short Film Festival. My current film, a short documentary about a community activist and how she stepped up to help the Latinx community when COVID-19 hit, premiered at the San Francisco Documentary Film Festival and is screening at the United Nations Association Film Festival, the San Francisco Latino Film Festival, and the Los Angeles Latinx Film Festival. I edited "We All Break," a feature documentary on Haitian Vodou and jazz funded by The Shifting Foundation and I filmed parts of a feature film that premiered in Berlin in the fall of 2021. A grantee of the Pulitzer Center for Crisis Reporting, I produced and edited illustrated stories on the challenges low-income students have faced during the pandemic over the course of a yearlong project. A story in that project recently won the Online News Association General Excellence for Online Journalism Award. I started my career as a print journalist, writing and editing for magazines and news websites. I've reported for The Associated Press, I worked as news manager at Yahoo and I'm the co-author of "San Francisco: The Unknown City" (Arsenal Pulp Press), which was shortlisted for a ForeWord Magazine Book of the Year award. My stories have been published in the Washington Post, the Wall Street Journal, USA Today and the Los Angeles Times among other publications. I helped start and run Mission Local, an award-winning news website. I've filmed and edited video for television, news outlets as well as corporate clients. I hold a Master's degree from U.C. Berkeley's Graduate School of Journalism with a focus on multimedia journalism. I’ve been a Carnegie-Knight News21 fellow and a U.C. Berkeley fellow. I've created and ran video workshops and taught video at U.C. Berkeley's Graduate School of Journalism as well as high schools in the Bay Area. I've spoken at journalism events around the United States including the Online News Association.

• Documentary DP
• Video Editor - Documentary
• Fixer
• Commercial DP
• Video Editor - Commercial
• Production Assistant

Free-Lance, Award Winning, Documentary Filmmaker and Cinematographer (Experienced x 10 Years) 20 x years US Military Experience - Specialties - Experienced Filmmaker and Video Journalist In Austere War Torn Environments, Subject Matter Expert In Military and US Veteran Affairs, US Foreign Policy, Counterterrorism, Environmental National Disaster Crisis and Response To Include Artic, Wildland Forest Fires and Hurricane Flood Conditions, US Stateside Domestic and Fringe Organizations To Include Worker and Political Unions, Super PAC Donation and Lobbyist Groups, Anti-Government and Racial Populist Movements and Organizations, US Government Foreign Policy and National Security Correspondence, Conflict Resolution and Restorative Justice Issues, Travel Journalism, Restaurant and Food Industry, Live and Staged Sporting Events, Comedy, Satire, Video Art, and Underwater Video and Photography, Independent Commercial, Narrative, Documentary Filmmaker, and Producer

• Commercial DP
• Creative Director
• Production Company
• Sound Mixer
• Video Editor - Commercial
• Sound Designer
• Documentary DP
• Field Producer
• Editorial Photographer / Photojournalist
• News Shooter / Video Journalist
• Video Editor - News
• Fixer
• Production Assistant
• Reporter / Journalist
• Mobile Journalist / Livestreamer
• Motion Graphics Designer
• Video Editor - Documentary
• Line Producer / On-Location
• Senior Producer / Project Manager
• Post-Production Manager
• Transcriber
• Colorist
• Non-Fiction Film Director

Matthew Boyd is an award winning cinematographer-filmmaker based in the Oakland working in feature film, short film, documentary, television, commercial and music video spaces. Boyd's recent feature work as cinematographer includes "Mine 9", (Netflix, Showtime) winner of Best Feature Film: Drama at Cinequest, The Festival Grand Prize at the Arizona International Film Festival and Best Feature Film: Thriller, Best Ensemble Cast and Best Director at the Bare Bones Film Festival. And "Hazard", a dramatic feature starring Sosie Bacon, Alex Roe, Steven Ogg based on the Appalachian opioid epidemic is currently in post production. Complementing Boyd's work as a cinematographer are self directed, shot and edited short documentary pieces including this submission, "A Boat for my Brother", and "El Pastor", a short film about a Peruvian goat shepherd's work in the Bay Area, currently in post production. And "The Space Between Us" about artist Janet Echelman.

• Commercial DP
• Corporate Videographer
• Documentary DP
• Drone Operator
• Production Company
• Non-Fiction Film Director

Jonathan Smith is a Director of Photography and editor from Pontiac, MI. He moved to Oakland, CA, in the summer of 2017, after graduating from Eastern Michigan University with his B.S. in Electronic Media and Film Studies. Jonathan uses his passions for photography, videography, and storytelling as conduits for others to share their stories. From 2014-2017 in Michigan, Jonathan worked as an ESPN cameraman and radio host for WEMU 89.1. Since 2017 in California, Jonathan formally served as Control Room Operator for KTOP TV-10, Oakland's government television station, as Social Media and Graphic Design Director for Oakland-based nonprofit Safe Passages, and as Visual Media Director for Berkeley Mt. Zion Missionary Baptist Church in Berkeley, CA. Jonathan currently serves as the Worship Projection Operator at the historic Allen Temple Missionary Baptist Church in Oakland, CA. Additionally, he is working in collaboration with acclaimed documentary filmmaker Cheryl Fabio as Director of Photography for her upcoming film Baseline.

• Documentary DP
• Commercial DP
• Video Editor - Commercial
• Portrait Photographer
• Fashion Photographer
• Corporate Videographer

With over 20 years of experience in video production, I’m an accomplished DP, camera op, editor, and post-production specialist. My goal is to be the best at what I do, always striving for perfection and delivering it. I’m a dedicated and hardworking team player that always tries to keep it fun. I pride myself on being equally technical, creative, and resourceful. I have experience in documentary, commercial, corporate, and event production among others. My combined talents provide a full stack video production offering. As an editor and post specialist, I offer full-service post-production services. I can take a project from ingest to finishing and delivery. Color grading, motion graphics, compositing and cleanup, mixing/mastering, pretty much all of it. Additionally, this crosses over into production as a DIT. Behind the camera I have worked ENG, docu-style, events, fitness, action sports, and commercial to name a few. My recent work has been on Sony's FX line, Blackmagic and Canon cinema cameras. I am also a seasoned gimbal operator, with rigging and operating knowledge of the entire Freefly and DJI ecosystem.

• Corporate Videographer
• News Shooter / Video Journalist
• Documentary DP
• Video Editor - Commercial
• Video Editor - Documentary
• Video Editor - News
• Colorist
• Senior Editor
• Drone Operator
• Post-Production Manager
• Commercial DP
• Sound Designer
• Animator / Visual Effects Artist

An anthropologist and filmmaker, his first feature, “Adelante,” a feature length documentary about Mexican immigration to a historically Irish Catholic church outside of Philadelphia, screened on over 20 PBS affiliates, played at over 30 festivals, and was screened at over 40 colleges. The film won awards at numerous festivals including the Catskill Mountain Film Fest, the Accolade Film Fest and the International Festival of Ethnological Films. His short doc, Searcy County,” screened domestically and internationally, including the Hot Springs Documentary Film Festival and the Sebastopol Documentary Film Fest. He has written about film in journals including “Southern Spaces,” “Visual Communication,” and “The Journal of the Royal Anthropological Institute.” He is currently editing a feature-length documentary about Mexican and American tree planters in the southeast United States, an innovative film that be the first documentary film accepted for a PhD at the University of Pennsyvania

• Documentary DP
• News Shooter / Video Journalist
• Commercial DP
• Creative Director
• Video Editor - News
• Reporter / Journalist
• Video Editor - Documentary
• Video Editor - Commercial

Débora Silva is a Brazilian journalist now residing in California. She started her career at a television station in São Paulo, Brazil, right after graduating with a degree in Journalism. For four years, she worked as a reporter and producer for a documentary news program about social and political issues in Brazil. In 2009, Débora moved to California to pursue a career as an international correspondent. She graduated in June 2014 from a Master’s Degree program at UC Berkeley’s Graduate School of Journalism with emphasis in television. Following her graduation, Débora served as the Associate Producer for a PBS (Frontline) documentary, RAPE ON THE NIGHT SHIFT – an investigation on the sexual abuse of immigrant women in the janitorial industry. Débora is fluent in Portuguese and English and proficient in Spanish. Her broadcasting skills include shooting and editing videos (Premiere and Avid), producing video segments (studio and field), on-air reporting and interviewing.

• News Shooter / Video Journalist
• Commercial DP
• Documentary DP
• Fixer
• Video Editor - News
• Reporter / Journalist
• On-Air Reporter / Host
• Video Editor - Documentary
• Video Editor - Commercial

I'm an Emmy-nominated freelance video producer and multimedia journalist living and working in the Bay Area. I was a staff producer with Engadget for four years, and in the past I've worked with a range of outlets including The Verge, BBC, The Guardian, Mission Local, and I'm a regular freelancer for USA Today, Arts Technica, and Toms Hardware. I specialize in science and technology coverage, but also do works on stories around the arts, education, healthcare, business, and live events. I'm a 2015 graduate of the Berkeley Graduate School of Journalism. I also do corporate video, multimedia communications, and consulting. I teach multimedia production at both UC Santa Cruz and Stanford, and have made videos and motion graphics for organizations including The Berkeley SETI Research Center, Wing Venture Capital, Hotwire PR, First Republic Bank, USPA Athletics School, Disaster Mesh, and Experian, Planet Labs, Symb.io, Allogene, Vida Ventures, and others. https://ctcschodt.com/

• News Shooter / Video Journalist
• Commercial DP
• Documentary DP
• Video Editor - News
• Sound Mixer
• Editorial Photographer / Photojournalist
• On-Air Reporter / Host
• Video Editor - Documentary
• Video Editor - Commercial
• Production Company
• HD Live Operator
• Motion Graphics Designer
• Colorist
• Event Photographer
• Portrait Photographer
• Reporter / Journalist
• Digital Content Creator
• Executive Producer
• Corporate Videographer
• Audio Storyteller
• Animator / Visual Effects Artist

Howdy! I'm an award winning director, cinematographer and editor based in California. I work with brands, agencies, NGOs and production companies. As a director: I have an extensive background in developing and pitching ambitious projects to executive leadership. My films have a unique look and feel characterized by truth and authenticity in the storytelling and dynamic and creative camera work. As a cinematographer: I always try to work in service of the story. I'm capable of giving it a unique identity in the visual approach or can find beauty in simplicity. I'm highly collaborative and am capable of taking direction or leading the way creatively. As an editor: I pride myself on crafting compelling stories. I try to uncover poignancy and vulnerability in the characters. All my edits have a creative edge and careful attention to detail, taking the effectiveness of every shot into consideration. Freelancer and co-founder & director at The Elevens.

• Video Editor - Commercial
• Video Editor - Documentary
• Creative Director
• Non-Fiction Film Director
• Senior Editor
• Landscape Photographer
• Portrait Photographer
• Commercial DP
• Corporate Videographer
• Documentary DP
• Field Producer
• Colorist