Discover Top Video Editors - Documentary in Reno, Nevada, USA

I'm an Editor, Producer, Director and Fellow at UT Austin with a master's in film production, currently dividing my time Austin, the Bay Area, and the Republic of Georgia. I have extensive experience in video editing for documentaries and social media with an adept knowledge of the Adobe Suite. I have also edited, produced, and directed short documentaries on conspiracy theories, Dementia, and childhood grief that have played at Oscar-Qualifying film festivals throughout the U.S. I edit quickly and can edit audio, do color correction and grading, and work with video graphics. I am passionate about helping brands, organizations, and artists connect to their audiences on a visceral level. I have edited social media content for esteemed outdoor organizations such as Mountainfilm and American Field. In the early days of TikTok I was hired by them to create content for their platform and within 4 months my account amassed 200,000 followers and 50,000 - 20 million views per video.

• Video Editor - Documentary
• Video Editor - Commercial
• Documentary DP
• Field Producer
• Non-Fiction Film Director
• Commercial DP
• Sound Mixer
• Senior Producer / Project Manager
• Digital Content Creator

Award-winning filmmaker and editor with a quick eye, a balance of technical and creative strengths and a talent for crafting emotionally-engaging, character-driven stories. Fernanda Tornaghi brings Brazilian flair and congeniality to her TV, film and corporate work. Her specialties span reality, documentary and fiction formats. She prides herself on being the kind of quick study who was able to high dive into editing for the Rio Olympics without any prior sports experience. She’s been known to make hard-nosed directors cry with her storytelling. Her feature documentary Queen of Brazil premiered at the 2008 Rio International Film Festival. It was awarded best feature at the 2010 NY Brazilian Film Festival and nominated for best documentary at the 2009 Zurich International Film Festival. Fernanda began her career in NYC and worked with independent filmmakers Bill Brand and Abigail Child. She also served as assistant editor to renowned Brazilian editors Leli Figueiredo, edt. and Henrique Tartarotti, edt.

• Video Editor - News
• Video Editor - Documentary
• Video Editor - Commercial

Kathleen is a documentary filmmaker. She serves as the Social Media Manager and Film Assistant at Flying Carp Productions. After receiving her BA in journalism and documentary production from Flagler College in 2015, she has been working in the San Francisco documentary community for award-winning independent production companies. She assists filmmakers with all aspects of production including social media, data research, film-trailer editing, shooting interviews, fundraising management, and distribution. She has a passion for journalism and documentary production. She interned as a researcher at the CNN headquarters in Atlanta. Her projects have included reporting on the homeless crisis in Atlanta, which won her a Georgia Associated Press Broadcasters Award. She traveled to Kenya where she produced a short documentary film, "Living Positive." This film highlighted the amazing work of the Safe Water Aids Project in Kenya.

• Commercial DP
• Video Editor - News
• Editorial Photographer / Photojournalist
• Documentary DP
• Video Editor - Documentary
• Video Editor - Commercial

I’m a creative & current Producer & DP in the SF Bay Area whose passion is character-driven stories that reveal an underlying issue. I love what I do, and that comes across in my work with you, and the product I deliver. Recently, I was honored to be Director of Photography on Warner Brother's award-winning movie 'Batkid Begins' (2015), Video Exhibit Producer for Global Lives Project at Lincoln Center, NYC (2016), and to film for NBC's 1st Look (2016). As a Producer & Director, I've successfully crafted award-winning videos for tech start-ups & fortune 500 companies to build brand awareness & also work independently as a documentary filmmaker on inspiring & emotionally engaging films, which has brought me to Vietnam, Cambodia, India & Brazil. In addition, I'm a filmmaker for the Global Lives Project, a collective that films 24-hour lives around the world, as part of a global collection of day-in-life videos. My fortes? Ideating & Creative collaboration, Putting together a dynamic crew, Cinematography, Storytelling, Directing on location. Team player.

• Documentary DP
• News Shooter / Video Journalist
• Commercial DP
• Reporter / Journalist
• Video Editor - News
• Video Editor - Documentary
• Video Editor - Commercial

Hi! I’m a video producer and writer on a quest to tell new stories and to examine the accuracy and implications of established narratives. My videos, articles and audio stories have been published by Business Insider, Insider, Slate Magazine, the Orlando Sentinel, VII Foundation, The Chautauquan Daily and Dublin South FM in Ireland. Before joining Storyhunter, I worked as a video editor, producer and animator for Business Insider, where my videos received over 15 million views across YouTube, Twitter, Snapchat and Facebook. Some of my most recent documentary and video essay projects trace the battle surrounding a Confederate statue in a small Florida town, and the way 'Parasite' director Bong Joon-ho recycles and perfects moments from film to film. SKILLS • Adobe: Premiere, After Effects, Audition, Lightroom, Illustrator, Photoshop, Media Encoder, Prelude • Video: Pitching, research, pre-production, shooting B-roll, interviewing (reporting, audio, lighting, framing), sourcing imagery, organizing footage, scripting, narration, editing, animation, refining audio, color correction, subtitling, using CMS and Xchange, launching and growing online video series, setting and achieving views goals 
• Journalism: Video and podcast production, news and culture reporting and writing, still photography and editing, writing captions, leading and organizing production teams
 RECOGNITION • 2020 NPR Kroc Finalist for “The Statue That Won’t Go Away”
 • Official Selection 2019, SPLICE Film Fest in the Short Documentary category for “What We Used to Be"

• Video Editor - Documentary
• Video Editor - News
• News Shooter / Video Journalist
• Motion Graphics Designer
• Reporter / Journalist
• Audio Storyteller
• Copywriter
• Fixer
• Field Producer
• Video Editor - Commercial
• Animator / Visual Effects Artist
• Editorial Photographer / Photojournalist
• Sound Designer
• Colorist

I am an Emmy nominated producer and director with experience developing, producing, directing and editing more than 400 hours of content. My portfolio includes docu-series, documentaries, original branded digital programming, digital series, VR, feature films and commercials. From 2007-2010, I served as the Producer of New Media at 51 Minds Entertainment. My leadership and responsibilities included overseeing on-air special programming and all stages of creative series development, strategy, production and post for digital and social media platforms. Under my leadership, 51 Minds Digital/Vh1.com produced 3,000+ episodes totaling over 350 hours of digital content. During this time, 51 Minds’ digital platform initiatives set landmark standards for their distribution partners. After 51 Minds Entertainment, I went on to produce a number of on-air projects, for production partners such as Facebook Watch, Amazon Prime, MTV, VH1, Discovery, Bravo, A&E, We TV, Lionsgate and others. Recently, I served as the Co-Executive Producer for the Discovery Channel documentary ‘The Swim’, chronicling a long distance swimmer’s attempt at crossing the North Pacific from Japan to San Francisco. I currently serve as Co-EP at Sharp Entertainment, overseeing the production and post production on a variety of shows. With a keen cinematic eye and sense of visual storytelling, coupled with vast experiences in digital content, non-scripted, traditional TV space, feature length film and documentary production, I have a uniquely extensive skill set encompassing the development, content creation, production and post-production of a wide variety of formats to execute the highest digital standard across all platforms.

• Creative Director
• Production Company
• Fixer
• Field Producer
• Translator
• Video Editor - News
• Video Editor - Commercial
• Video Editor - Documentary

Mateo Hinojosa (M.A. in Documentary Film, Universidad del Cine in Buenos Aires; B.A., Northwestern University, summa cum laude) is a filmmaker (director, producer, cinematographer/videographer and editor), as well as an educator, facilitator, and artist. A Bolivian-American based in the San Francisco Bay Area, he works worldwide, exploring issues of social justice and education; public space and art; politics and performance; spirituality and health; and individual identity in collective struggle. He has worked filming neurosurgeries, street art, local cuisine, theater, activism and indigenous ecological knowledge. He has taught cross-cultural documentary skills to diverse groups, from Native American youth to U.S. college students. His feature documentary, Spectacular Movements, follows young actors in Bolivia as they struggle to revive the critical spirit of the recent revolution through popular theater and street interventions. He is the Media Director at The Cultural Conservancy and Director of Woven Path Media.

• Documentary DP
• Creative Director
• Production Company
• Field Producer
• Video Editor - Documentary
• On-Air Reporter / Host

Adam Garrett-Clark holds a Bachelors of Science in Print Multimedia Journalism from Emerson College, Boston Massachusetts. While backpacking through Central America he founded a monthly Tourism Magazine, in Leon Nicaragua. As lead writer, editor and ad salesman, LeonEazy published six issues, distributing 1500 copies in town, and became a force in the local economy. In 2007 he returned to the states, taking a job as an ad salesman for a weekly newspaper in Northern Manhattan, New York. His intent was to write. By the end of his three years, Manhattan Times created a staff writer position for him and he was developing a series of short news documentaries for the website. ​ In 2010 Garrett-Clark returned to San Francisco taking temporary work as a Pedicab driver while looking for a job in media. Seduced by the beauty of making a living on a bicycle, his cover letter writing fizzled out. Taking on freelance journalism projects throughout that time his work has included: Video evidence collection for Law Firm Siegel & Yee, Scriptwriting for explainer video series MinuteVideos, post production for Independent Lens series The Revolutionary Optimist, Research assistant to Wired Magazine writer Gary Wolf and Joshua Davis on separate occasions. Production Assistant and or Consultant on various documentary projects, Produced videos for the arts center, The Crucible, which exhibited at the Oakland Airport, and wrote for Patch San Leandro.

• Documentary DP
• News Shooter / Video Journalist
• Video Editor - News
• Reporter / Journalist
• Mobile Journalist / Livestreamer
• On-Air Reporter / Host
• Translator
• Video Editor - Documentary
• Video Editor - Commercial

Isara is an award-winning documentary filmmaker and freelance director of photography and editor based in Oakland, CA. Her verité cinematography is noted for demonstrating the trust she earns with her subjects and her ability to considerately perceive and represent complex truths at the heart of each story. As a Video Producer for KQED Arts (PBS/NPR affiliate in the SF Bay Area) Isara produced, edited and shot a dozen mini-docs for the web reaching a nationwide audience. She produced and edited the Portland episode of the pilot season of KQED Art’s Webby Award-winning web series If Cities Could Dance, which highlights dancers around the country and the social issues they address with their art. She shot for KQED’s Regional Emmy-winning video A Border Wall of Piñatas Brings a Community Together. Her work has also appeared in The San Francisco Chronicle, CrossCut Seattle, EdSource and The Grotto Network. She has been involved in feature documentaries on Netflix, CNN, and MSNBC. Isara has directed, shot and edited short documentaries in the San Francisco Bay Area for the East Bay AIDS Center; Women Organized Against Life-Threatening Disease (WORLD), a grass-roots Oakland org helping unhoused women understand and wean off opioid abuse; and for the Ruth Asawa San Francisco School of the Arts, the only public high school in the US with a World Art curriculum. She holds a masters degree in Journalism from the University of California, Berkeley, where she was selected as a Documentary Fellow. She grew up in a neighborhood of Boston, MA.

• Documentary DP
• Commercial DP
• Creative Director
• Production Company
• Field Producer
• Video Editor - News
• Video Editor - Commercial
• Video Editor - Documentary
• Reporter / Journalist
• News Shooter / Video Journalist

Producer/Director/Cinematographer from Brooklyn, NYC. Now residing in the Bay area. Freelancer for KQED Arts & Sciences. Currently commissioned by the Oakland Museum for 3 films about West Oakland set to screen in july 2016 til 2017. Back in NYC I was Producer for two seasons of a TV show called "Behind the Unsigned" for FuseTV. The show was a reality-docu series that profiled unsigned talent receiving notoriety independent of a record label deal. Soon after I created my own indy series called "Say Something Worth Something", SSWS for short. It was a play on the MTA transit slogan "If You See Something Say Something". It profiles artist and creators in the NYC Metro area that I felt deserved a platform. The series was picked up by Complex mag. and AfroPunk Festival. This series is what garnered the attention of KQED. I really enjoy working on docs long & short. I have a feature length doc on gender identity I completed this year in the role of Lead DP called "We Exist".

• News Shooter / Video Journalist
• Commercial DP
• Documentary DP
• Fixer
• Video Editor - News
• Video Editor - Documentary
• Video Editor - Commercial

I am an Emmy® nominated Oakland-based video producer + editor with a passion for creating powerful and engaging visual content. I am a graduate of Northwestern University, and George Washington University’s Institute for Documentary Filmmaking. She was the 2011 George Stoney Fellow at Working Films, and a 2013 BAVC Mediamaker Fellow. In 2016, she received an Emmy® nomination for “Women Dancers Redefine Oakland’s Street Dancing Scene”, published on KQED Arts. Stemming from a background in psychology and the non-profit sector, her focus is on mission driven content. In the past I have worked on feature documentaries, online courses, short documentary & video journalism, and short marketing content for non-profit organizations via outlets including KQED, The New York Times, TED, and others. I believe in the power of media to expose stories and truth, spark conversations, and break down barriers.

• Documentary DP
• News Shooter / Video Journalist
• Production Company
• Field Producer
• Video Editor - News
• Video Editor - Documentary

After graduating from Wesleyan University as a Film Studies major – Tara moved to Los Angeles in 2011 where she interned on the TV show Leverage before landing a job at the boutique ad agency Illumin8Creative. Within two years, Tara rose from Assistant Editor to Lead Editor, cutting trailers and sizzles for clients like Sony, Lionsgate and Miramax as well as company profiles and corporate videos for clients like Bank of the West. Here, Tara discovered a passion for doing documentary style shorts and in 2013 started a freelance business specializing in the creation of shorts for non-profits. In March of 2014, Tara was hired as a freelance editor at Brave New Films and shortly there after joined the staff as their Lead Editor. In 2015 she had an opportunity to merge her advertising and documentary experience through her directorial debut – Racism is Real – the biggest success Brave New Films has had to date with over 18 million views across Facebook and Youtube and was featured in outlets such as Vox, Buzzfeed, Upworthy, Time magazine, the Independent, and the Washington Post. Later that year, the Executive Producer of the shorts team stepped down and Tara stepped up. Her first two pieces as the new Executive Producer/Head of Production received millions of social views and upon completion, she was asked to Co-Produce Robert Greenwald’s feature film “Making A Killing: Guns, Greed and the NRA”. Since then, she has continued to oversee all development, production, and post for all Brave New Films shorts, animations and interactive games – including campaigns such as “the Bail Trap.” Now Tara has moved to the bay area and ready to find amazing projects to dedicate her talents towards.

• Creative Director
• Documentary DP
• Video Editor - Commercial
• Video Editor - Documentary
• Motion Graphics Designer

Meera Angelica Joshi is an international filmmaker who was born in New Zealand, raised in Australia and currently lives in New York, USA. Meera started making films in high school which gained recognition from teachers and peers. She followed her dream to New York University to pursue writing and directing. While at NYU she gained skills in producing, art direction and editing which helped inform her decisions as a director. She interned on films such as They Came Together and Chinese Puzzle as well as the Dr. Oz Show. Combining her interest in Himalayan art and film, she interned in the film programming department at the Rubin Museum of Art where she helped curate their documentary series, Lunch Matters. Since graduating, Meera has completed two films and worked at Bloomberg as a video editor. At Bloomberg, she learnt a lot about producing unscripted pieces and developed a love for documentary. She currently works as a freelance producer and editor and is producing a web series called "How We Met" documenting the hilarious, unexpected and profound ways people come together.

• Documentary DP
• News Shooter / Video Journalist
• Commercial DP
• Video Editor - News
• Production Company
• On-Air Reporter / Host
• Field Producer
• Fixer
• TV News Producer
• Motion Graphics Designer
• Sound Mixer
• Editorial Photographer / Photojournalist
• Video Editor - Documentary
• Video Editor - Commercial
• Production Assistant

Dedicated and meticulous Producer / Videographer / Editor with an eye for detail and an excellent record of employer satisfaction. Comprehensive experience with all aspects of video production and post-production. I'm a San Francisco based producer, director, cinematographer and editor. In the late nineties I began to build design, multi-media and video production boutiques where, writing and producing original television and integrated marketing campaigns for local and global brands (Symantec, Seagate, EVault, Citrix, PBS, Oakland Museum of California, Mollusk Surf Shop) allowed me to hone my visual storytelling skills. Now as co-creator and director of photography for SeaLevelTV my camera work can be found capturing short documentaries about people whose lives are driven by and connected to the ocean. Telling stories is my passion. Whether they be cultural documentaries like his SeaLevelTV work or my camera work on docs such as Forever Chinatown and Not Without Us.

• Commercial DP
• Documentary DP
• Video Editor - News
• Video Editor - Documentary
• Video Editor - Commercial
• Creative Director

Sub64Films specializes in documentary content for film, television, and brands. Founder Kevin Gordon is a Student Academy Award® winning documentary filmmaker whose films have screened at festivals across the world. He is drawn to inspirational, cinematic, character based storytelling. His film Dreams Awake won a 2010 Student Academy Award and was selected for the “Filmmakers of Tomorrow” program at the Telluride Film Festival. He worked as an associate producer and field producer on "I Almost Got Away With It" a 13-part documentary series for Discovery and has also worked on productions for PBS and Facebook and directed for the New York Times' OpDoc Series. His first feature-length documentary TRUE SON about a 21-year-old trying to save a city in crisis premiered at the 2014 Tribeca Film Festival and has been picked up by Fusion TV, a new collaboration between Univision and Disney. Kevin received his MFA in Documentary Film and Video at Stanford University.

• News Shooter / Video Journalist
• Commercial DP
• Video Editor - News
• Documentary DP
• Video Editor - Documentary
• Video Editor - Commercial

I'm a San Francisco-based storyteller working for a more equal and integrated society. I'm dedicated to challenging taboos and illuminating truths by giving voice to marginalized populations through film. I am in the post-production phase of my SF Film Society-sponsored short documentary, There Is a Place, about a musician who visits various Alzheimer's care facilities in the SF Bay Area. The film explores how contributing to a collective musical sound within a circle of peers brings out presentness, playfulness and a sense of connection in the face of memory loss, loneliness, and the end of life. Aside from my personal film projects, I've worked with corporate, nonprofit and solopreneur clients to deliver compelling videos that serve their messages. These projects include both documentary-style and narrative shorts, and I drive these projects from creative story development to production, direction and post-production.

• News Shooter / Video Journalist
• Commercial DP
• Documentary DP
• Video Editor - News
• Sound Mixer
• Reporter / Journalist
• Video Editor - Documentary
• Video Editor - Commercial

I am a documentary filmmaker, directing feature length documentary films. I have been working with social justice groups to create media to tell their stories for 12 years. I have produced hundreds of short videos to be shared online. I have been creating media around worker's strikes, election campaigns, etc so I am used to producing videos on tight deadlines. Much of the work I do has a press component; I often provide interviews, photos & broll reels to press. In 2010 when my work supporting immigrant rights communities in my home state of Arizona drew national coverage, I began getting freelance assignments for radio, PBS Jorge Gestoso Investiga, CNN Espanol, NBC National, TeleSur, Democracy Now, Bill Moyers and Al Jazeera's Faultlines (line production). I am an editor so I capture professional video/ audio with all of the components to tell a story. I came to video journalism through advocacy media but I understand the difference.

• News Shooter / Video Journalist
• Documentary DP
• Video Editor - News
• Sound Mixer
• Editorial Photographer / Photojournalist
• Mobile Journalist / Livestreamer
• Video Editor - Documentary
• Video Editor - Commercial

Mathew Ramirez Warren is a documentary filmmaker and journalist, whose work has been featured on PBS, National Geographic, The New York Times and NBC. His feature-length documentary directorial debut, We Like It Like That, was broadcast on the PBS show America ReFramed, made Rolling Stone’s “15 Must See Movies at the SXSW Film Festival 2015” list, NBC’s “10 must see Latino and Latin American films of 2015” list, and won Best Documentary at the UrbanWorld film festival. It is distributed internationally by Saboteur Media and is available to stream free on all PBS digital platforms. In 2016, he produced and directed Eddie Palmieri: A Revolution on Harlem River Drive, an episode for the Red Bull TV documentary series The Note, and in 2017 he field produced several segments for the National Geographic documentary series Chain of Command, covering international migration through the Darien Jungle in Colombia and Panama, and ISIS recruitment among Trinidad and Tobago’s Muslim community. ​He founded Muddy Science Productions, a full service film, television, web media and advertising production company, and has developed, produced and edited content for brands, media outlets, organizations and entertainment companies, including Tag Heuer, Converse, Fania Records, TCS Global, Maker's Mark, Inside Hook, Wax Poetics Magazine, Discos Fuentes, California Teachers Association, The Pollination Project, Net Impact, HEAL Food Alliance, CURYJ, The Foreign Policy Association and the Institute of International Education. ​His latest directorial effort, Weed Dreams, is a feature-length documentary currently in post-production about Oakland's first of its kind Cannabis Equity Program. For this project he has been awarded a Berkeley Film Foundation Grant, a Miller Packan Documentary Film Fund Grant, an SF Film Documentary Film Fund Grant, and a Sundance Institute Latine Collab Scholarship.

• Non-Fiction Film Director
• Senior Editor
• Video Editor - Commercial
• Video Editor - Documentary
• Video Editor - News
• Full-Service Live Production
• Field Producer
• Production Company
• Senior Producer / Project Manager
• Documentary DP
• Corporate Videographer
• News Shooter / Video Journalist

Margaret Cheatham Williams is an Emmy-nominated independent film producer and editor, currently seeking opportunities and collaborations in the film, audio, and outdoor space. Previously Margaret Cheatham was a documentarian at The New York Times, where she pitched, produced, shot and edited narrative and documentary video and photography. She regularly collaborated with the graphics department to create interactive content. She is particularly driven to stories that examine the intersection of health, family and personal identity. Through deep character exploration, she aims to tackle intimate issues including gender, fertility, and sexuality. In 2018 she piloted Conception, a highly visual and lyrical exploration of the myriad ways that women become mothers, and the journey that ensues. In the series, we introduce you to six women — each with a transformation uniquely theirs — in first-person accounts of love, regret, doubt and strength. Season II addresses the complexities of raising children in our modern era – We asked parents: What does it mean to raise children in the context of #MeToo, the immigration discussion, the opioid crisis and the gun debate? Her other work at the Times took her to Pyeongchang, South Korea where she covered the Winter Olympics, to Brazil, and all over the US, where she has reported on postpartum depression, politics and produced 360 video. Margaret Cheatham’s work has been recognized by the Livingston Awards, the Hearst Foundation, Pictures of the Year International, the National Press Photographers Association, Society for News Design, and the South by Southwest interactive awards. Her films have premiered at AFI Fest and the Margaret Mead Film Festival. In 2016 she was selected as an alternate for the Fulbright-National Geographic Digital Storytelling Fellowship, which provides opportunities for U.S. citizens to participate in an academic year of overseas travel and storytelling on a globally significant theme. She has been a multimedia coach at the North Carolina Photojournalism workshop and has served as judge for the National Press Photographers Association Best of Photojournalism contest and the White House Press Association. Previously she a video intern for The Los Angeles Times, The Washington Post and MediaStorm, an award winning multimedia production house. She completed a bachelor's degree in 2011 from the School of Media and Journalism at the University of North Carolina at Chapel Hill, where she studied photojournalism and French. Margaret Cheatham loves pineapple, lives in San Francisco with her husband, and the other love of her life – their West Virginian mutt, Duma. Her company, Moxie’s Daughter, is named for her mother, the best photo assistant she’ll ever have.

• Series Producer / Show Runner
• Non-Fiction Film Director
• Video Editor - Documentary
• Field Producer
• Senior Producer / Project Manager
• Audio Storyteller
• Documentary DP
• Reporter / Journalist
• Fixer
• Commercial DP
• Production Assistant

I’m a French-American journalist who films, produces, and edits documentaries. I'm a film fellow and producer at Still I Rise Films. I shoot and edit films for A Moment in Time Productions. Most recently, I directed and edited a short documentary that spans 10 years of San Francisco's "Flower Man." The film won the Grand Jury Award for Best Short Documentary at the United Nations Association Film Festival and the grand prize at the 2021 San Francisco Independent Short Film Festival. My current film, a short documentary about a community activist and how she stepped up to help the Latinx community when COVID-19 hit, premiered at the San Francisco Documentary Film Festival and is screening at the United Nations Association Film Festival, the San Francisco Latino Film Festival, and the Los Angeles Latinx Film Festival. I edited "We All Break," a feature documentary on Haitian Vodou and jazz funded by The Shifting Foundation and I filmed parts of a feature film that premiered in Berlin in the fall of 2021. A grantee of the Pulitzer Center for Crisis Reporting, I produced and edited illustrated stories on the challenges low-income students have faced during the pandemic over the course of a yearlong project. A story in that project recently won the Online News Association General Excellence for Online Journalism Award. I started my career as a print journalist, writing and editing for magazines and news websites. I've reported for The Associated Press, I worked as news manager at Yahoo and I'm the co-author of "San Francisco: The Unknown City" (Arsenal Pulp Press), which was shortlisted for a ForeWord Magazine Book of the Year award. My stories have been published in the Washington Post, the Wall Street Journal, USA Today and the Los Angeles Times among other publications. I helped start and run Mission Local, an award-winning news website. I've filmed and edited video for television, news outlets as well as corporate clients. I hold a Master's degree from U.C. Berkeley's Graduate School of Journalism with a focus on multimedia journalism. I’ve been a Carnegie-Knight News21 fellow and a U.C. Berkeley fellow. I've created and ran video workshops and taught video at U.C. Berkeley's Graduate School of Journalism as well as high schools in the Bay Area. I've spoken at journalism events around the United States including the Online News Association.

• Documentary DP
• Video Editor - Documentary
• Fixer
• Commercial DP
• Video Editor - Commercial
• Production Assistant