Discover Top Field Producers in Sacramento, California, USA

Jun’s 13 years in journalism have taken her from reporting on Alaska Natives’ opposition to oil drilling in the Arctic National Wilidlife Refuge, to the fight against the U.S. military expansion in Guam and Okinawa. She’s interviewed Chinese-American grocers who live along the Mississippi Delta, and covered the resistance against Monsanto’s use of herbicides in Puerto Rico. And she spent over 5 years on filming the documentary Futbolistas 4 Life, about youth from undocumented families in East Oakland and a student-led fight for a safe place to play in response to the violent deaths of their classmates. Jun has worked on documentaries that have premiered at SXSW and broadcasted on ESPN and MSNBC. Her work can also be seen in the Washington Post, the Associated Press and KQED. She joined AJ+ three months before the Al Jazeera channel officially launched in 2014, back when they were one of a few news organizations experimenting with video for social media. Her AJ+ team Untold America won three Regional Emmy Awards, and Futbolistas 4 Life was an official selection of the San Francisco International Film Festival. She’s a '19 Online News Association Women’s Leadership Accelerator fellow and a jury judge for the International Documentary Association awards. She’s a former SFFILM House resident and BAVC National MediaMaker fellow. Her work has also been supported by Women in Film, Glassbreaker Films, the Berkeley Film Foundation and other funders. Jun grew up in Oakland, California and Kobe, Japan, has also lived in Los Angeles, Cork, Ireland and along the Mississippi River in Northern Illinois, and has traveled to over 20 countries across Asia, Latin America, Europe and North Africa.

• Production Coordinator / Crewing
• On-Air Reporter / Host
• Field Producer
• Reporter / Journalist
• Series Producer / Show Runner
• News Shooter / Video Journalist
• Line Producer / On-Location
• Senior Producer / Project Manager
• Non-Fiction Film Director
• Creative Director
• Post-Production Manager
• TV News Producer

Meera Angelica Joshi is an international filmmaker who was born in New Zealand, raised in Australia and currently lives in New York, USA. Meera started making films in high school which gained recognition from teachers and peers. She followed her dream to New York University to pursue writing and directing. While at NYU she gained skills in producing, art direction and editing which helped inform her decisions as a director. She interned on films such as They Came Together and Chinese Puzzle as well as the Dr. Oz Show. Combining her interest in Himalayan art and film, she interned in the film programming department at the Rubin Museum of Art where she helped curate their documentary series, Lunch Matters. Since graduating, Meera has completed two films and worked at Bloomberg as a video editor. At Bloomberg, she learnt a lot about producing unscripted pieces and developed a love for documentary. She currently works as a freelance producer and editor and is producing a web series called "How We Met" documenting the hilarious, unexpected and profound ways people come together.

• Documentary DP
• News Shooter / Video Journalist
• Commercial DP
• Video Editor - News
• Production Company
• On-Air Reporter / Host
• Field Producer
• Fixer
• TV News Producer
• Motion Graphics Designer
• Sound Mixer
• Editorial Photographer / Photojournalist
• Video Editor - Documentary
• Video Editor - Commercial
• Production Assistant

Zachary Kerschberg is a narrative and documentary filmmaker based in the Bay Area. Born in the United States, he has lived in South America, Asia, Europe and the Middle East. His narrative films have screened at prestigious festivals around the world, including Cannes, SXSW, and Rhode Island, and his documentary films on disability have had special screenings at the United Nations, the World Bank, and the Paralympics. He most recently produced A Ciambra, which won the Sony Discovery prize at the 53rd Semaine de la Critique in Cannes. His last documentary, Seeing the Full Sounding, won Best American Short Documentary 2015 at the American Documentary Film Festival. Black Dog, Red Dog, a ten-director NYU collaboration based on the poetry of Stephen Dobyns, starring James Franco, Chloë Sevigny, and Olivia Wilde, is Zach’s first feature narrative and premiered at the Guanajuato International Film Festival 2015. Beauty Factory, Zach’s first feature-length documentary, has world-wide distribution and is the #1 selling Spanish-language documentary on iTunes. He is a recipient of a Fulbright Fellowship, a National Board of Review Student Grant, a Janowsky Award, a Wasserman Award, an Agosto Foundation Residency, and a Berlinale Talent Campus alum. Zach holds an Honors B.A. from UC Berkeley in Romance Languages and Literatures and M.F.A.’s in Dramatic Writing and Film Production from New York University.

• Creative Director
• Mobile Journalist / Livestreamer
• Field Producer
• TV News Producer

Mathew Ramirez Warren is a documentary filmmaker and journalist, whose work has been featured on PBS, National Geographic, The New York Times and NBC. His feature-length documentary directorial debut, We Like It Like That, was broadcast on the PBS show America ReFramed, made Rolling Stone’s “15 Must See Movies at the SXSW Film Festival 2015” list, NBC’s “10 must see Latino and Latin American films of 2015” list, and won Best Documentary at the UrbanWorld film festival. It is distributed internationally by Saboteur Media and is available to stream free on all PBS digital platforms. In 2016, he produced and directed Eddie Palmieri: A Revolution on Harlem River Drive, an episode for the Red Bull TV documentary series The Note, and in 2017 he field produced several segments for the National Geographic documentary series Chain of Command, covering international migration through the Darien Jungle in Colombia and Panama, and ISIS recruitment among Trinidad and Tobago’s Muslim community. ​He founded Muddy Science Productions, a full service film, television, web media and advertising production company, and has developed, produced and edited content for brands, media outlets, organizations and entertainment companies, including Tag Heuer, Converse, Fania Records, TCS Global, Maker's Mark, Inside Hook, Wax Poetics Magazine, Discos Fuentes, California Teachers Association, The Pollination Project, Net Impact, HEAL Food Alliance, CURYJ, The Foreign Policy Association and the Institute of International Education. ​His latest directorial effort, Weed Dreams, is a feature-length documentary currently in post-production about Oakland's first of its kind Cannabis Equity Program. For this project he has been awarded a Berkeley Film Foundation Grant, a Miller Packan Documentary Film Fund Grant, an SF Film Documentary Film Fund Grant, and a Sundance Institute Latine Collab Scholarship.

• Non-Fiction Film Director
• Senior Editor
• Video Editor - Commercial
• Video Editor - Documentary
• Video Editor - News
• Full-Service Live Production
• Field Producer
• Production Company
• Senior Producer / Project Manager
• Documentary DP
• Corporate Videographer
• News Shooter / Video Journalist

Margaret Cheatham Williams is an Emmy-nominated independent film producer and editor, currently seeking opportunities and collaborations in the film, audio, and outdoor space. Previously Margaret Cheatham was a documentarian at The New York Times, where she pitched, produced, shot and edited narrative and documentary video and photography. She regularly collaborated with the graphics department to create interactive content. She is particularly driven to stories that examine the intersection of health, family and personal identity. Through deep character exploration, she aims to tackle intimate issues including gender, fertility, and sexuality. In 2018 she piloted Conception, a highly visual and lyrical exploration of the myriad ways that women become mothers, and the journey that ensues. In the series, we introduce you to six women — each with a transformation uniquely theirs — in first-person accounts of love, regret, doubt and strength. Season II addresses the complexities of raising children in our modern era – We asked parents: What does it mean to raise children in the context of #MeToo, the immigration discussion, the opioid crisis and the gun debate? Her other work at the Times took her to Pyeongchang, South Korea where she covered the Winter Olympics, to Brazil, and all over the US, where she has reported on postpartum depression, politics and produced 360 video. Margaret Cheatham’s work has been recognized by the Livingston Awards, the Hearst Foundation, Pictures of the Year International, the National Press Photographers Association, Society for News Design, and the South by Southwest interactive awards. Her films have premiered at AFI Fest and the Margaret Mead Film Festival. In 2016 she was selected as an alternate for the Fulbright-National Geographic Digital Storytelling Fellowship, which provides opportunities for U.S. citizens to participate in an academic year of overseas travel and storytelling on a globally significant theme. She has been a multimedia coach at the North Carolina Photojournalism workshop and has served as judge for the National Press Photographers Association Best of Photojournalism contest and the White House Press Association. Previously she a video intern for The Los Angeles Times, The Washington Post and MediaStorm, an award winning multimedia production house. She completed a bachelor's degree in 2011 from the School of Media and Journalism at the University of North Carolina at Chapel Hill, where she studied photojournalism and French. Margaret Cheatham loves pineapple, lives in San Francisco with her husband, and the other love of her life – their West Virginian mutt, Duma. Her company, Moxie’s Daughter, is named for her mother, the best photo assistant she’ll ever have.

• Series Producer / Show Runner
• Non-Fiction Film Director
• Video Editor - Documentary
• Field Producer
• Senior Producer / Project Manager
• Audio Storyteller
• Documentary DP
• Reporter / Journalist
• Fixer
• Commercial DP
• Production Assistant

Free-Lance, Award Winning, Documentary Filmmaker and Cinematographer (Experienced x 10 Years) 20 x years US Military Experience - Specialties - Experienced Filmmaker and Video Journalist In Austere War Torn Environments, Subject Matter Expert In Military and US Veteran Affairs, US Foreign Policy, Counterterrorism, Environmental National Disaster Crisis and Response To Include Artic, Wildland Forest Fires and Hurricane Flood Conditions, US Stateside Domestic and Fringe Organizations To Include Worker and Political Unions, Super PAC Donation and Lobbyist Groups, Anti-Government and Racial Populist Movements and Organizations, US Government Foreign Policy and National Security Correspondence, Conflict Resolution and Restorative Justice Issues, Travel Journalism, Restaurant and Food Industry, Live and Staged Sporting Events, Comedy, Satire, Video Art, and Underwater Video and Photography, Independent Commercial, Narrative, Documentary Filmmaker, and Producer

• Commercial DP
• Creative Director
• Production Company
• Sound Mixer
• Video Editor - Commercial
• Sound Designer
• Documentary DP
• Field Producer
• Editorial Photographer / Photojournalist
• News Shooter / Video Journalist
• Video Editor - News
• Fixer
• Production Assistant
• Reporter / Journalist
• Mobile Journalist / Livestreamer
• Motion Graphics Designer
• Video Editor - Documentary
• Line Producer / On-Location
• Senior Producer / Project Manager
• Post-Production Manager
• Transcriber
• Colorist
• Non-Fiction Film Director

Melina Tupa is an award-winning Argentinean and Brazilian journalist and documentary filmmaker, specializing in human rights and Latino issues across the world. She started her career as a print reporter for Billiken magazine and Diagonal Newspaper in Argentina but soon moved onto visual journalism. She worked for five years as an associate TV producer, three of those years at Turner Broadcasting System. There she wrote and produced short news formats that aired during commercial breaks, in-between shows and were shared on social media in nearly every Latin American country. Melina holds a Bachelor in Journalism degree from the Pontifical Catholic University of Argentina and a Master of Journalism degree from UC Berkeley, focusing on Documentary Filmmaking and Photojournalism. At the Berkeley J-School, Melina was awarded a TV/Documentary Merit Fellowship and the Carlos M. Castañeda Journalism Scholarship. Her documentary thesis The Search, told the story of Estela de Carlotto, the president of the Grandmothers of the Plaza de Mayo, whose grandson was abducted during the Argentinean military dictatorship. The documentary is a Student Academy Award finalist, a recipient of the Society of Professional Journalists (SPJ) Excellence in Journalism Award for Student Special Project in addition to several other awards, and has been featured in different film festivals across the world. In her free time she enjoys playing the guitar, singing and taking 35mm photographs.

• Documentary DP
• News Shooter / Video Journalist
• Video Editor - News
• Field Producer
• Fixer
• TV News Producer
• Sound Mixer
• Editorial Photographer / Photojournalist
• Translator
• Video Editor - Documentary
• Video Editor - Commercial
• Production Assistant

I'm an independent documentary film director, producer, and editor, and a Berkeley City College faculty member of the Multimedia Department, where I teach video arts. I most recently worked as a Senior Producer for eight years at San Francisco's PBS/NPR affiliate KQED, where my team and I were awarded 17 industry awards, including several Webby Awards, regional Northern California Emmys, and recognition from the Society of Professional Journalism - Northern California. I led arts and culture video coverage and special projects featuring the region’s creative communities and beyond. Documentaries I directed for KQED explored the impact of gun violence on Black and Brown communities, the toxic legacy of uranium mining on Native lands, and recovery in the aftermath of Northern California’s wildfires. I created and senior produced the YouTube series If Cities Could Dance, featuring dancers who represent their cities’ signature moves. Prior to my work with KQED, I directed and produced the national Emmy-nominated documentary “Tulia, Texas” (PBS’ Independent Lens,) documenting a landmark civil rights case exposing racial injustices in America’s War on Drugs. I also produced the national PBS Not In Our Town specials “Light in the Darkness,” and “The Fire Next Time,” (POV), and produced numerous regional episodes of the anti-violence storytelling project. My other producing and directing credits include “Rising from Ruin” (MSNBC’s Hurricane Katrina special,) “Policing the Force” (WNET’s Expose: America’s Investigative Reports,) and “Murder in St. Petersburg” (PBS FRONTLINE World.) My work has been programmed at SXSW Film Festival and at film festivals around the world; broadcast and streamed on PBS NewsHour, the New York Times, and The Guardian. When I'm not making media or supporting my students, you can find me cheering on my teenage son on the basketball court, community gardening, or chilling with my dog and cat, Coco and Diego who went viral on Instagram. (@cocolovesdiego)

• Documentary DP
• Video Editor - News
• Reporter / Journalist
• Video Editor - Documentary
• Video Editor - Commercial
• Creative Director
• Field Producer
• Non-Fiction Film Director
• Senior Producer / Project Manager
• Senior Editor

Nisha Balaram is a filmmaker based in Oakland, California, and a graduate of UC Berkeley's Graduate School of Journalism. She is known for El Equipo (2023), Stephen Curry: Underrated (2023) and Voices Rising: The Music of Wakanda Forever (2023). In addition to running her own production company, Mystery Squid Films, as a video producer, she has created original content for clients, overseeing development through deliverables and acting as a director, producer, cinematographer, and editor. Nisha also oversees post deliverables and has previously produced videos for Spanish-language audiences. Recent projects include videos for Google Arts and Culture page, a Planet or Plastic? National Geographic Society exhibition virtual tour, a PBS and Center for Asian American Media special, Radio Free Asia’s 25th anniversary video, and a gardening series for University of California. LinkedIn: https://www.linkedin.com/in/nishabalaram/ UC Berkeley Bio: https://journalism.berkeley.edu/person/

• Non-Fiction Film Director
• Video Editor - Commercial
• Video Editor - Documentary
• Video Editor - News
• Field Producer
• Production Company
• Post-Production Manager
• Production Assistant

Howdy! I'm an award winning director, cinematographer and editor based in California. I work with brands, agencies, NGOs and production companies. As a director: I have an extensive background in developing and pitching ambitious projects to executive leadership. My films have a unique look and feel characterized by truth and authenticity in the storytelling and dynamic and creative camera work. As a cinematographer: I always try to work in service of the story. I'm capable of giving it a unique identity in the visual approach or can find beauty in simplicity. I'm highly collaborative and am capable of taking direction or leading the way creatively. As an editor: I pride myself on crafting compelling stories. I try to uncover poignancy and vulnerability in the characters. All my edits have a creative edge and careful attention to detail, taking the effectiveness of every shot into consideration. Freelancer and co-founder & director at The Elevens.

• Video Editor - Commercial
• Video Editor - Documentary
• Creative Director
• Non-Fiction Film Director
• Senior Editor
• Landscape Photographer
• Portrait Photographer
• Commercial DP
• Corporate Videographer
• Documentary DP
• Field Producer
• Colorist

Alessandra Ram is an award-winning producer, journalist and founder of Good Luck Media, the first journalism studio for climate. As a field producer for Al Jazeera, she reported from Flint, Puerto Rico, Thailand, the US-Mexico border, Canada and all over her home state of California. She received two Emmys and two National Edward R. Murrow awards for her documentary coverage of the refugee crisis and environmental justice. Her stories have garnered tens of millions of views and been shared widely across platforms. In 2020, she launched an immersive YouTube show about tourism and social media. She also led social strategy and editorial partnerships for WIRED, where she covered events in tech, entertainment and business. She started her journalism career as The Atlantic’s social and video fellow — a first for the 166-year-old magazine. Alessandra is a judge for the Edward R. Murrow Awards with the Radio Television Digital News Association.

• Senior Producer / Project Manager
• Field Producer
• Series Producer / Show Runner
• Fixer
• Executive Producer
• Reporter / Journalist
• Social Media Producer
• Senior Editor
• Line Producer / On-Location

Selected as one of Variety Magazine's 'Top 10 Directors to Watch', Emily Abt has directed six feature films - four documentaries and two narratives. Her social issue, character driven films have premiered at Sundance and aired on networks such as Showtime, Starz and PBS. Known for taking on delicate subject matter with skill and diplomacy, Emily is equally passionate about narrative and documentary filmmaking with extensive experience in both as a writer, director and producer. Emily is also a seasoned documentary cinematographer and branded content director who has created films for clients such as 23andMe, Microsoft, Janssen, Pfizer and Oracle. Abt was a Brooklyn based filmmaker for 20 years who moved to the Bay Area in 2016 with her family when her husband became a professor at UC Berkeley. She is a member of New Day Films, Free the Bid, Film Fatales and the Collective of Documentary Women Cinematographers. Emily believes film is the most powerful communication tool of our time and loves to collaborate with fellow storytellers.

• News Shooter / Video Journalist
• Documentary DP
• Corporate Videographer
• Production Company
• Non-Fiction Film Director
• Field Producer
• Video Editor - Documentary
• Commercial DP

I'm a filmmaker (Producer/Coordinator) and Corporate Event Photographer. I am experienced with union paperwork and office PA roles, and I work as a local in the San Francisco Bay area and Reno-Tahoe. I regularly work at Intel. I connect quickly and meaningfully with a wide range of people, especially in the tech word. I have interviewed hundreds of subject matter experts from federal judges to porn stars, both on camera and off. I recently directed and produced films for the permanent online exhibit THE GREAT JAZZ REVIVAL for Stanford University Libraries and the San Francisco Traditional Jazz Society, exec. producer Margaret Moos Pick. My documentary film work frequently screens in museums. I produced ZERO POINT, the first live action VR film, featured at Sundance, New Frontier.

• On-Air Reporter / Host
• Video Editor - Documentary
• Production Coordinator / Crewing
• Production Assistant
• Non-Fiction Film Director
• Line Producer / On-Location
• Field Producer
• Event Photographer
• VR / AR

I'm an Emmy-winning documentary filmmaker based in San Francisco, California. I have a passion for telling the untold stories, and for telling them in a way that lets the viewer into the lives of others in an intimate and view-altering way. My feature-length documentary "Waking Up to Wildfires" was nominated for an Emmy in 2020, and my short doc, A Brush With the Tenderloin, won an Emmy award in June 2013. I also create videos for editorial, non-profit, and corporate clients, favoring those clients who want 'story' to be the backbone of their video. Before embracing documentary film about seven years ago, I was a print journalist and investigative reporter. I worked on newspaper in my native Iowa and in California, and also worked as a foreign correspondent in Mexico City, Mexico for five years.

• Documentary DP
• Commercial DP
• Field Producer
• TV News Producer
• Production Company
• Mobile Journalist / Livestreamer
• Video Editor - Documentary
• Video Editor - Commercial
• Production Assistant
• News Shooter / Video Journalist
• Corporate Videographer
• Drone Operator
• Non-Fiction Film Director

I have many years of experience as a Producer, Director, Editor, and professional Location Scout with over 1000 production credits to date. Have worked on budgets from $1000 to $500,000. I have the most experience working with brands in the Entertainment, Music, Education, BioTech, Science, Cosmetic, Food, and Travel Industries. I've worked on the agency side, in television, and in the corporate world, but I've mostly worked as a freelance producer and creative, creating commercials, promos, branded content, corporate marketing, and web series, for both television and the web. I also have a handful of film, documentary, movie trailers, and infomercial credits as well. I own my own production company, Videobot: https://vimeo.com/videobottv As well as a Location Scouting Service: http://mrlocationscout.com/

• Commercial DP
• Creative Director
• Production Company
• Field Producer
• Video Editor - Commercial
• Motion Graphics Designer
• Sound Designer
• Sound Mixer
• Video Editor - Documentary
• Fixer

I'm a San Francisco Bay Area based Director, Producer & DP bringing empathy, authenticity and beauty to branded content & documentary films. My background in photojournalism, non-profit and agency work allows me to find the emotional core behind my client’s stories. As a creative director & cinematographer I’ve brought the feel goods to all aspects of production for clients including Uber Freight, Levi's, Intel, Twilio, Dignity Health, TOPIC, CNN, Doris Duke Charitable Foundation and Silicon Valley Bank. Before this, I spent a decade as a Director / DP crafting documentary content in the U.S., East Africa and Central America. From concept to execution, I produced projects for clients such as the GE Foundation, Google, Microsoft, The Guardian, Al Jazzera International and The San Francisco Chronicle.

• Field Producer
• Creative Director
• Video Editor - Documentary
• Documentary DP
• Production Company
• Senior Producer / Project Manager
• Video Editor - News
• News Shooter / Video Journalist

Ash is a Bay Area and Los Angeles-based producer and writer who has helped create award-winning independent features and documentaries, including Netflix’s Seven Days Out and CNN’s Land of the Giants. She began her career as a young actor, studying at the Stella Adler Conservatory in New York City. Her film and television credits include Law & Order: SVU, Law & Order: Criminal Intent, All My Children, Olé and The Family Fang. Ash studied Philosophy at The New School and Baruch College, where she began her explorations in creative writing and producing. She developed art films and wrote copy for the New School Free Press. In 2018, Ash made her Sundance Film Festival debut as Producer of the Indie episodic, susaneLand. In 2020, she won her first Emmy as a research producer on the YouTube Original science series, Could You Survive the Movies?

• Field Producer
• Production Coordinator / Crewing
• Senior Producer / Project Manager

Pallavi Somusetty is a documentary filmmaker and video journalist and an alum of UC Berkeley J-School's documentary program. She works as a videographer and editor filming important stories for media outlets and clients. Her recent documentary, Escaping Agra (escapingagra.com), is screening in film festivals across North America. In the last fourteen years Pallavi's career has seen her reporting for a community newspaper in Silicon Valley, videotaping product users at a New York City ad agency, producing short-form educational documentaries, and traveling internationally to film challenging stories, most recently in India and Belize. In her spare time she fills up her phone with photos of her kid.

• Documentary DP
• News Shooter / Video Journalist
• TV News Producer
• Production Company
• Creative Director
• Field Producer

I am an Oakland-based shooter/editor. Before moving to video in the mid-00's, I worked as a photo assistant and photographer for advertising and editorial where honed my lighting skills and technical camera knowledge. I have worked on projects ranging from independent feature films to short documentary series to corporate explainers. I was born in Singapore, transported to the Mid-Atlantic and grew up Chinese Minnesotan. Moved to the Bay Area as a lot of folks were heading the other direction. Fast friends, but not really much of a hugger. When not working (but not malfunctioning), you can sometimes find me playing music or riding my bike, but you're just as likely to find me on the couch reading or napping.

• Documentary DP
• Video Editor - Documentary
• Field Producer
• Commercial DP
• Video Editor - Commercial
• Editorial Photographer / Photojournalist
• Animator / Visual Effects Artist
• Colorist

JoeBill Muñoz is a Mexican-American director and producer. He’s currently working on a scripted series with Left/Right Media in collaboration with The New York Times, and directing and producing an independent feature documentary about solitary confinement in California prisons. He's previously worked on a feature documentary with director Gabriela Cowperthwaite in collaboration with Reveal at the Center for Investigative Reporting, and an Emmy-award winning Frontline investigation, KIDS CAUGHT IN THE CRACKDOWN, about the for-profit mass detention of migrant children in the US. His work has been supported by the Sundance Documentary Fund, Firelight Media, ITVS, SFFILM, the Reva and David Logan Foundation, and others.

• Documentary DP
• Video Editor - News
• Reporter / Journalist
• News Shooter / Video Journalist
• Commercial DP
• Field Producer
• Production Assistant
• Fixer