Discover Top News Shooters / Video Journalists in Santa Rosa, California, USA

I’m a creative & current Producer & DP in the SF Bay Area whose passion is character-driven stories that reveal an underlying issue. I love what I do, and that comes across in my work with you, and the product I deliver. Recently, I was honored to be Director of Photography on Warner Brother's award-winning movie 'Batkid Begins' (2015), Video Exhibit Producer for Global Lives Project at Lincoln Center, NYC (2016), and to film for NBC's 1st Look (2016). As a Producer & Director, I've successfully crafted award-winning videos for tech start-ups & fortune 500 companies to build brand awareness & also work independently as a documentary filmmaker on inspiring & emotionally engaging films, which has brought me to Vietnam, Cambodia, India & Brazil. In addition, I'm a filmmaker for the Global Lives Project, a collective that films 24-hour lives around the world, as part of a global collection of day-in-life videos. My fortes? Ideating & Creative collaboration, Putting together a dynamic crew, Cinematography, Storytelling, Directing on location. Team player.

• Documentary DP
• News Shooter / Video Journalist
• Commercial DP
• Reporter / Journalist
• Video Editor - News
• Video Editor - Documentary
• Video Editor - Commercial

Experienced Emmy-award-winning photojournalist with an artistic eye who thrives in fast-paced, high-pressure, high-energy working environment of TV news and internet broadcasting. Demonstrated success setting up and executing a wide range of work for multiple shows and web platforms, meeting deadlines, and troubleshooting as problems arise. Versatile self-starter and multitasker who works quickly and efficiently on independent shoots and as a key team player. Reputation for quality production and portfolio that includes daily news packages, live shots, special reports, and sports including Warriors, Giants, and Raiders highlights. Content seeker with strong work ethic and positive attitude. Strategic vision for unplanned breaking news events. Recognized proficiency at in-camera editing, enabling ease for reporters and producers to log, and transition to raw video over various platforms, including social media. Accustomed to all news environments.

• News Shooter / Video Journalist
• Corporate Videographer
• Commercial DP
• Documentary DP
• Video Editor - News
• Editorial Photographer / Photojournalist
• Mobile Journalist / Livestreamer
• HD Live Operator
• Creative Director
• Field Producer
• Fixer

Hi! I’m a video producer and writer on a quest to tell new stories and to examine the accuracy and implications of established narratives. My videos, articles and audio stories have been published by Business Insider, Insider, Slate Magazine, the Orlando Sentinel, VII Foundation, The Chautauquan Daily and Dublin South FM in Ireland. Before joining Storyhunter, I worked as a video editor, producer and animator for Business Insider, where my videos received over 15 million views across YouTube, Twitter, Snapchat and Facebook. Some of my most recent documentary and video essay projects trace the battle surrounding a Confederate statue in a small Florida town, and the way 'Parasite' director Bong Joon-ho recycles and perfects moments from film to film. SKILLS • Adobe: Premiere, After Effects, Audition, Lightroom, Illustrator, Photoshop, Media Encoder, Prelude • Video: Pitching, research, pre-production, shooting B-roll, interviewing (reporting, audio, lighting, framing), sourcing imagery, organizing footage, scripting, narration, editing, animation, refining audio, color correction, subtitling, using CMS and Xchange, launching and growing online video series, setting and achieving views goals 
• Journalism: Video and podcast production, news and culture reporting and writing, still photography and editing, writing captions, leading and organizing production teams
 RECOGNITION • 2020 NPR Kroc Finalist for “The Statue That Won’t Go Away”
 • Official Selection 2019, SPLICE Film Fest in the Short Documentary category for “What We Used to Be"

• Video Editor - Documentary
• Video Editor - News
• News Shooter / Video Journalist
• Motion Graphics Designer
• Reporter / Journalist
• Audio Storyteller
• Copywriter
• Fixer
• Field Producer
• Video Editor - Commercial
• Animator / Visual Effects Artist
• Editorial Photographer / Photojournalist
• Sound Designer
• Colorist

I am an Emmy nominated producer and director with experience developing, producing, directing and editing more than 400 hours of content. My portfolio includes docu-series, documentaries, original branded digital programming, digital series, VR, feature films and commercials. From 2007-2010, I served as the Producer of New Media at 51 Minds Entertainment. My leadership and responsibilities included overseeing on-air special programming and all stages of creative series development, strategy, production and post for digital and social media platforms. Under my leadership, 51 Minds Digital/Vh1.com produced 3,000+ episodes totaling over 350 hours of digital content. During this time, 51 Minds’ digital platform initiatives set landmark standards for their distribution partners. After 51 Minds Entertainment, I went on to produce a number of on-air projects, for production partners such as Facebook Watch, Amazon Prime, MTV, VH1, Discovery, Bravo, A&E, We TV, Lionsgate and others. Recently, I served as the Co-Executive Producer for the Discovery Channel documentary ‘The Swim’, chronicling a long distance swimmer’s attempt at crossing the North Pacific from Japan to San Francisco. I currently serve as Co-EP at Sharp Entertainment, overseeing the production and post production on a variety of shows. With a keen cinematic eye and sense of visual storytelling, coupled with vast experiences in digital content, non-scripted, traditional TV space, feature length film and documentary production, I have a uniquely extensive skill set encompassing the development, content creation, production and post-production of a wide variety of formats to execute the highest digital standard across all platforms.

• Creative Director
• Production Company
• Fixer
• Field Producer
• Translator
• Video Editor - News
• Video Editor - Commercial
• Video Editor - Documentary

Adam Garrett-Clark holds a Bachelors of Science in Print Multimedia Journalism from Emerson College, Boston Massachusetts. While backpacking through Central America he founded a monthly Tourism Magazine, in Leon Nicaragua. As lead writer, editor and ad salesman, LeonEazy published six issues, distributing 1500 copies in town, and became a force in the local economy. In 2007 he returned to the states, taking a job as an ad salesman for a weekly newspaper in Northern Manhattan, New York. His intent was to write. By the end of his three years, Manhattan Times created a staff writer position for him and he was developing a series of short news documentaries for the website. ​ In 2010 Garrett-Clark returned to San Francisco taking temporary work as a Pedicab driver while looking for a job in media. Seduced by the beauty of making a living on a bicycle, his cover letter writing fizzled out. Taking on freelance journalism projects throughout that time his work has included: Video evidence collection for Law Firm Siegel & Yee, Scriptwriting for explainer video series MinuteVideos, post production for Independent Lens series The Revolutionary Optimist, Research assistant to Wired Magazine writer Gary Wolf and Joshua Davis on separate occasions. Production Assistant and or Consultant on various documentary projects, Produced videos for the arts center, The Crucible, which exhibited at the Oakland Airport, and wrote for Patch San Leandro.

• Documentary DP
• News Shooter / Video Journalist
• Video Editor - News
• Reporter / Journalist
• Mobile Journalist / Livestreamer
• On-Air Reporter / Host
• Translator
• Video Editor - Documentary
• Video Editor - Commercial

Isara is an award-winning documentary filmmaker and freelance director of photography and editor based in Oakland, CA. Her verité cinematography is noted for demonstrating the trust she earns with her subjects and her ability to considerately perceive and represent complex truths at the heart of each story. As a Video Producer for KQED Arts (PBS/NPR affiliate in the SF Bay Area) Isara produced, edited and shot a dozen mini-docs for the web reaching a nationwide audience. She produced and edited the Portland episode of the pilot season of KQED Art’s Webby Award-winning web series If Cities Could Dance, which highlights dancers around the country and the social issues they address with their art. She shot for KQED’s Regional Emmy-winning video A Border Wall of Piñatas Brings a Community Together. Her work has also appeared in The San Francisco Chronicle, CrossCut Seattle, EdSource and The Grotto Network. She has been involved in feature documentaries on Netflix, CNN, and MSNBC. Isara has directed, shot and edited short documentaries in the San Francisco Bay Area for the East Bay AIDS Center; Women Organized Against Life-Threatening Disease (WORLD), a grass-roots Oakland org helping unhoused women understand and wean off opioid abuse; and for the Ruth Asawa San Francisco School of the Arts, the only public high school in the US with a World Art curriculum. She holds a masters degree in Journalism from the University of California, Berkeley, where she was selected as a Documentary Fellow. She grew up in a neighborhood of Boston, MA.

• Documentary DP
• Commercial DP
• Creative Director
• Production Company
• Field Producer
• Video Editor - News
• Video Editor - Commercial
• Video Editor - Documentary
• Reporter / Journalist
• News Shooter / Video Journalist

Producer/Director/Cinematographer from Brooklyn, NYC. Now residing in the Bay area. Freelancer for KQED Arts & Sciences. Currently commissioned by the Oakland Museum for 3 films about West Oakland set to screen in july 2016 til 2017. Back in NYC I was Producer for two seasons of a TV show called "Behind the Unsigned" for FuseTV. The show was a reality-docu series that profiled unsigned talent receiving notoriety independent of a record label deal. Soon after I created my own indy series called "Say Something Worth Something", SSWS for short. It was a play on the MTA transit slogan "If You See Something Say Something". It profiles artist and creators in the NYC Metro area that I felt deserved a platform. The series was picked up by Complex mag. and AfroPunk Festival. This series is what garnered the attention of KQED. I really enjoy working on docs long & short. I have a feature length doc on gender identity I completed this year in the role of Lead DP called "We Exist".

• News Shooter / Video Journalist
• Commercial DP
• Documentary DP
• Fixer
• Video Editor - News
• Video Editor - Documentary
• Video Editor - Commercial

I am an Emmy® nominated Oakland-based video producer + editor with a passion for creating powerful and engaging visual content. I am a graduate of Northwestern University, and George Washington University’s Institute for Documentary Filmmaking. She was the 2011 George Stoney Fellow at Working Films, and a 2013 BAVC Mediamaker Fellow. In 2016, she received an Emmy® nomination for “Women Dancers Redefine Oakland’s Street Dancing Scene”, published on KQED Arts. Stemming from a background in psychology and the non-profit sector, her focus is on mission driven content. In the past I have worked on feature documentaries, online courses, short documentary & video journalism, and short marketing content for non-profit organizations via outlets including KQED, The New York Times, TED, and others. I believe in the power of media to expose stories and truth, spark conversations, and break down barriers.

• Documentary DP
• News Shooter / Video Journalist
• Production Company
• Field Producer
• Video Editor - News
• Video Editor - Documentary

As a kid I was sure of one thing: when I was older I was going to be a Ghostbuster. I was going to haul my Proton Pack and Ghost Trap around in the Ecto-1, live in an old firehouse, and save my hometown from the tyranny of paranormal beings, three of my best buds in tow. When I came to learn that Ghostbusters weren’t real, but were instead fictional characters created for a movie, I did the rational thing and made my first and only career move into film making. The logic being, maybe I couldn’t be a Ghostbuster, but I could help make them… and hopefully meet one. Before attending film school I toured the country playing rowdy punk music with my non-Ghostbuster best buds. I gained a lot of experience on the road and through it accustomed myself to being exhausted, uncomfortable, and sometimes starving all the while chasing after creativity as fast as our beat-up van would go. I eventually made my way to San Francisco where I attended the Academy of Art University and studied cinematography. I again found myself in a state of lacking human comforts, but overflowing creatively. As a result of that experience and the connections I made within my program I was able to get myself onto set working as a First AC on numerous films, commercials, and music videos, leading me into my current role as a Director of Photography. As such, I practice technically adept filmmaking with a focus on igniting the imagination and pulling on the heart strings of my audience, the kind of film making that would make anyone want to be a Ghostbuster.

• Commercial DP
• Documentary DP
• Corporate Videographer
• News Shooter / Video Journalist

My name is Rosa Amanda Tuirán and I am a Mexican documentary filmmaker, photographer and investigative journalist based in the Bay Area. I received my Master of Journalism from UC Berkeley Graduate School of Journalism in May 2020. I worked as a News Video Fellow at BuzzFeed News and was a National Association of Hispanic Journalists Fellow at CBS News in 2019. In March 2020, I was part of the COVID-19 reporting project with the Investigative Reporting Program and The New York Times to help meet the need for comprehensive reporting on how the Covid-19 crisis affected California. After graduating, I worked on a PBS Frontline investigation, and have continued to pursue independent work about climate change and insecurity in Mexico. In November 2020, I published an investigation in The Counter about a meatpacking plant in Southern California that illustrates the national failure of OSHA to protect workers. Longreads recently included the piece in their best COVID-19 reporting of 2020. This year I worked as a series Producer for OceanX about the wonders of the ocean and those who explored it and I produced a Ford Foundation-funded podcast series about the murder of journalists in Mexico.

• News Shooter / Video Journalist
• Documentary DP
• Field Producer
• Reporter / Journalist
• Editorial Photographer / Photojournalist
• Translator
• Line Producer / On-Location
• Production Coordinator / Crewing
• Production Assistant

Jun’s 13 years in journalism have taken her from reporting on Alaska Natives’ opposition to oil drilling in the Arctic National Wilidlife Refuge, to the fight against the U.S. military expansion in Guam and Okinawa. She’s interviewed Chinese-American grocers who live along the Mississippi Delta, and covered the resistance against Monsanto’s use of herbicides in Puerto Rico. And she spent over 5 years on filming the documentary Futbolistas 4 Life, about youth from undocumented families in East Oakland and a student-led fight for a safe place to play in response to the violent deaths of their classmates. Jun has worked on documentaries that have premiered at SXSW and broadcasted on ESPN and MSNBC. Her work can also be seen in the Washington Post, the Associated Press and KQED. She joined AJ+ three months before the Al Jazeera channel officially launched in 2014, back when they were one of a few news organizations experimenting with video for social media. Her AJ+ team Untold America won three Regional Emmy Awards, and Futbolistas 4 Life was an official selection of the San Francisco International Film Festival. She’s a '19 Online News Association Women’s Leadership Accelerator fellow and a jury judge for the International Documentary Association awards. She’s a former SFFILM House resident and BAVC National MediaMaker fellow. Her work has also been supported by Women in Film, Glassbreaker Films, the Berkeley Film Foundation and other funders. Jun grew up in Oakland, California and Kobe, Japan, has also lived in Los Angeles, Cork, Ireland and along the Mississippi River in Northern Illinois, and has traveled to over 20 countries across Asia, Latin America, Europe and North Africa.

• Production Coordinator / Crewing
• On-Air Reporter / Host
• Field Producer
• Reporter / Journalist
• Series Producer / Show Runner
• News Shooter / Video Journalist
• Line Producer / On-Location
• Senior Producer / Project Manager
• Non-Fiction Film Director
• Creative Director
• Post-Production Manager
• TV News Producer

Meera Angelica Joshi is an international filmmaker who was born in New Zealand, raised in Australia and currently lives in New York, USA. Meera started making films in high school which gained recognition from teachers and peers. She followed her dream to New York University to pursue writing and directing. While at NYU she gained skills in producing, art direction and editing which helped inform her decisions as a director. She interned on films such as They Came Together and Chinese Puzzle as well as the Dr. Oz Show. Combining her interest in Himalayan art and film, she interned in the film programming department at the Rubin Museum of Art where she helped curate their documentary series, Lunch Matters. Since graduating, Meera has completed two films and worked at Bloomberg as a video editor. At Bloomberg, she learnt a lot about producing unscripted pieces and developed a love for documentary. She currently works as a freelance producer and editor and is producing a web series called "How We Met" documenting the hilarious, unexpected and profound ways people come together.

• Documentary DP
• News Shooter / Video Journalist
• Commercial DP
• Video Editor - News
• Production Company
• On-Air Reporter / Host
• Field Producer
• Fixer
• TV News Producer
• Motion Graphics Designer
• Sound Mixer
• Editorial Photographer / Photojournalist
• Video Editor - Documentary
• Video Editor - Commercial
• Production Assistant

Sub64Films specializes in documentary content for film, television, and brands. Founder Kevin Gordon is a Student Academy Award® winning documentary filmmaker whose films have screened at festivals across the world. He is drawn to inspirational, cinematic, character based storytelling. His film Dreams Awake won a 2010 Student Academy Award and was selected for the “Filmmakers of Tomorrow” program at the Telluride Film Festival. He worked as an associate producer and field producer on "I Almost Got Away With It" a 13-part documentary series for Discovery and has also worked on productions for PBS and Facebook and directed for the New York Times' OpDoc Series. His first feature-length documentary TRUE SON about a 21-year-old trying to save a city in crisis premiered at the 2014 Tribeca Film Festival and has been picked up by Fusion TV, a new collaboration between Univision and Disney. Kevin received his MFA in Documentary Film and Video at Stanford University.

• News Shooter / Video Journalist
• Commercial DP
• Video Editor - News
• Documentary DP
• Video Editor - Documentary
• Video Editor - Commercial

I'm a San Francisco-based storyteller working for a more equal and integrated society. I'm dedicated to challenging taboos and illuminating truths by giving voice to marginalized populations through film. I am in the post-production phase of my SF Film Society-sponsored short documentary, There Is a Place, about a musician who visits various Alzheimer's care facilities in the SF Bay Area. The film explores how contributing to a collective musical sound within a circle of peers brings out presentness, playfulness and a sense of connection in the face of memory loss, loneliness, and the end of life. Aside from my personal film projects, I've worked with corporate, nonprofit and solopreneur clients to deliver compelling videos that serve their messages. These projects include both documentary-style and narrative shorts, and I drive these projects from creative story development to production, direction and post-production.

• News Shooter / Video Journalist
• Commercial DP
• Documentary DP
• Video Editor - News
• Sound Mixer
• Reporter / Journalist
• Video Editor - Documentary
• Video Editor - Commercial

I am a documentary filmmaker, directing feature length documentary films. I have been working with social justice groups to create media to tell their stories for 12 years. I have produced hundreds of short videos to be shared online. I have been creating media around worker's strikes, election campaigns, etc so I am used to producing videos on tight deadlines. Much of the work I do has a press component; I often provide interviews, photos & broll reels to press. In 2010 when my work supporting immigrant rights communities in my home state of Arizona drew national coverage, I began getting freelance assignments for radio, PBS Jorge Gestoso Investiga, CNN Espanol, NBC National, TeleSur, Democracy Now, Bill Moyers and Al Jazeera's Faultlines (line production). I am an editor so I capture professional video/ audio with all of the components to tell a story. I came to video journalism through advocacy media but I understand the difference.

• News Shooter / Video Journalist
• Documentary DP
• Video Editor - News
• Sound Mixer
• Editorial Photographer / Photojournalist
• Mobile Journalist / Livestreamer
• Video Editor - Documentary
• Video Editor - Commercial

Mathew Ramirez Warren is a documentary filmmaker and journalist, whose work has been featured on PBS, National Geographic, The New York Times and NBC. His feature-length documentary directorial debut, We Like It Like That, was broadcast on the PBS show America ReFramed, made Rolling Stone’s “15 Must See Movies at the SXSW Film Festival 2015” list, NBC’s “10 must see Latino and Latin American films of 2015” list, and won Best Documentary at the UrbanWorld film festival. It is distributed internationally by Saboteur Media and is available to stream free on all PBS digital platforms. In 2016, he produced and directed Eddie Palmieri: A Revolution on Harlem River Drive, an episode for the Red Bull TV documentary series The Note, and in 2017 he field produced several segments for the National Geographic documentary series Chain of Command, covering international migration through the Darien Jungle in Colombia and Panama, and ISIS recruitment among Trinidad and Tobago’s Muslim community. ​He founded Muddy Science Productions, a full service film, television, web media and advertising production company, and has developed, produced and edited content for brands, media outlets, organizations and entertainment companies, including Tag Heuer, Converse, Fania Records, TCS Global, Maker's Mark, Inside Hook, Wax Poetics Magazine, Discos Fuentes, California Teachers Association, The Pollination Project, Net Impact, HEAL Food Alliance, CURYJ, The Foreign Policy Association and the Institute of International Education. ​His latest directorial effort, Weed Dreams, is a feature-length documentary currently in post-production about Oakland's first of its kind Cannabis Equity Program. For this project he has been awarded a Berkeley Film Foundation Grant, a Miller Packan Documentary Film Fund Grant, an SF Film Documentary Film Fund Grant, and a Sundance Institute Latine Collab Scholarship.

• Non-Fiction Film Director
• Senior Editor
• Video Editor - Commercial
• Video Editor - Documentary
• Video Editor - News
• Full-Service Live Production
• Field Producer
• Production Company
• Senior Producer / Project Manager
• Documentary DP
• Corporate Videographer
• News Shooter / Video Journalist

Free-Lance, Award Winning, Documentary Filmmaker and Cinematographer (Experienced x 10 Years) 20 x years US Military Experience - Specialties - Experienced Filmmaker and Video Journalist In Austere War Torn Environments, Subject Matter Expert In Military and US Veteran Affairs, US Foreign Policy, Counterterrorism, Environmental National Disaster Crisis and Response To Include Artic, Wildland Forest Fires and Hurricane Flood Conditions, US Stateside Domestic and Fringe Organizations To Include Worker and Political Unions, Super PAC Donation and Lobbyist Groups, Anti-Government and Racial Populist Movements and Organizations, US Government Foreign Policy and National Security Correspondence, Conflict Resolution and Restorative Justice Issues, Travel Journalism, Restaurant and Food Industry, Live and Staged Sporting Events, Comedy, Satire, Video Art, and Underwater Video and Photography, Independent Commercial, Narrative, Documentary Filmmaker, and Producer

• Commercial DP
• Creative Director
• Production Company
• Sound Mixer
• Video Editor - Commercial
• Sound Designer
• Documentary DP
• Field Producer
• Editorial Photographer / Photojournalist
• News Shooter / Video Journalist
• Video Editor - News
• Fixer
• Production Assistant
• Reporter / Journalist
• Mobile Journalist / Livestreamer
• Motion Graphics Designer
• Video Editor - Documentary
• Line Producer / On-Location
• Senior Producer / Project Manager
• Post-Production Manager
• Transcriber
• Colorist
• Non-Fiction Film Director

Melina Tupa is an award-winning Argentinean and Brazilian journalist and documentary filmmaker, specializing in human rights and Latino issues across the world. She started her career as a print reporter for Billiken magazine and Diagonal Newspaper in Argentina but soon moved onto visual journalism. She worked for five years as an associate TV producer, three of those years at Turner Broadcasting System. There she wrote and produced short news formats that aired during commercial breaks, in-between shows and were shared on social media in nearly every Latin American country. Melina holds a Bachelor in Journalism degree from the Pontifical Catholic University of Argentina and a Master of Journalism degree from UC Berkeley, focusing on Documentary Filmmaking and Photojournalism. At the Berkeley J-School, Melina was awarded a TV/Documentary Merit Fellowship and the Carlos M. Castañeda Journalism Scholarship. Her documentary thesis The Search, told the story of Estela de Carlotto, the president of the Grandmothers of the Plaza de Mayo, whose grandson was abducted during the Argentinean military dictatorship. The documentary is a Student Academy Award finalist, a recipient of the Society of Professional Journalists (SPJ) Excellence in Journalism Award for Student Special Project in addition to several other awards, and has been featured in different film festivals across the world. In her free time she enjoys playing the guitar, singing and taking 35mm photographs.

• Documentary DP
• News Shooter / Video Journalist
• Video Editor - News
• Field Producer
• Fixer
• TV News Producer
• Sound Mixer
• Editorial Photographer / Photojournalist
• Translator
• Video Editor - Documentary
• Video Editor - Commercial
• Production Assistant

With over 20 years of experience in video production, I’m an accomplished DP, camera op, editor, and post-production specialist. My goal is to be the best at what I do, always striving for perfection and delivering it. I’m a dedicated and hardworking team player that always tries to keep it fun. I pride myself on being equally technical, creative, and resourceful. I have experience in documentary, commercial, corporate, and event production among others. My combined talents provide a full stack video production offering. As an editor and post specialist, I offer full-service post-production services. I can take a project from ingest to finishing and delivery. Color grading, motion graphics, compositing and cleanup, mixing/mastering, pretty much all of it. Additionally, this crosses over into production as a DIT. Behind the camera I have worked ENG, docu-style, events, fitness, action sports, and commercial to name a few. My recent work has been on Sony's FX line, Blackmagic and Canon cinema cameras. I am also a seasoned gimbal operator, with rigging and operating knowledge of the entire Freefly and DJI ecosystem.

• Corporate Videographer
• News Shooter / Video Journalist
• Documentary DP
• Video Editor - Commercial
• Video Editor - Documentary
• Video Editor - News
• Colorist
• Senior Editor
• Drone Operator
• Post-Production Manager
• Commercial DP
• Sound Designer
• Animator / Visual Effects Artist

An anthropologist and filmmaker, his first feature, “Adelante,” a feature length documentary about Mexican immigration to a historically Irish Catholic church outside of Philadelphia, screened on over 20 PBS affiliates, played at over 30 festivals, and was screened at over 40 colleges. The film won awards at numerous festivals including the Catskill Mountain Film Fest, the Accolade Film Fest and the International Festival of Ethnological Films. His short doc, Searcy County,” screened domestically and internationally, including the Hot Springs Documentary Film Festival and the Sebastopol Documentary Film Fest. He has written about film in journals including “Southern Spaces,” “Visual Communication,” and “The Journal of the Royal Anthropological Institute.” He is currently editing a feature-length documentary about Mexican and American tree planters in the southeast United States, an innovative film that be the first documentary film accepted for a PhD at the University of Pennsyvania

• Documentary DP
• News Shooter / Video Journalist
• Commercial DP
• Creative Director
• Video Editor - News
• Reporter / Journalist
• Video Editor - Documentary
• Video Editor - Commercial