Julie S.
Bainbridge Island, WA, USA
$600 - $1200
2 reviews- Video Editor - Documentary
- Video Editor - Commercial
- Video Editor - News
Bainbridge Island, WA, USA
$600 - $1200
2 reviewsSeattle, WA, USA
$800 - $1500
9 reviewsI'm a video producer/photographer/editor. I've worked for NBCNews.com, MSNBC, Bungie and Amazon.
Portland, OR, USA
$600 - $800
27 reviewsFreelance video and text journalist based in Portland, Oregon with experience in reporting for broadcast and print news. I specialize in feature writing and documentary filmmaking. I shoot with a Canon C300 and 5D Mark IV.
Portland, OR, USA
$800 - $5000
12 reviewsMy name is Josue, I'm an indigenous cinematographer/photographer working on stories that amplify and empower Indigenous peoples. I believe the camera is a powerful tool to connect people with the rest of the world.
Seattle, WA, USA
$1000 - $2000000
2 reviewsSeattle-based DP/gimbal & drone op, licensed and insured. Over a decade of experience shooting in documentary, commercial, narrative, and branded content - with plenty of kit and happy to chat!
Seattle, WA, USA
$500 - $1500
1 reviewfilmmaker / dop / photographer
Portland, OR, USA
$700 - $1200
Jim is an award-winning filmmaker, writer and commercial director living in Portland, Oregon. He has directed feature and short documentaries, web series, commercial campaigns and more for dozens of clients and distributors around the world, with an unparalleled work ethic and unique creative vision. He specializes in compelling visuals, authentic coverage and character driven stories, creating content for brands including National Geographic, AT&T and REI. With a formal storytelling education and degrees in Film and English Literature from the University of Michigan, Jim brings a deep understanding of narrative theory and mechanics to craft thoughtful, authentic stories. As a camera operator, Jim's experience behind the camera as well as the edit bay make him a unique talent as a cinematographer, always thinking ten steps ahead to get the right coverage for the edit. As an editor, Jim is efficient, stylish and on time.
Seattle, WA, USA
$700 - $1500
I’m passionate about what I do. What I do best is tell a good story; it’s who I am. I’ve been working with companies, in the PNW, producing stories ranging from brand storytelling about specialty coffees to profiles of young women seeking advice from their mentors. I bring three things to the job: Directing, shooting, editing, and producing content for broadcast and web Experience in corporate brand storytelling for companies like Microsoft, Concur and Expedia working with internal and external partners at various levels including C level executives. Proven success of storytelling for Starbucks and BECU working with creative teams at HQ and with partners in the field. This experience has taught me to be flexible on any type of assignment, interact with team members, and deliver quality work. My passion is visual storytelling. No matter how big or small it may be. Whether that means shooting content about coffee, or editing a sizzle reel for Microsoft. Creating compelling stories that impact a business is what I strive to achieve on every project.
Seattle, WA, USA
$150 - $250
I have a story for you. Well about you, really. It started when you were born and the world was shiny and new. In fact, everything you encountered had a mysterious wonder to it. Each leaf a miracle, every a blade of grass a world unto itself. As you grew older however, you began to notice less. Responsibilities and schedules vied for your attention and the walk to work was filled with people in your way instead of fascinating humans, each with a story of their own to tell. As your world became narrower, your heart became harder. Then one day, a seed of a thought wandered into your brain and it took hold. It whispered, "Open your tired old eyes, and see the world anew." My mission is to water that seed. As a filmmaker and a wilderness instructor with a passion for adventure, I aim to challenge others to see the beauty in life. I love telling stories, exploring deeper meaning, and helping others discover their potential through adventure and reflection. I am primarily a documentary filmmaker, having produced and directed Ty's List, a feature length documentary about the grieving process and living life to the fullest. I have also created short videos for non-profits such as Chicago Voyageurs and Northwestern Dance Marathon.
Seattle, WA, USA
$300 - $600
I'm a filmmaker and video producer currently working for Grist, a Seattle-based media non-profit that focuses on environmental news and commentary. My focus is on social issues and its intersection with a wide range of topics like the environment, food, justice, immigration, culture, gender and race. Having reported from India, Singapore, South Africa and now the U.S., I strive to bring different and underrepresented perspectives to the fore. My stories are predominantly character-driven, using one compelling voice to paint a larger picture. Prior to Grist, I was an intern at Vox.com, where I produced videos for their politics and social team. I'm a recent graduate of Medill, Northwestern University, with a master's in journalism. My focus was on documentary filmmaking and web videos. Apart from my work at Medill, I've shot and edited a 3-part series with three others in Johannesburg, South Africa, on the two waves of Chinese immigrants to the country and the issues they face. I have also freelanced for various organizations, including DNAInfo Chicago, BuzzFeed, Christian Science Monitor and Brown Girl magazine.
Seattle, WA, USA
$400 - $600
1 reviewKent Truog is a freelance multimedia producer and photographer whose work focuses on issues of conservation, social justice, and cultural preservation. He was a producer on MTV Exit's human trafficking documentary series, is a regular contributor at the World Wildlife Fund, and has partnered with numerous international NGOs to further their philanthropic mission through creative storytelling. Kent is a strong believer in collaboration and hopes his work draws attention to marginalized populations throughout the world. Some of his past projects have involved telling the stories of young women on the verge of aging out of an orphanage in Honduras, gender empowerment through coffee farming in Kenya, critically endangered dolphins in the Mekong River, and most recently he supported a first response unit as a photographer to document the immediate aftermath of those affected by Typhoon Haiyan in the Philippines. Kent is currently based in Manila, Philippines.
Portland, OR, USA
$450 - $1500
Jesse Andrew Clark has spent the past fourteen years honing his visual style in cinematography. Both a creative force and technical mastermind behind the camera, Jesse has taught filmmaking workshops in northern and central California, including the Esalen Institute and UC Berkeley. Jesse has worked with Sundance-winning director Frederick Marx in honing his new feature film as well as National Geographic stereographer Peter Chang in order to hone his timelapse technique. In addition, Jesse has produced big-brand event content (Facebook, Instagram, Samsung, Whole Foods) and thus brings with him an understanding of 'getting the shot' under changing conditions. Although most comfortable behind the camera, Jesse isn't hesitant to get his hands dirty when someone needs a hand. He specializes in motion-control timelapse 4K imaging & post-production and also is an editor, colorist, and motion graphic artist. His true passion lies in service of story through moving picture.
Bellingham, WA, USA
$125 - $250
Bruce is a Transmedia creator using new technology and web platforms for storytelling with motion and sound. A graduate of Vancouver Film School, he focuses on video shorts involving people, place, purpose and food. A passionate solutions thinker for becoming good stewards of the earth, Bruce imagines possibility where others see limitations. He believes we have what we need available to create possibilities, and imagination is our greatest asset. His superpower is in investigative research, with an unbounded curiosity for the unknown. It's a brave new world for storytellers and storytelling! Equipped with a modern, DLSR for video and photography when needed, its my iPhone, iPad and GoPro camera that have become my "go-to" system for transmedia productions. This set-up is light and flexible, allowing me to shoot and edit short stories on-the-run. My iPad and iPhone are loaded with the best apps for transmedia production and my social media platforms are dialed-in.
Portland, OR, USA
$32 - $100
My goal as a journalist is to inform, educate, engage, and inspire my audience. With Journalism today, I find it more important than ever to provide a well-balanced and objective approach. Since licensing my first photograph series to both NBC and CBS in the Spring of 2011, I have become increasingly active since graduating from Northern Arizona University and the Student Media Center newsroom. After graduation, I was hired by the Southwest Learning Community division of the National Park Service to produce and complete a series of micro-documentary projects focusing on the Arizona park system. Since then, I have continued my battle in the trenches of multimedia. Making something out of nothing by creating work through partnerships and the collaborative execution of such grand schemes conceived by the minds of mice and men. All while earning my place in this career by diversifying my skills and refining each an every one of them with the variety of projects I undertake. The road less traveled Is a beautiful one...
Portland, OR, USA
$350 - $750
Oregon-based director Cambria Matlow’s work seeks meaning in charged moments of stillness and values the emotional experiences created from atmosphere and mood. Small interactions and environmental realities often reveal personal and political truths. Her latest film, WOODSRIDER, is an immersive documentary portrait of a female snowboarder on Mt Hood, set to premiere in 2017. BURNING IN THE SUN (2010), about a young man who starts a solar energy business in Mali, was her feature debut, and selected for IFP’s Documentary Lab and Independent Film Week, broadcast on Al Jazeera and PBS, and seen in festivals worldwide. Her work has been awarded grants and residencies from LEF Foundation, Brooklyn Arts Council, Experimental Television Center, the Puffin Foundation, and NW Documentary. Cambria holds a Certificate in Film Production from Burlington College in Vermont and a B.A. in Hispanic Studies from Columbia University. She anticipates earning her Masters in Essay Documentary from EICTV in Cuba in 2018.
Olympia, WA, USA
$300 - $600
I am a writer/ director born in Lesotho. After completing a degree in Film and Media Production I was involved as writer in a few productions, first assistant director, researcher and script supervisor in an international feature titled 'The Forgotten Kingdom'. For three years I was also a junior lecturer in the Film and Television department at Limkokwing University of Creative Technology in Maseru. I was also facilitator in a video journalism workshop at Kick-4-Life in Maseru for a period of about six months. I am currently in the research/ writing phase for a feature documentary: 'The Night 'Tsotsi' died'. My interests are in creative writing, journalsim, short film dramas and documentary films. I have completed a short documentary titled 'Reading Lesotho' for the African Library Project. I'm in post-production for a short documentary telling the story of a South Korean volunteer in a rural village in Lesotho. Currently I am a writing fellow at School of Art Institute Chicago, continuing work in freelance video journalism and documentary filmmaking.
Portland, OR, USA
$800 - $1200
For over a decade, I’ve been lucky enough to work across many areas of the media industry. It has groomed me to excel in all aspects of visual storytelling seeing deadline-driven projects from development through final delivery of assets including pitching, writing, budgeting, field producing, directing, shooting, editing, project management, and publishing with digital asset management systems. It all started at CBS in 2009 paving the way for how the venerable news network broadcasted to a new audience online. At that time, CBSNews.com was ahead of the curve as my team developed the most optimal ways to package television content online from shows such as 60 Minutes, Sunday Morning, and 48 Hours. I was also fortunate enough to work on a live digital show with Katie Couric and produce a streaming simulcast to The Early Show. The hands-on experience and skills I gained over the years at CBS allowed me to join CNN as that network began to reinvent its digital presence. The reach of CNN ramped everything up for me as the projects I worked on received higher budgets and were seen by many more people. This also is where I started to develop more of my project management skills working in sponsored content. The series under this department operate under deadlines set by clients requiring a higher level of production quality and strict delivery schedule both online and on television. Along the way I have been awarded with numerous accolades including an Emmy nomination, Eppy awards and special recognition from the Webbys. The best part of my job is hitting publish and broadcasting a piece I poured my heart and mind into. I never want to stop creating and sharing my passion with the world.
Seattle, WA, USA
$640 - $1440
A media professional with more than 17 years of experience finding, crafting and editing stories -- including work in newspapers, radio, television and online news. As Executive Producer for Digital Media, I managed a team of five producers and four digital assistants creating content that recruits viewers to KIRO 7’s digital platforms, including our website, Facebook page, channels on Amazon Fire and Apple TV, and the KIRO 7 News apps. That role included creating and editing video for each of our platforms, planning and executing social media strategy, and coordinating all livestreams. Doubled KIRO’s daily traffic average in the first year, launched KIRO’s Smart TV apps and our Roku platform became the top local news station on that platform worldwide. Awards include a 2014 Emmy Award for political coverage, a 2017 Emmy for team coverage and a 2018 Emmy Award for crime coverage. As a reporter, I was among the handful selected to transition the Seattle Post-Intelligencer newspaper into Seattlepi.com. Roles were often self-initiated, including video and audio projects. I also oversaw the vast P-I archives and coordinated the partnerships that led to preservation at the Museum of History and Industry and the Seattle Public Library’s Seattle Room. As a reporter at the P-I’s print edition, I crafted thousands of stories by building a network of diverse sources, including confidential sources, public officials, law enforcement officers, sports figures, historians, archivists, and trusted community leaders. After the mass shooting at the Sandy Hook Elementary School, I was selected along a handful of Hearst journalists to tell the stories of Sandy Hook. Stories ran in the network of Hearst Newspapers and news websites, and my contributions included text, video and photos. Additional experience includes a nightly news segment on KIRO Radio, a Seattle history podcast for Seattlepi.com, work at KJR AM and FM in Seattle, overseeing the KIRO 7 archives and creating a partnership to digitize and preserve those through the University of Washington Special Collections. Undergraduate degree is in Business Administration – Marketing.
Seattle, WA, USA
$750 - $3000
Kristina Krug is a Producer and Photographer with 25+ years of industry experience who is currently in Seattle. She continues to work as a local in Nashville, where she was based for 17 years. Kristina works with media companies, agencies, non-profits, and corporations on film and still productions. She is a meticulous, intuitive, and effective creative collaborator. Kristina started her career in Chicago as a print designer and art director, after earning a degree in visual communication. Within two years she began working as a freelance creative director for Chicago area agencies and design firms. Within ten years, her skill set expanded to editorial and commercial photography, and then film production. Throughout her career she has either produced, creative directed, directed, or photographed visual content for film and still productions. Kristina is fully vaccinated, with a current passport and TSA Pre✓ Global Entry membership. Select Clients & Productions: - Cartier - CNN - Condé Nast x 23 Stories - EatingWell - Glamour UK - Hilton - HPE - Kirklands - MKG - The New York Times Magazine - Omega - Shark Ninja - SAP - This Old House - Whisky Advocate - Wild Turkey Distillery - Wine Spectator - U.S. Army Creative Services: - Creative Producer - Creative Director - Producer Director Production Services: - Producer - Production Manager - Production Coordinator - Production Office - Script Supervisor - Crew Hiring - Casting - Budgets - Production Schedule - Shooting Schedule - Estimates - Negotiation - Contracts Local Production Support: - Seattle & Nashville - Local Producer / Field Producer - Local Crew - Local Vendors, Catering, Crafty - Logistics - Location Scouting - Crew Safety, CCO, Security *COVID-19 UPDATE Kristina is fully vaccinated (Pfizer) as of April 2021. The safety and well being of everyone working with Kristina — subjects, clients, crew, and vendors — are the number one priority. Safety and travel protocols will match the latest guidelines from the CDC, EU, and all related state and local governments in the US and abroad.
Portland, OR, USA
$250 - $1000
Andrew Stanbridge has been traveling and photographing throughout Southeast Asia for the past 15 years. His first work documented the continuing modernization of Thailand, Laos and Cambodia, which continues to be a theme that he returns to frequently. While traveling through these countries (particularly Cambodia and Laos) his interest was piqued by the histories of conflict that his own home country of America had been involved in and the recovery from the aftermath of these conflicts. For the past 5 years he has concentrated on this theme by addressing the physical, emotional and cultural scars left from the various wars fought in these countries. During this time he has spent time clearing and photographing unexploded ordnance, gone on patrol with ragtag armies and spent countless hours hearing the stories of those whose lives have been affected by the vestiges of war. These people include sex workers, rice farmers, politicians and others whose stories beg to be told, but who have b
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