Discover Top Production Companies in Nagoya, Aichi Prefecture, Japan

Journalist/Video Producer in Japan. I'm able to provide live news hits on topics related to breaking news in Japan and frequently have done so for the BBC, ABC, NHK, and other major international outlets. With a background of experience working with international media outlets such as VICE News and Japan's public broadcaster, NHK, I have the technical skill and networks here in Japan to produce documentary video packages from anywhere in Japan and the surrounding area. I speak fluent Japanese and have experience coordinating both small and large film crews.

• News Shooter / Video Journalist
• Drone Operator
• Production Company
• On-Air Reporter / Host
• Field Producer
• Reporter / Journalist
• Mobile Journalist / Livestreamer

As a filmmaker, he is of the hybrid generation, having studied both today's digital cinema, which began with the release of the Canon 5DMKII in the late 2000s, and earlier film cinema. At least in the hierarchy of individual filmmakers, which is different from the studio scale, the digital cinema generation is characterized by major changes and technological innovations in cinematography, lighting, editing, sound, and mise-en-scène, and they are the generation that has glimpsed, experienced, and learned from these changes. It goes without saying that digital technology has made it possible for a small number of people to produce images with lighter equipment, higher specifications, and lower production costs, and he himself has adapted his skills to these production styles. For example, in the area of cinematography, he has experienced the flexibility of adjusting the "look" of color and contrast with the advancement of digital technology, higher resolution, slow motion, time lapse, and the diversification of camerawork with the evolution of supporting equipment such as gimbals, drones, and action cameras. In the digitalization of editing, he has been familiar with non-linear editing from the initial stages of acquiring the technology, and has mastered the technique of telling a unified meaning through a montage of short, consecutive shots, as seen in The Kikuichi Story trilogy. Unlike the film era, when much of the work of recording and processing was left to specialists, the digitization of sound has made it possible for filmmakers to perform all the processes themselves, except for composing music. The recent prosperity of royalty-free sound source sites has made it possible to create new background music and sound effects through mixing. In mise-en-scène, various visual effects can now be applied, and things can be added that were not there originally, and things can be removed that were there previously. He has experience and knowledge in all of these areas, and the comprehensive filmmaking skills he has developed over a career spanning more than a decade are reflected throughout his body of work today.

• News Shooter / Video Journalist
• Commercial DP
• Documentary DP
• Video Editor - News
• Sound Mixer
• Fixer
• Editorial Photographer / Photojournalist
• Video Editor - Documentary
• Video Editor - Commercial
• Drone Operator
• Corporate Videographer
• Creative Director
• Event Photographer
• Landscape Photographer
• Portrait Photographer
• Product Photographer
• Art Director
• Full-Service Live Production
• Non-Fiction Film Director
• HD Live Operator
• Fashion Photographer
• Executive Producer
• Field Producer
• Line Producer / On-Location
• TV News Producer
• Gaffer
• Grip
• Production Assistant
• Production Company
• Production Coordinator / Crewing
• Senior Producer / Project Manager
• Series Producer / Show Runner
• Hair and Make-up Artist
• Wardrobe Stylist

Since 2006, the world of movies and filmmaking has taken a great place in Kevin’s life. He has been fond of cinema and in particular of short-films and documentaries. After 2 years of studying at SAE Institute (School of audio engineering) in Berlin he gives it a shot and directs several short-film projects and documentaries both in Switzerland and Germany. He discovers the possibilities offered by stop motion and special effects and at the same time his own world. His willingness to move further and to increase his knowledge leads him to Paris where he works as a cameraman and editor for C4 productions on music videos and documentaries. Cine impuls in Berlin then gives him an opportunity to work as a camera assistant. He is delighted to go back to this city that he enjoys so much. He learns how to master professional cameras and various cinema technics (image, lights, sound). He starts working as an independent filmmaker in 2011 and through agencies get several contracts for documentaries for german TV and image films for companies as Panasonic or EnBW as a cameraman, camera-assistant, editor or motion designer. He also actually fulfill one of his dreams, writes and shoot documentaries around-the-world since january 2015. The name of the project is doc’it yourself, do yourself your own documentaries, he begin this project alone but want to connect with other filmmakers and create a community of independent films around the world. In his travel he meet the film community "Collabfeature" and direct a long feature film with 40 international directors. The film "Train Station" already win 4 prices in different festivals.

• Documentary DP
• Creative Director
• Video Editor - News
• Production Company
• Video Editor - Documentary
• Video Editor - Commercial

It started with editing- I love it! on virtually every level, whether it's a broadcast program or an independent short, I get immense satisfaction from the process. It's about creating order from chaos, and finding emotionally engaging narratives within sometimes seemingly disparate raw content, or crafting scenes to draw out the drama and character. Now I've branched out into creative and operational management both in production and post production - with the ability to deliver high quality under all kinds of difficult circumstances. My clients have included advertising agencies such as Wieden Kennedy, BBH, M&C Saatchi, streamers such as Amazon Prime, Netflix and DAZN, but I also don't shy away from more modest projects that are about creating emotionally engaging, sincere content.

• Non-Fiction Film Director
• Senior Editor
• Video Editor - Commercial
• Video Editor - Documentary
• Post-Production Manager
• Corporate Videographer
• Creative Director
• Documentary DP
• Production Company
• Senior Producer / Project Manager

Representative Partner at Penny Black Co. I worked for a production agency making television and cable TV programs, mostly news and documentaries. Corporate videos and promotional videos for cities as well. Also, when I worked for a web channel company, they sent me all over the world to shoot at international conferences on the environment. I got very interested and now I try to make videos for clients who want to tell the stories of forests and mountains, rivers and oceans.

• Video Editor - Documentary
• Video Editor - News
• News Shooter / Video Journalist
• Corporate Videographer